Matcollis This Movie Can Only Be Described With One Word.

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

WILLIAM FLANIGAN Viewed on DVD. This is a daunting and action-packed drama featuring just about every famous/notable Japanese screen/stage actor living at the time (mid 1960's) plus one actress! A simply fascinating depiction of what might have gone on behind the scenes on the day of Japan's unconditional surrender (in 1945). It is a powerful antiwar film. A rich and well crafted script is combined with superb directing and some of the best screen acting since sound was introduced into Japanese movies. Cinematography and film score are extremely good. There are two choices of subtitle length: full and truncated. Chose the former (as need be) and just read faster to maximize the dramatic impact. A must see. WILLIAM FLANIGAN, PhD.

PWNYCNY What is a soldier, who has been told from first day of his enlistment that surrender is not only unacceptable but is treason, to do when he learns that his government, including his own military superiors, are going to surrender? This movie pulls no punches in showing what happened when that exact scenario occurred in Japan in the closing days of World War Two. The two words that can best describe how the Japanese soldiers must have felt are betrayal and despair. The movie further underscores the essential hypocrisy of the Japanese imperial leadership and the sudden realization that everything they had been spouting about the Bushido spirit was just hot air, mere hyperbole. As the movie so graphically shows, the junior Japanese officers who revered their generals simply could not accept what seemed to them a shameless repudiation of principles that they were told were sacrosanct. The movie is excellent for several reasons: first, it tells a compelling story; second, it has an all-star cast; third, it is structured as a documentary; fourth, the story is candidly and forthrightly portrayed; fifth, the movie has excellent continuity; sixth, it avoids becoming moralistic; and seventh, it educates the audience about a critical event in history.

poikkeus All historical adaptations take a certain artistic license with their source material. JAPAN'S LONGEST DAY is no exception, but for a variety of reasons, this film rises above the norm.The black and white photography, framed conservatively, has the feeling of reality, as if it were almost documentary. There are distinct emotional highs and lows as Japan's high command wrestles with the concepts of unconditional surrender (the Potsdam agreement) and the army's hopes of keeping the war going indefinitely; but the drama seems more real than posed. And despite that the events depicted here really happened, there's a palpable sense of tension in the narrative. JAPAN'S LONGEST DAY covers that short period just before the Allied bombings of Hiroshima and Nagasaki to Japan's surrender in August 1945. But the attention to detail is almost documentary in feel, as bureaucrats and politicos spar with each other to save what they feel is the spirit of Japan. This kind of film doesn't get much more compelling, and does a superior job at balancing accuracy with drama.

zetes I had thought the title of this one was an American invention to capitalize off of the American film The Longest Day, but I do believe "Japan's Longest Day" is the actual title. It has nothing to do with the other film. It, in fact, depicts perhaps the most tense day in modern Japanese history, the 24 hours between August 14th and 15th, 1945. The simplified version of WWII history has the Japanese quickly surrendering with their tales between their legs after the Allies dropped the bomb on Hiroshima and Nagasaki, but a nation so wound up in nationalistic and militaristic pride wasn't ready to give up that easily. The film doesn't depict the citizenry – one could imagine they would be mostly sick of war. But the military certainly was ready to go all the way, to have every person in Japan martyred. Emperor Hirohito, who is supposed to be looked upon as divine by his people, decided that his empire must surrender. Many of the heads of military only agree grudgingly. Many of their underlings rebel. Hirohito makes a recording of his surrender message, to be played at noon on the 15th. A group of soldiers tries to rally others not to listen, and they attempt a coup and try to steal the record. The film is long – 2 hours and 37 minutes. We are given the names of every single character in the film – I would venture to guess that over 100 names are thrown at us over the film, right up until the end. It's difficult to follow, but I don't believe it's necessary to understand every nuance of what was happening. The previous year, Kihachi Okamoto made what is probably his best (and best-known) film, Sword of Doom. Why choose him for this project? Well, there is at least one scene where that is pretty much answered (just remember that the Japanese soldiers still had samurai swords). Really, though, I don't think the direction is that impressive. As a film, it's nothing fantastic. But for the depiction of the minutiae of history, it's well worth watching. Toshiro Mifune, Takashi Shimura and Chishu Ryu all have large roles, but I honestly didn't even recognize them. They fade into these historical characters perfectly.