Linbeymusol Wonderful character development!

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

JohnHowardReid In Old Colorado. Paramount, released 14 March 1941. Directed by Howard Bretherton.Cast: William Boyd, Russell Hayden, Andy Clyde, Margaret Hayes, Morris Ankrum, Sarah Padden, Cliff Nazarro, Stanley Andrews, James Seay, Morgan Wallace, Weldon Heyburn, Glenn Strange, Eddy Waller, Philip Van Zandt. 67 minutes. Available on an excellent Platinum Disc DVD, this is an agreeably action-packed, well-written rancher (Andrews) and foreman (Ankrum) versus nesters (Padden and Hayes) outing against magnificent scenery that takes in plenty of gunplay, despite the out-of-place presence of double-talking Cliff Nazarro. On the other hand, Cliff's stupidity enables Andy Clyde to betray more sense than usual (he even outwits Phil Van Zandt's shell game chiseler) and - yet more surprising - take a plausible hand in the action. Margaret Hayes makes a fetching heroine. Hayden can do little with his role, but the part is so small, it doesn't really matter. Hoppy himself comes across in top Bill Boyd form, while H. Bretherton not only contrives an atmospheric use of his impressive outdoor locations but paces the movie along at an admirably fast clip.

chipe I hate to complain. I actually like the Hoppy films a lot, mainly for William Boyd's appealing personality and acting, the good production values, and the fine outdoor location scenery. I'll make two complaints, though. One, I find the comic sidekicks (other than Gabby Hayes) grating. Here, California Carlson got on nerves with his never-ending chatter. Same goes for the double talk routine of the cook. The other thing that bothers me is the slender, chancy, coincidental thin reeds of the mystery-solving. In this movie, there are two main forces arrayed against each other, each accusing the other of rustling their cattle and other misdeeds. Hoppy, for some good reasons, thinks a third party is guilty. And he thinks, for no real good reason, a member of that party is an insider at Ma Woods ranch. Ma Woods had blabbed all over town that Cassidy was coming with money to buy her cattle so anyone could have heard of this. Then, the first night Cassidy spends at Ma's ranch, one of the bad guys happens to sneak out in the middle of the night, and Hoppy decides to follow him. To me it seems difficult to follow a horseman over wide open plains and not be detected. Likewise, to me it seems impossible for Hoppy and friend to scale a mountainous peak to subdue a lookout, and the lookout does not hear or see the guys. And so it goes.

bkoganbing In Old Colorado finds Hopalong Cassidy along with Russell Hayden and Andy Clyde come up from Arizona on a cattle buying deal from the Bar 20. An old friend of Bar 20 foreman Buck Peters needs to sell her cattle because Sarah Padden and her granddaughter Margaret Hayes can't get them to water. They're locked in a bitter dispute with Stanley Andrews who owns the local Ponderosa and controls the water rights. And he ain't about to let no homesteaders have any. Homesteaders by his definition is late arrivals to the territory be they cattlemen or farmers.Padden leads the homesteaders and she's in a bitter dispute with Andrews. But Morris Ankrum of her crowd is looking to get everyone killed and take over. It takes diplomacy to settle this one and Bill Boyd has plenty of both.The romance department in the Hopalong Cassidy series was always left to the young sidekick. Russell Hayden gets a bit serious with Margaret Hayes who would go on to have a good career as usually a second string leading lady.Hoppy fans will go for this one.

Mozjoukine IN OLD Colorado has all the qualities and a few of the faults of this series, which brightened the lives of a generation of little boys (and a few girls). More than half a century later, nostalgia and recognition of the exactness of the approach both make this one rewarding.To start with there's Boyd's painstakingly idealized lead, riding, shooting and attitudinizing. Some of Russel Harlan's most striking mountains photography backs the action, which includes a smallish herd of cattle getting pounds run off them in stampedes in swirling dust. Hayes proves one of the spunkiest of the heroines, actually filmed close to the action, as the herd sweeps by, and managing to take down the bad hat with a rifle shot. The best of the lead trios show up, with Clyde's California allowed to eliminate a look out with a comic routine, after being left holding the horses, and Heyden's Lucky backing off when one of those young women, who seem to prefer Hoppy, actually shows an interest in settling down with him. Bretherton, who did the first of the series, organises things efficiently. The balance between action and basic plot is just right and the comedy is even occasionally funny.Against this is s certain simple mindedness. The cowboys sleep in full western gear. Hoppy manages to reconcile the Nesters and the Rancher and penetrate a dastardly plot with a couple of unconvincing lines of dialogue. Buck Jones and Tim Holt used to ride through something closer to the real world - but what the heck!