Matcollis This Movie Can Only Be Described With One Word.

StunnaKrypto Self-important, over-dramatic, uninspired.

Konterr Brilliant and touching

Borgarkeri A bit overrated, but still an amazing film

bkoganbing With the exception of Steve Cochran who did do some leads Inside The Walls Of Folsom Prison is a film Warner Brothers did with a whole lot of their supporting players. Both as convicts and guards they tell a gritty tale about Folsom Prison the place where all the really bad apples in the California Penal System go. Plus others when the system has no room elsewhere. Ted DeCorsia got the career role in this film as the sadistic warden who takes real pleasure in meting out punishment. He has it arranged so he's like Pavlov conducting experiments with rodents all to give him maximum jollies. Some of the cons are people like Cochran, Philip Carey, Paul Picerni, Michael Tolan and William Campbell. Carey's case is a particularly tragic one. He's due for parole and becomes enmeshed in some of the warden's games. Dorothy Hart has a tragic role herself as the expectant wife just waiting for her man to come home.David Brian plays a guard who is sent by the prison board to help bring about some changes. He does to a limited extent, but he's defeated with a combination of DeCorsia's game playing and the fact that he's dealing with some really desperate characters.Inside The Wall Of Folsom Prison is a gripping prison drama that does not let up in tension or drama. A great film about desperate men.

MartinHafer I was really very shocked...pleasantly shocked...when the film began. The narration was among the most vivid and vicious I can ever recall hearing at a film's introduction! You can clearly tell this is NOT one of those films that is anti-prisoner but is an exposé of sorts about the evils of this particular prison! In many ways, the toughness and style remind me of another classic film..."Brute Force".Soon the prison has a riot and several prisoners try to escape. A couple guards are killed and the psychotic Warden (played wonderfully by Ted de Corsia) seems almost happy about it! Now he can really make the prisoners' lives hell! He also beats the ring leader half to death...and seems to take pleasure doing this. He also uses stoolies...and then deliberately exposes them to the retribution of their fellow prisoners...all for kicks! It's obvious that the place is horrible even by prison standards...thanks to this sociopath. Not surprisingly, a new Captain of the Guards is brought in from the outside (David Brian). He's not a sadist but has plans on straightening out the system and restoring humanity to Folsom. Surprisingly, the Warden lets him implement his reforms...but you also realize that sooner or later, the Captain's days are numbered and the Warden will attempt to destroy the Captain.Overall, this is a very impressive film. After all, the film stars a lot of folks who are normally supporting actors and they all acquit themselves very well. This is also thanks to a taut script and excellent direction. Well worth seeing...and far better than I'd anticipated!

lchadbou-326-26592 If you see the name Crane Wilbur in the credits, either as writer or director, especially if it is a crime picture, you can be sure that it will be above average. Wilbur used his skills as a veteran actor (going as far back as the silent Perils Of Pauline serial) as an author and later as a director to deepen the quality of the genre work he took on, often through research before shooting, so that the results had more unusual dialogue and a richness of realistic detail. Here he starts off what is basically a standard movie formula by having the prison itself, in this case Folsom, narrate the story! The plot pivots on the contrast between sadistic warden Ted De Corsia who wants to restrict the menu his inmates can eat ("Beans three times a day") and a well meaning new captain of the guard David Brian who believes in psychology and compares the De Corsia character to history's dictators (" You're as much a psychopathic case as any man in here") The treatment also benefits from use of the real Folsom location, touted in the opening (it would later be used again in such as Revolt In The Big House) some nice lensing (the scene where 5 convicts in a cell make plans, after the lights have been turned off early, their faces glimpsed in the dark) and effective musical underscoring by William Lava. If there is a big flaw in the film it's the decision to portray the brutal conditions as something way in the past- the turn of the century, in fact- and to assure the audience at the end with the return of narration that things have now improved, a somewhat false sweetness and light conclusion. If you want to learn more about Wilbur's fascinating career I recommend the biographical article by scholar Brent Walker in the Spring 2011 issue of the publication Noir City. Walker says that Inside The Walls Of Folsom Prison "may be Wilbur's signature work."

mackjay2 Here is a case where a cast of solid and interesting actors become the main reason to watch. INSIDE THE WALLS OF FOLSOM PRISON is not in the league of great prison movies like BRUTE FORCE (Dassin, 1947), but it has some singular qualities that will make fans of the prison movie genre want to seek it out. The film opens with the prison speaking--yes, a familiar-voiced narrator speaking as Folsom itself. The intention of the film is a lesson in prison reform. But we are spared any dryly didactic speech-making. The opening sequence is full of super-charged action, as several prisoners carry out a plot to assault guards and take over. Their initial attempt fails, leaving the ringleaders at the mercy of con-hater warden Rickey (a nicely corrosive Ted De Corsia). Rickey is not just intolerant of any resistance from prisoners, he's sadistic and cruel. In a scene reminiscent of BRUTE FORCE, Rickey beats a prisoner (Paul Picerni) to unconsciousness behind the closed door of his office. But there is no Wagner playing loudly on a phonograph to cover the violent sound, as in the Dassin film. Even his own guards are disgusted by Rickey's brutality. Later, we are treated to scenes of stool-pigeons and the revenge exacted on them by fellow prisoners. Things start getting more out of hand as a new, well-meaning head guard (David Brian of THE DAMNED DON'T CRY) tries to introduce a more tolerant approach. Steve Cochran is billed as the film's star, but his character, Chuck Daniels, does not come into his own until well past the mid-point. Daniels is a prisoner famed for several previous escapes. And in Folsom he does not disappoint. It's great fun watching Daniels lead a daring escape attempt. And the film has a satisfying final payoff. Cochran, De Corsia, Brian, Picerni are terrific, at the top of their acting game. Also great in the cast: Philip Carey and Edward Norris as nasty Sgt. Hart. James Griffith (the 'Zachary Scott of the Bs') makes a notable stool-pigeon. William Lava's score is attractive and rarely intrusive. Watch this one for the great cast.