GetPapa Far from Perfect, Far from Terrible

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

ckormos1 John Liu apparently made some good money at the beginning of his career. He then seemed to blow it all on some self- produced, directed and starring films that enabled him to travel and have love scenes with white girls. Way to go, John! So when a movie is made for those reasons then how good can it be? The answer is – this bad.The only thing that kept me watching this movie was trying to decide the worst part. It was a close tie for every part as the worst. The top three in my opinion are the simulated oral sex in the woods, that Roger Paschy looked prettier than some of the woman, and Casanova Wong. Casanova seems to "act" in every scene as if he was in a comedy. But why be critical? I will call it a tie for every scene as the worst scene.

MartinHafer This film is also known as "Ninja in the Claws of the CIA", though I think a better title would be "Bad Martial Arts Film With Even Worse Writing and Direction". It's simply a very incompetent martial arts film--the sort that is good for a laugh but not much else--and it never would be mistaken for a Shaw Brothers film! Early on, it's obvious that this is an incompetent film. The movie is badly dubbed and although it's supposed to be set in the USA, the folks didn't originally speak English. The punches and kicks are pretty funny, as the sound effects for them often occurs BEFORE or well AFTER the punch or kick is delivered (though some of the fighting is pretty good)! I also liked seeing US military guys with long hair--very long hair. The folks who made the movie simply didn't try very hard to make this one look realistic! John Liu wrote, directed and starred in this mess. He plays a Vietnam vet who is forced to work for the CIA. It's actually pretty funny, as the acronym 'CIA' is thrown about all the time--so often that you can't help but laugh. "We at the CIA, want you to work for us, the CIA. The CIA needs you." It's also funny because you can't help but wonder why this organization needs to teach its members to use swords and other ancients weapons when a gun would suffice! The film naturally involves lots of fighting, double-crosses and women throwing themselves at Liu. Most of it isn't all that good and the worst part is the writing--which is pretty much what a talented lemur might do. Pretty dumb.

BA_Harrison This film features absolutely no ninjas, in the claws of the CIA or otherwise. What it does have, however, is one of the most stupid and disjointed plots I have ever seen in a martial arts film—and that's saying something! A Russian defector has developed a method of combining martial arts with self-hypnosis that renders the user impervious to pain and able to resist sexual persuasion; however, he is shot before he can reveal any of his secrets to the CIA. Still, not to worry.... 'cos it turns out that there's already a guy in the US—a fighter named John Liu (played by John Liu)—who knows how to do exactly the same thing (which begs the question, 'Why didn't they go to him first?).Liu is recruited against his will by the US government in order to teach their operatives his technique, but after going along with the idea for a while—allowing him enough time to hook up with sexy computer boffin Caroline and show off his skills in some pretty impressive fight scenes—our hero decides to cross the border to Mexico and freedom, along with his new ladyfriend and a briefcase full of top-secret documents that the CIA will do anything in order to retrieve...Jumping from Hong Kong, to the US, to Mexico, France and finally Spain, this film is quite literally all over the place; in fact, the stilted narrative structure makes it seem as though three different films have been thrown into a blender and then edited back together by a blind man. By the crazy finalé, in which John gets to fight masked CIA agents at an airport before tricking the chief bad guy with the old 'grenade in the briefcase' trick, viewers will have been treated to umpteen moments that, although technically inept and poorly acted, are truly awesome in their awfulness.Check out John as his incredible trance technique is put to the test by sexy CIA agent Susan; watch in amazement at the sheer crassness of the 'press-up in the park' scene; cheer as John nonchalantly blows up a jeep full of innocent soldiers; marvel at how quickly John forgets Caroline and hooks up with a new girlfriend in France; be astonished as a ceramics shop is laid waste by high kicks and punches; and delight at the dumb ending in which John and ex-foe Wong (Casanova Wong) fly off into the distance together having finally defeated the enemy: Ninja In The Claws Of The CIA might be crap, but it's thanks to unbelievable scenes like these that it still manages to be fairly entertaining crap.

AlbertV79 I saw this film and the only good bits were the kicking abilitities of John Liu, Casanova Wong, and Jose Maria Blanco. But the story, man, why did John do this to himself? He ain't the type to have love scenes, especially with two girls like the ones I saw. This should've been a way better flick for a 70's chop socky star like Liu.