Involuntary

2008
7| 1h38m| en
Details

In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.

Director

Producted By

Svenska Filminstitutet

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Reviews

Incannerax What a waste of my time!!!
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
ingelaallard Five independent stories which all possess an admirable wit and acuity. They all share one thing - the involved have to stand up for their own will and resist the so often overwhelming peer pressure that we all at some point has been the victim of.Ruben Östlund has created a sleek, straight and accurate film where the acting is unbeatable. We have to be alert, listen and try to keep up with the sometimes very complicated plot. The camera is rolling and it allows all the involved to take all the space. The stories has a strange sense of normalcy on the surface, and the every day situations succeeds each other with finesse, perfectly knitted together until the end without any forced resolution or final connection. It is this kind of story I feel can be associated with Sweden. This may be our future culture imprint.Ruben Östlund possesses a narration that grabs at his audience and he is not afraid to challenge. It is exciting despite unremarkable equality in the presentation, and the persons in the five stories, feel very real.
taliabo The camera angles were interestingly different. Made you think about the conversations and not focus so much on the shallowness of what I call: eye candy syndrome, which Hollywood so likes to depict. One thing that did disturb me when reading reviews was that a few of the very positive ones contained the same misspellings. That is hardly a coincidence. Back to the film: There seemed to be too many thematic subplots going on, despite other reviews that seem to say: "hey, that mirrors life". But generally, the film was entertaining and was an interesting diversion. The homo-erotic male-bonding deal with the guys seemed a bit contrived. I couldn't figure the rhyme or reason there.
ozjeppe A teacher who witnesses a colleague strike a pupil gets ostracized by the other teachers. The elderly host at a posh party is injured but refuses to have medical attention. A stout bus driver refuses to go on driving unless the one who vandalized his bus steps forward. Two young teen girls go on a drunken, out of control-spree with friends. An all-male party weekend in the country has unexpected sexual repercussions... Five very different Swedish stories with one big common denominator: peer pressure and the situations it puts people in.Sad, on-target and all-too credible snapshots of social awkwardness & spinelessness, male pride and an equally sad alcohol culture. Major asset is the refreshing, semi-documentary-style ensemble acting, which makes me ask: why can't all Swedish movies have such seamless, perfectly and naturally performed dialog all the time? Too bad it's yet another case of finely written (and carefully photographed - often Roy Andersson-static - leaving details out of shot) little stories that don't get the development or resolution they deserve - we never get to know some characters enough to care (like the old man who gets a piece of fireworks in his eye), which proves that this movie easily could've been even stronger with 20 more minutes or so! 6 out of 10 from Ozjeppe
stensson Young Swedish director Ruben Östlund made a strong debut with "Gitarrmongot". It was a very personal way of narration. In "De ofrivilliga" he gives even more promises.Five episodes, involving five very different kinds of Swedish people. But they get one thing in common and that is a very destructive group pressure in very different ways. The acting is really superb, although you hardly have seen any of these people on the screen before, with the exception of Maria Lundquist.Östlund works with very special camera angles. Sometimes you don't see the heads of those who are talking. Sometimes you will have to look around for a couple of seconds to find the main character, who is somewhere else than you're used too. This is a challenging movie in many ways, which makes you think and feel. And there are truly strong thoughts and feelings.