Perry Kate Very very predictable, including the post credit scene !!!

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

mark.waltz This forgotten screwball comedy is overlooked because of a certain dance partner that Ms. Rogers was dancing with at the same time, taking her to the top of the box-office charts. Here, she plays a paranoid movie star who disguises herself with over-sized buck teeth, a dark wig and glasses to hide from the public. You can't hide beauty, however, and it is easy to spot that this disguise is a phony. It doesn't take long for people-shy bird watcher George Brent to find out her true identity when he agrees to take her to his cabin in the mountains for a rest. Brent, the popular leading man of practically every leading lady of the 1930's and 40's, is always likable, if not remarkable. Yet, his list of leading ladies consists of women so popular all you need to hear is their last names to know exactly who they are: Stanwyck, Davis, Francis, Oberon, Blondell, Colbert, Arthur, Loy, and Sheridan, to name just a few. Rogers shows great comic spunk here, finally an "A" star after several years of "B" leads and supporting roles in "A's" like "42nd Street' and "Gold Diggers of 1933". She proves she doesn't need that dancer named Mr. Astaire to hold onto a movie, and gets Astaire's choreographer, to handle her one dance number where she uses strings to hold onto each of the male dancers she moves around a nightclub set with.The storyline is a bit preposterous, typical for many screwball comedies of the mid 30's, but fun. Alan Mowbray is the hammy movie star meant to represent Rogers' leading man (overstuffed and full of himself). The songs by Dorothy Fields and Oscar Levant are adequate, but the musical numbers is one of Ginger's best sans Fred, even without high heels or moving backwards.

barrymn1 I've always wanted to see this movie, because it contains two extremely obscure and fabulous songs, "Don't Mention Love To Me" and "Out Of Sight, Out Of Mind", written for this film by Oscar Lavant and Dorothy Fields. There's a 1935 Brunswick 78 by Kay Thompson of these two rare tunes, and they're just about as good as any songs of the depression era.I finally got a VHS of this rather rare movie, and I was floored by how wonderfully mediocre it is. It moves at a fast pace and the acting is just fine. The screenplay is more than a bit silly.If I have a vote, I would get Warner Bros to include this in a Ginger Rogers DVD collection.It's absolutely a worthwhile film to watch and own.

moonspinner55 Ginger Rogers plays a popular movie actress (so famous, in fact, that her face is on the cover of every single magazine at the newsstand) who seeks solace and anonymity with a businessman in the mountains while disguised as a wallflower. Rogers, who is convincing incognito on and off for the first twenty minutes, doesn't have much to work with here, although she does get to do a cute tap dance/cooking sequence. Otherwise, this star-vehicle is mighty thin, and co-stars George Brent and Grant Mitchell are both lackluster. Not a bad beginning, but by the midway point it has lost all inspiration. ** from ****

Natasha-1 The film is just a great escape for the viewer. I love watching Ginger act the part of a spoiled rich movie star-considering she seemed to be very down to earth in her every day life. The costume was so un-movie star like but Ginger shows that she is just more than a pretty face by pulling off that stunt ! She has just a divine comedic touch and this early film of hers illustrates that.Brent is so-so...he wasn't bad he wasn't fantastic either. Ginger's co-star and supposed love interest in the film is funny and brings some more hijinks to her vacation.There is a scene where he is to be involved in an altercation with Brent's character--it's priceless.I have three fave moments in this film. The first is when Ginger wakes up in the cottage the morning after she gets there ... she sees a bird and decides to take a swim . Something about that scene is so relaxing and carefree.The second is when she is doing her solo dance scene towards the end of the film. You finally get to see this woman get the limelight doing her own routine instead of sharing it with Astaire ( who was wonderful by the way ).I can't leave out the third scene which has her dancing to a song on the radio in the cottage living room.This is a really nice early Ginger movie which all Ginger fans should watch. It is quite a treat.Thanks Ginger xoxo