Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

FrogGlace In other words,this film is a surreal ride.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

erica-taylor-1 What an awful waste of time. Second rate acting from all concerned and the plot, if you can call it that, made no sense whatsoever. It appeared to me that the actors, if you can call them that, were ad-libbing their lines or making it up as they went along. Give this a definite miss. It is a bucket full of tripe.

cbm967 Worst Danny Dyer file bar none. The female lead cannot act. Godawful file. Stick to gangster films and Eastenders Danny boy.

kiz-i-iz You know you're scraping the very depths of the Amazon Prime barrel if you subject yourself to nearly 2 hours of this drivel.I have seen worse acting, but only in films starring Ryan Gosling.The direction feels like it was done by a 2nd year film student who scammed a $50k budget from some demented Auntie & borrowed the Uni's equipment to bang it all together over a long weekend...& yet he's been making stuff since the 70's!!! Truly, God awfully terrible.Trust me....don't do it...I've suffered enough for all of us.

Leofwine_draca BLOODSHOT is an intense, would-be psychological thriller along the lines of the FATAL ATTRACTIONs of old. It's a low budget British romp, set and filmed in London, and it features a maverick special effects technician (played in his customary style by Danny Dyer) who rescues a confused young woman on the street and takes her back to his place. She ends up living with him, and a blossoming romance develops between the pair...Much of BLOODSHOT consists of scenes which go nowhere only to develop the slowest-moving narrative either. There are lots of horror elements in the script, from Dyer's ultra-gory work as a SFX guy to some absolutely ludicrous nightmare sequences that look like they belong in a cheap Jess Franco movie, but in terms of actual plotting and incident little happens. The scriptwriter is content to keep you guessing, building up to what I hoped would be a huge pay-off at the climax.Except that pay-off never happens; the story just fizzles away, leaving this a film as a whole where nothing happens. It's almost entirely without merit; the technical values are reasonable, but the acting is pretty diabolical. Dyer is his usual self but it's Zoe Grisedale who comes off the worst, looking completely out of her depth in such a demanding role. A couple of British film regulars appear here and there (Craig Conway and Keith Allen) but they add little to what is in essence a non-starter of a film.