Inferno of Torture

1969
5.7| 1h35m| en
Details

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

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Trailers & Clips

Also starring Masumi Tachibana

Reviews

Harockerce What a beautiful movie!
ReaderKenka Let's be realistic.
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Staci Frederick Blistering performances.
Ténèbre Rarum (Dario_the_2nd) Inferno of Torture (1969)Beautiful and perfect example of a supreme "exploitation" movie!-I want to mention as first, this is one of the most weird and beautiful DVD menus I have seen. The menu to select from consists out interactive persons. Depending on which one you choose they will get hanged, cooked or burned. Cool interactive DVD menu. Also the movie is just of a super quality. The print is awesome.-The movie starts straight away with a couple of pictures, revealing the bizarre stuff you're in for. The cooking of a woman who betrayed her husband. The hanging and cutting in 2 of a betrayer of the 'Koga' clan, who also served at that same moment as test object (on his body) to try out some new swords. The burning of a woman and we keep continuing on this kinda level... So in other words the movie cuts to the chase from the first second. The film continues with the story of the 'Tokugawa Sjogoen' clan, which had a severe punishment system to protect her own feudal system as the torture they used against Christians that consists, up to a serious gruesome level.-This movie works onto 2 levels right in opposite of each other, and it works pretty well. On one side you have the cruelty of the pain, suffering and torture. While on the other side the director puts a very charming picture, on how beautiful love is. The love scenes in this movie/documentary are nice gentle and subtle. And all in atmosphere of happiness accompanied with joyful music (Emanuelle alike sound). At one moment you have a shot of a young happy couple madly in love followed by the next second shot of the burning of a man in some special kind of cook-sarcophagus. Also the way they carry out an abortion, I wouldn't call it customary! As many other stuff I don't even mention, this movie will pull your mouth wide open.-This flick is at some points pretty disturbing, as for the moment they beat the hell out a little girl as a few moments later they burn her eyes out. So the movie is certainly for a mature audience and for sure not for the young commencing exploitation freak!!!-This movie shows some cruel ways on how a human being with power and a certain believe/religion can display onto others. It will take you in a sphere of the 'voyeur'. And indeed ask yourself the Q? Why for god sake do I have interest in seeing this kind of movie? 'Reality-check'? Pretty nasty flick and for sure a must have on the strange bizarre and uncommon. A must for every serious collector. So a recommendation? YES indeed!
Thorsten_B A film about obsessions on bondage and tattoos, disguised as historically adequate treatment of an inglorious episode in Japans long gone past. It's ingredients are violence, brothels, tattoos, female whorehouse bosses, tattoos, mean pimps, even meaner prostitutes, tattoos, whips, knives, drugs, torture and tattoos. The main theme is the transformation of young girls' skins into pieces of art, depicting both abstract and figurative motives, the latter mainly dealing with death, birth, violence and other more or less disturbing themes. Compared to other far eastern films from the same exploitation category, the violence seems almost moderate. The narration, in a fairytale-like old fashioned style, is, of course, a child of it's time. In total, the film's not so good, but not so bad either; it is not very original, but still (in a positive sense) light years away from the commercial cinema we have today – which is intriguing since films like this, in their days, were themselves first and foremost done to make money.
dmacewen I love these bourgeois lemmings weaned on swill like The Exorcist, Alien, Jaws, The Omen, Poltergeist, The Silence of the Lambs, and other such Hollywood swill. They love to talk about "storytelling" and movies where you "care about the characters," as if that were the only one way of making a legitimate horror film (and let's face it: the "characterizations" in these films are often laughable in their pretensions and shallowness). Here's a bit of news for those who haven't figured it out yet: there's no such thing as "gore for gore's sake." There's only apologetic gore and unapologetic gore. Ishii was a terrific filmmaker. You people need to expand your horizons beyond Stephen King. (A great writer, by the way.)
EVOL666 First off - I believe that the other reviewers on this page are reviewing SPLIT OXEN TORTURE, which is neither part of the "true" JOYS OF TORTURE series - it's actually an unofficial sequel - nor is it directed by Teruo Ishii. That film (directed in 1976 by Yuuji Makiguchi) has it's own IMDb page under the title TOKUGAWA ONNA KEIBATSU-EMAKI: USHI-ZAKI NO KEI. INFERNO is not the "gore" film that SPLIT OXEN is - though Makiguchi's film is very good as well - and is honestly better than any of the Ishii-directed JOT films that I've seen so far. In fact - INFERNO was far too weak on gore to be truly memorable to me, and was actually very dull at points...The story-line revolves around two tattoo artists who are vying for the attention of the Emperor. Jealousy and the love of a young concubine get between the rival artists and causes problems for all involved...Unfortunately - there's just not nearly enough torture in INFERNO to be all that joyful. I was hoping for a little "rougher" content - and this one didn't really deliver. The story-line was decent enough - but it tended to drag quite a bit after the first third of the film or so, and only picked up slightly towards the end. The very last scene of the film was decent, but not enough to save it overall. Worth a look to Japanese exploit fans, but don't expect too much out of it...6/10