Pluskylang Great Film overall

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

lifesoboring Garbage----but since i am a fan of trash cinema it was still worth watching

morrison-dylan-fan 2013:Watching after the end credits of Alter of Lust,I saw an intriguing 10 minute clip of another flick which involved auteur film making duo Michael and Roberta Findlay. Trying to learn more about the mystery film,I found myself getting stuck,due to not knowing the title.2017: Searching for Adult films to view for ICM's poll on the best films of 1976,I started checking a sellers DVD list. Nearing the end of their listings,I spotted a screen-shoot that looked just like the mysterious movie,which led to me at last meeting Janie.The plot:After sleeping with her dad (!) Janie and her father lay in bed and start catching up. Aware that his daughter had to travel for miles to see him,the dad asks Janie how she gathered the money to come up and visit. Not holding back,Janie starts telling her dad about the blood money she used to pay him a special visit. View on the film:Credited to Jack Bravman,the distinctive "Roughie" elements of the flick show co-stars Michael and Roberta (who was also the cinematographer) Findlay to be the most prominent voices in the production. Mixing live audio and voice-over from Roberta, the movie continues building on the Findlay's theme of an erotic nightmare,where the hazy narration of Janie's inner feeling and free-Jazz over the rustic sex scenes cast a dream-logic mood. Climbing up the up-front Mary Jane Carpenter's legs as Janie,the screenplay by James Foley allows the Findlay to push her blunt-force murder scenes,and a creepy, dead to the world final note,as Janie gets her bit of roughie.

lazarillo This movie starts with a sexy but rather elderly-looking "schoolgirl" (Mary Anne Carpenter) rolling around in bed with a man who is old enough to be her father because you see. . .oh, never mind. She then starts telling her much older lover about her "day", which began when she and her equally mature-looking friend decided to "play hooky" (for some reason dressed in their school uniforms). They get picked up while hitchhiking by a middle-age lech in a station wagon and she convinces her friend to have sex with the guy. Why, I don't know, nor do I know why she suddenly decides to commit some sudden automotive coitus interruptus by running over them both with the station wagon. Anyway, this begins a bizarre, but not particularly graphic (certainly due more to the limited budget than good taste) flashback killing spree.Obviously, this movie is kind of a cross between "Mantis in Lace" and "Toys Are Not for Children", but it is not really as good as either. Naturally, both Michael and Roberta Findlay (sleaze cinema's First Couple) are involved both in front of and behind the camera. Mary Anne Carpenter is quite sexy, even if she doesn't exactly light the screen up with her acting. Each murder is punctuated by her character masturbating for about five minutes, somehow without her either removing or her hand ever going beneath her early 70's grannie panties. That's pretty typical of this whole movie which, in concept, is unbelievably sleazy, but is actually rather tame.

EyeAskance ***SPOILERS*** ***SPOILERS*** *Spoilers* Janie is a fetching blonde schoolgirl who thinks people are "stupid and disgusting". We hear her psychotic conscience directing her to do terrible things...first, she sets up a sexual encounter between 2 acquaintances...as they are making love, she runs over them with a car. Getting a big thrill out of this, she masturbates wildly while looking at the messy dead couple. Next, Janie takes a dip in a filthy pool...the owner of the pool comes out of his house, and follows Janie to the beach. There, she sticks a knife in him and pushes him into the water from a pier. More masturbation. Next Janie thumbs a ride from a lesbian who recommends that Janie come to her home and freshen up with a nice bubble bath. Janie agrees, and the lesbian ends up with her throat slit. As Janie's conscience rambles on and on, we come to understand that the only one who can keep her satisfied is her father(this movie gets weirder and sicker by the minute). She gives Daddy a call and arranges to meet him. She takes a bit of time to watch her drunk stepfather beat her mother to death. More masturbation. Then she proceeds to Daddy's house. Once there, she is greeted by a woman who presumably is Daddy's mistress. She and Janie exchange hostile words and Janie strangles the bitch with her belt, dragging the corpse into a bathtub. Daddy returns home, and he and Janie make passionate love while Janie tells him about her eventful day. He laughs this off, until he goes into the bathroom and sees his mistress dead. Janie is committed to a padded cell in a nuthouse. The End. This is a late-entry sexploitation film roughie, and it has the usual substandard lighting and sound quality which is to be expected in this genre. A pretty sick and strange affair this is, with terrible, disorienting acid rock throughout...worth a look for the onscreen presence of Michael and Roberta Findlay, the royal couple of vintage sleaze.