Jerry Maguire

1996 "Everybody loved him... Everybody disappeared. The journey is everything."
7.3| 2h19m| R| en
Details

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

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Reviews

Marketic It's no definitive masterpiece but it's damn close.
MoPoshy Absolutely brilliant
Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Kimball Exactly the movie you think it is, but not the movie you want it to be.
cncsurf I had the unfortunate experience of watching this movie while in a hotel with my girlfriend recently. She LOVES this film for some reason and I gave her the remote and that's what stayed on. I was appalled. There is not one single likeable character. Yes, the actors were OK which is why I gave it 2 stars. But the plot is ludicrous. An unlikable jerk (Tom Cruise) is fired by unlikable jerks (The Company) in a cut throat industry, and rides the coat tails of another unlikable jerk (Cuba Gooding Jr.). After an annoying and obnoxious couple hours trying to make unlikable jerks likeable it turns out the once powerful sports agent is a chump who magically falls in love with a loser single mom and her child. A single mom who has no problem letting a strange man she just started dating cuddle up with her 5 year old boy. wouldn't anyone find this a little creepy??? By the end I was in diabetic shock from the forced ridiculous plot and romance.
sharky_55 Jerry Maguire is what happens after the kid in Risky Business grows up. The beginnings have the same glimpses of sharp wit, comic satire and endless ambition that gave the latter its humorous bite. Tom Cruise is the fast-talking hotshot, a one man Wallstreet of sports representation with a vice-grip over his domain: he scouts young stars early, adds them to his collection, and rakes in the cash when they hit the big time. His job is to know everything about these clients - their ambitions, their strengths, their prickly personalities - but at the same time his voice-over treats them like impersonal investments, with the highly-touted number one pick in the next draft as the biggest catch of them all. Only when his conscience hits a brick wall does he come to re-evaluate how he wants the world to see him, and how brutal this cut-throat business really is. So Jerry Maguire is really a romance, but not between Jerry and his designated love interest (the 'nerdy' girl who has always been shyly hiding behind her desk while he dates supermodels), but between him and his last client. Yes, these two men put on emotional facades of stoic, unmovable strength and attitude, but all they really need is a hug. That final sequence, where Rod parts the sea of cameras and reporters to intimately embrace Jerry, who's been hovering around nervously in the background? That's from Manhattan, from Notting Hill, from every single romantic comedy that ends with the guy/girl running after the guy/girl and sealing the deal with a dramatic declaration of love. How sweet. Cameron Crowe has never bettered his debut, Say Anything, which had more nuance and understanding than most films in the genre. In Jerry Maguire, the annoying add-ons come in the form of Dorothy Boyd, the woman destined to bring Jerry to his heels, to humble him, and to finally complete his redemption from selfish egomaniac. As if Crowe is afraid that audiences might not get what he is trying to say, Dorothy is also a poor, single, struggling mom - in fact one of the first signs of Jerry's renewal is his growing potential as a father to Raymond. Ray is not just cute, he's cuteness overload, with oversized glasses and a head of messy blonde hair. He's not playing a little boy but a cuddly teddy bear designed to assault our sympathies, to coax Jerry into the suburban dream. What kind of monster would deny Jonathan Lipnicki?Opposing Zellweger's damsel in distress is Avery, the poster-girl for the vanity of the high life. Both are just as shallow in personality, but Preston goes into comic overboard and finds hilarity in her best impression of a success barnacle. Watch how the break-up scene unfurls: it's a high speed walk and talk, her furiously setting up tables for work, and him tentatively trying to slide the bad news underneath. When it's revealed that he's the one doing the dumping, Preston attacks it like a challenge; success is not just a goal but a state of mind, and she's never faced an obstacle she can't climb. When Jerry shows signs of giving up and displaying a defeatist attitude, she takes him down right there and then. Later as they cross paths her finger and thumb are in the shape of a big L for LOSER. The people in this business rarely come out and show their intentions like this - she's just being upfront about it, like a peacock strutting its plumage. Preston brings some much needed levity when the film gets a little tired and bogged down in cliché. It's satire, but only just. And then there is Regina King as Marcee Tidwell, who is much more than just a negotiator on behalf of Rod. She is his wife, and of course wants a big, fat contract for her husband, but watch how King acts as a foil for Jerry. He's infuriated by the tiny contract offers for his client, exasperated that all his dealing and hand-shaking and smiling has been for naught (his monetary gain diminishes too). But she feels the disrespect for her Rod, and how the teams have denied his talent. In the heart-stopping climax, Rod lays unconscious and every character's real feelings and motivations emerge. If the whole thing is overly cheesy and melodramatic, Marcee reigns it back with perspective. Her moment is personal, and all the dollar signs have vanished. The plea in her eyes is a million times more meaningful than any "You had me at hello".
sk-35464 I am big fan of tom cruise n i have watched most of his movies n all r entertaining, but Jerry is that kind of movie which not only entertains you but also makes you feel good. Tom cruise was the perfect choice for jerry maguire, i can't think of any actor in that role,, tom cruise is always considered as the best good looking actor who he is but , but i like him for his acting,, his acting in this movie is so believable, funny , goofy and whenever he shouts, yells , in movie not only entertains cuba gooding jr. but us also. i had always watched tom cruise as an action star before watching jerry maguire cuz i watched this movie 20 yr later its release. he should have gotten an Oscar award for this movie, which he really deserved. the other cast of movie were very good. cuba gooding is funny at times. the coordination between him n tom cruise in this movie is so good that it makes you feel like you are watching real people talking. renee zellweger is also quite good in her role, the screenplay is very entertaining n doesn't make u feel bored , the cinematography, dialogues, Direction of cameron crowe. Cameron crowe is a great director and whenever he n tom cruise works together its,they always bring good movies....
Maddie1003 Cinephile Jerry Maguire(Tom Cruise) is an on-demand sports agent, managing the world's best players, drawing huge amounts of money with the contracts and living a lavish life. Suddenly one night he realizes that the life he is living is artificial and unethical. So, he decides to pen down all his experiences and distributes them in the office. But in turn, he gets fired from the job and loses all his clients to his rival Bob Sugar(Jay Mohr). Now he has to make do with Dorothy Boyd(Renee Zellweger) the only employee who sticks with him and only one client Rod Tidwell(Cuba Gooding Jr.), a football player with needs to regain his fame soon.This film not only focuses on sports but this dramatic story explores the philosophies of life and captures human feelings deftly. The emotional highs and lows of Jerry, the desperation of Rod and his family, the vulnerability of Dorothy, and the childlike joy of Ray(Jonathan Lipnicki). With some unforgettable dialogues and memorable performances by all actors, this film just cannot be missed.