Jesus Christ Superstar

1973 "And now the film…"
7.4| 1h48m| G| en
Details

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Also starring Carl Anderson

Reviews

SpecialsTarget Disturbing yet enthralling
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Diane0529 I enjoyed this movie in the 70's, bought the soundtrack and played it until I knew it word for word. It has remained as one of my favorite movies. I just watched it again, and thoroughly enjoyed it as much as I did the first time!
atlasmb This rock opera is an adaptation of the stage performance. When it was released in 1973, I went to see it at the local cinema with a friend. We exited the theater singing the thoroughly catchy songs. Then we saw it six more times that week. Obviously, we loved it. The reasons are many.First, the entire production is innovative. The very creative staging includes some outdoor settings that are minimalistic. The score uses various styles, even honky tonk. The film employs anachronistic elements that give it a timeless feeling. Though the story has biblical sources, it uses comedy and some hard rock music. And just being an opera--with all words being sung--is a huge gamble.The cast is wonderful. The songs are not easy to sing, but the vocalists come through with flying colors. This production promised the genius of Andrew Lloyd Weber (and Tim Rice) that was to follow. No wonder it was so compelling.
TheLittleSongbird I've always loved Jesus Christ Superstar, and along with Phantom of the Opera and Joseph and the Amazing Technicolor Dreamcoat it ranks among the top 3 of Andrew Lloyd Webber's best musicals(well more like a rock-opera strictly speaking). My love for Jesus Christ Superstar was the main attraction into seeing this film, as well as the fact that it was directed by Norman Jewison, director of the brilliant Fiddler on the Roof. As a film, it's not quite as good but I did find myself enjoying the film enormously. I can understand why some mayn't like it so much, the costumes are not very appealing to look at all and the anachronistic touches like the students arriving to put on a show, Judas ducking jet fighters and the Army Tanks made it harder to properly decipher the period. However, it is also very easy to see why people love it. The desert setting is gorgeous and the camera work and editing were great, loved the colour in Herod's setting contrasting to the more purposefully drab moments of the latter part of the film. Lloyd Webber's score is brilliant and Tim Rice's lyrics are very witty, performed with gusto by the orchestra/band. The choreography is very spirited and dynamic, particularly in Superstar, and while the story has some fun moments like Herod's song- some might take offense but I think it's hilarious- and Superstar, and stirring moments like the Hosanna chorus, with I Don't Know How to Love Him, Gethesmane(especially powerful here) and Jesus' death scene it is also deeply moving. The closing shot concluded things beautifully. Jewison allows the performers to have fun and allows time to breathe for the more poignant moments to have their impact. The performances are terrific, a big shout-out to Carl Anderson as Judas, he has an amazing soulful voice that will lift your spirits every time you hear it, and he captures Judas' sorrow and anger with equal conviction. Ted Neeley's high notes have soaring freedom, and he brings a nobility and command to Jesus, while Yvonne Elliman's Mary is very moving. The Pontius Pilate of Barry Dennen is authoritative and troubled, Bob Bingham has a wonderfully booming bass voice that has a really chilling effect and Kurt Yaghjian is equally as menacing and sounds very comfortable in the falsetto range. Larry Marshall's Simon Zealotes is excellent, Joshua Mostel's Herod is hugely entertaining in the funniest moment of the film and the Peter of Paul Thomas shows loyalty, defiance and pathos with aplomb. On the whole, a very enjoyable film that may not rock as much as it could have done but not fully deserving of the flak it's gotten. 8/10 Bethany Cox
charliesonnyray When I first heard about this film, I was honestly scratching my head. A musical about Jesus? Rather an odd concept but I was willing to give it a try. As a Christian myself, I didn't know how to feel about the movie. It feels like they are showing Jesus just as a normal guy that for some reason has to die and also Judas was portrayed as being way too sympathetic and I saw that as unrealistic entirely. I did like the music and some of the numbers though and that it was willing to at least try new things. Over all, I didn't like it and I didn't hate it. I realize some Christians got really up in arms about this film but I didn't feel offended but I did feel like they got it wrong.