Titreenp
SERIOUSLY. This is what the crap Hollywood still puts out?
SpecialsTarget
Disturbing yet enthralling
Holstra
Boring, long, and too preachy.
zarch-3
Part fairy tale part violent retribution cruelty rears its ugly head here from the start and doesn't let up it's unrelenting death grip until the final frame. Jack and Nora are two siblings who become separated due to the negligence of their parents and discover they both possess psychic skills which they proceed to apply to their situations. How they put their abilities to the test is connected to their home environments and each other in complete contrast. Poetically filmed in new Zealand this is a very interesting and dark little tale where everything goes desperately wrong. It's gruesome but beautiful all at once, highly recommended!.
CantripZ
This low-budget horror film from New Zealand is, for me, a textbook example of why I love the genre.It has everything a quality horror movie needs, including the elements which big-budget and "typical American" horror all too often lack.The film looks great, using the natural beauty of NZ alongside impressive cityscapes, but also showing us the very ordinary and (of course) the dark and ugly side of both the rural and urban environments.The plot is straightforward but intelligently thought through and far from simple, resting on the characters and the tragic events in which they're embroiled.There is violence and death, disturbing rather than gory, and an insidious tension which builds slowly and isn't allowed to dissipate until the very end.The characters are sharply defined and individual, yet at the same time convincingly complex.The dialogue is unpretty (sometimes even crude), but direct and often powerful - in many ways watching this was like discovering an unknown early Cronenberg flick, but in place of Cronenberg's cool intellectualism Garth Maxwell has crafted a highly emotional film which isn't afraid to take its viewers into uncomfortable territory.Some of the performances might perhaps have been a little more fluid but Alexis Arquette (as the titular Jack) and especially Sarah Smuts-Kennedy as Dora are exceptionally honest in their portrayals of a damaged brother and sister. Mention must also be made of the blunt, persuasive presence of Bruno Lawrence, bringing to life a character who could easily have been badly mishandled.Mainly, though, it's the ideas which make this shine. There are more surprises in this film than in the last dozen Hollywood horrors I watched... and thankfully they're the kind of surprised which make you think, not the kind which make you jump! There are very few FX beyond straight-up film techniques and a little fake blood, and that too is to the film's credit. This is a film about people whose lives have spiralled out of control and into the dark side, and while the paranormal elements are ever-present they're never the meat of the meal.There are a few rough edges. As I mentioned in passing, the script has its clunky moments and not all the acting matches the quality of the standout roles. There were also some heavy-handed edits, and the sound design wasn't as accomplished as the visual aspects of the movie.These are, however, minor quibbles, which didn't detract in the slightest from my enjoyment.If you have an interest in the more sombre, conceptual side of the horror genre, this is an underrated modern classic, and comes highly recommended.
Gafke
Abandoned by their drunken and disturbed mother at a very young age, Jack and Dora are soon adopted by different families. Dora is taken in by a caring well-to-do couple while Jack is sent to live with a country family, consisting of a cruel mother, an abusive father and their four creepy daughters. Dora, an introvert with psychic abilities, leads a mostly normal life, though it's a mostly friendless one. Jack, beaten and tormented every day, grows up hostile and explosive. With the help of a weird, shop-class constructed hypnosis machine, Jack kills his adopted parents and flees the farm. Dora, with the help of her abilities, is able to find Jack and bring him back with her. But the reunion is not a happy one. Jack is seriously emotionally disturbed, lashing out at everyone that his sister loves and violently confronting their natural parents once the two are able to track them down. The increasingly emotionally distraught Dora tries desperately to hold onto her life and those she loves. To make matters worse, the four creepy sisters show up, determined to find Jack and take their revenge upon him. When Jack is indeed kidnapped by the freaky foursome, it is up to Dora to find him and save him. This is both a horror movie, a grim fairy tale and a tense emotional drama, sometimes difficult to watch but always just intense enough to keep you from looking away. The performances are awesome, especially by the two leads. Alexis Arquette is frightening and sympathetic, turning in an incredibly harrowing performance as the scarred Jack and doing a great accent to boot. Sarah Smuts-Kennedy is equally awesome as the conflicted Dora. The storyline may be somewhat thin, but the emotions of the characters are plenty strong enough to fill in the gaps. There is little violence, but that which is shown is brutal and merciless, especially the shocker ending. A weird little gem of a film - not for everyone, but definitely worth catching at least once.
Keith-47
Bizarre but serious horror film that piques your interest from the opening scene. Maintains a unique and colorful atmosphere throughout. The depths of human evil are depicted here as if one were watching a fairy tale with witches and goblins (thus the Jack of nursery rhyme is chosen here). Great score, by the way, that helps to create the atmosphere throughout.I recommend it as a good Halloween treat, but definitely not for children.