Boobirt Stylish but barely mediocre overall

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Michael Ledo Russell (Ice Cube) and Jellyroll (Mike Epps) get a chance to promote a hip-hop show in Modesto. They don't have the up front cash to do the job correctly as things go down hill. Jokes include Russell's mom being a crack manufacturer as being normal. Jellyroll wondering why a cop is shooting at him just for having an affair with his wife.Guide: F-word. Sex. No nudity.

C. Sean Currie (hypestyle) "Janky Promoters" is the latest gleefully low-brow buddy comedy pairing Ice Cube and Mike Epps. Here, the duo star as a pair of improbably incompetent concert promoters. Cube (Russell Redds) and Epps (Jellyroll) have just struck a deal with popular hip-hop artist Young Jeezy (playing himself), and have less than 24 hours to finalize the logistics, despite the fact that they have less than $1,000 between them.Thus begins a series of increasingly grating misadventures, as Russell and Jellyroll seek to con their way into having a successful show. The filmmakers could have made the lead characters more likable, despite their slacker status. As it stands, despite the efforts of Cube and Epps, Russell and Jellyroll mainly come across as boorish clowns that you want to fail--Russell steals his fiancée's checkbook to pay his share of the concert costs, and Jellyroll brags to a reality-TV crew that he's sleeping with a married woman (Character actors Tamala Jones and Glenn Plummer are wasted as the unfaithful wife and her cuckolded husband, respectively.) It's hard to sympathize with most of the characters here; they to be reflexively foul-mouthed and defiantly ignorant. Among the parade of eccentrics are star-struck hotel maids and a mom who prepares crack like it's Sunday dinner. One of the few bright spots involves Russell's teen son 'Young Seymour' (James "Lil' JJ" Lewis), an amateur rapper who nonetheless thinks he's entitled to a room-crowding entourage. Russell's unabashed encouragement of Seymour's dancers to rump-shake more inadvertently highlights the recurring critique of rap-as-sexploitation.Taking into account such film phenomena as American Pie, Wedding Crashers and The Hangover, 'slob comedies' clearly have a place and an audience. Still, "Promoters" isn't likely to entice viewers beyond the converted. Looking at the broader themes in the film, it could have been a more clever satire of behind-the-scenes goings-on in the hip-hop music industry (screenplay credit goes to Ice Cube.) Yet the film functions as an unofficial sequel to the Friday movie series--in fact, given the cult popularity of those films, it's unclear why the filmmakers didn't go that route. Unless viewers are Ice Cube or Mike Epps completists, "Promoters" is a rental at best.

dbborroughs Ice Cube and Mike Epps re-team in an amusing but decidedly low rent story of a couple of losers who try to put on a rap concert in Modesto California . Beginning as things all fall apart at the concert the film flashes back to several hours earlier as the guys lives and scams get in the way of their putting it all together. Amusing to a point but what was this doing being released at all into theaters? Its not that good a movie. Actually this would have been better had one caught this on cable where one could wander in and out on it (and not have to pay 11 buck a head to see it). Admittedly this isn't a good movie, its sort of okay, but at the same time its nowhere near as bad as their previous pairing First Sunday (the less said about that disaster the better). If you must see this wait for cable.

danceability-1 For all of you bad critics.I've been looking at the comments people make on movies. all I have to say to the bad critics is a few comments. Most of you who rate these movies based on it's cinematic beauty and character, never take the time to view it for what it was meant. These movies are all great in my book, one being because they are things that I have seen since I was 8 years old and still see today, so I can relate to them. Which is what they are, stories that are told for the enjoyment of people who can relate to them and to show those who cannot, the reality that these characters lived in relation to real life situations.But since we have a lot of people who were born with silver spoons in their mouth trying to make their voices be the base of the percussion line, they can and will never see it that way. Every time they watch a movie their looking at the camera detail, the acting to be 10 stars, the story to be about white houses with picket fences and a happy ending under a rainbow, while we who relate to the story always think the movie was great because it speaks for us, it lets everyone who see's it know that these things do happen, regardless of it's budget and cinematography.So to all you bad movie critics, My advice to you is to stop watching these movies that you cannot relate to, or just stop being a critic and just keep it to yourself.