Jodorowsky's Dune

2013 "The greatest science fiction movie never made."
8| 1h30m| PG-13| en
Details

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

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Reviews

Spoonatects Am i the only one who thinks........Average?
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
octagonproplex "Jodorowsky's Dune" is an engaging documentary about a failed mounting of a major motion picture. However its determination to conclude that, if produced, it certainly would have resulted in a supreme testament to the profound potential of the Cinematic art form -- is not given the credibility such a claim demands. Unfortunately, the total absence of any rational opposing viewpoint (removed from the delusions of grandeur indulged to its star speaker) explaining the practical reasons why such an almost-masterpiece was not ultimately supported, renders this a masturbatory propaganda puff- piece (and forces me to knock the rating down considerably out of sheer sycophantic exhaustion). But go ahead and give it a watch -- especially if you're a confirmed cinephile, genre aficionado, or "Dune" devotee.But with all the eclectic true talent that had begun to assemble for this project, why do I so flagrantly assert the dismissal that this film wouldn't have lived up to any of their collective potential? -- Eight syllables: Al-lay-han-dro * Joad-doe-row-ski.Anyone with a passing knowledge of the silver tongued snake-oil salesman of highlight here, understands that -- while he may be a great teller of tall tales -- he is not a great storyteller. Not in the least. Would-be auteur Alejandro Jodorowsky comes from the "avant-garde" art scene -- which is just a pretentious way of saying he has a propensity for vacuous kitschy pop perversion, yet is able to hide under a fancy Frog word to validate it. The man is known not for great movies, but for playing to the lowest common denominator of art affectation. Oh so loving odes to the scatological and profane; incoherent posturing strung together through cute little images of blasphemy and vile sadism. Jodorowsky wants to adorn himself an out-of-time progressive renaissance man of immense enlightenment, but his thoughtless philistinism is like a low-rent tribute to the depraved vapid vulgarity that hallmarked the careers of Andy Warhol, Ken Russell, John Waters, and Pier Paolo Pasolini -- but without even attaining their unmerited impact. It's quite telling that anyone who will indulge with Jodorowsky in substance abuse, cater to his ego, or allow themselves subjugated to his insane whims are distinguished by Jodorowsky as "Spiritual Warriors", while those with more sober senses are "Soulless". And eyes roll toward the darkest recesses of cranial cavitations having to endure the permeation of such blustering nonsense go completely unchallenged. Instead of plausibly translating the grand universe of intricate histories, theology, political intrigue, and power struggles that "Dune" author Frank Herbert scribed so illustriously, Jodorowsky would have desecrated its eminent quality by substituting debased detours catering to the diseased of spirit, in giddy honor of degradation and silly pseudo-philosophic utopianism. Because that's who Alejandro Jodorowsky is -- a man who insist the collaborative nature of film-making and adapting authors' works has to be an act of defilement, and bolsters that claim by analogizing it to a marriage night where the husband must forcefully violate his wife, because to continue to regard her with respect could never produce a child -- so "Rape! RAPE! RAPE!... but with love". That's how this guy's mind works. He only cares about himself, and is perfectly fine to abuse others to get his way -- even though his way holds not one shred of virtue. Of course he would cast his own pre-pubescent young son to scurry about fully nude in his odious "art-films" for no honest reason other than pedophilic pleasure. This is a man who literally films defections for scat enthusiasts. Jodorowsky is not an artist, he's a charlatan of art -- he doesn't express the humanities, only dehumanization -- he's an exploitative sensationalist rather than imperative provocateur.The most bizarre aspect of this documentary is not even the gonzo eccentric at its heart, but rather the fact that this deviant was ever even considered a viable pillar to hinge a major investment on! Of course his rambling nonsense would be forsaken once money needed milking, but before that reality set in, Jodorowsky had already recruited (most probably exclusively through vice enticement) an incredible array of superstar talent for both ends of the lens. This examination does nevertheless merit attention for the grotesque fascination of learning about an adaptation of Frank Herbert's novel that would have managed to be even more of a corruption than David Lynch's vomit, whilst simultaneously tainting so many bright young talent's careers -- after casting their bests into an abyss of excrement under the abominable shepherding of Alejandro Jodorowsky - - and possibly derailing their destinies in genre film's hall of legends. At least half of the legacy citations it stretches to tie to Jodorowsky's credit as direct lineage progeny are -- to be generous -- highly suspect, and I just don't at all agree with its ridiculous thesis that this was "the greatest movie never made".Now if proved virtuoso, consummate professional and diligent filmmaker Ridley Scott had realized HIS planned vision for "Dune" -- maybe that truly is one of the great missed opportunities that would have birthed a legitimate masterpiece! Hmm... perhaps a sequel is in order: "RIDLEY'S DUNE"?!
Kubricksboy The Greatest Movie ever made about the Greatest Movie never made. That's all I have to say about this beautiful info-graphic Documentary, following the most ambitious project by then well known and critically acclaimed Director, following it's over priced production and then it's inevitable destruction by Hollywood who at that time never supported Movies with that big an ambition like Jodorowsky's Dune.Told in the form of Interviews by the people who were involved in the Film like any other Documentary but what makes Jodorowsky's Dune stand out is it's doomed story itself, every minor detail mentioned only makes want to see the Film more but then again it will be made like it was envisioned and shown in Jodorowsky's Dune. To the one's who are unaware about this Film will enjoy it the most for what is more Gracious and Glorious than seeing Dune come to life in the form of drawing and animation for the first time. What might astonish you the most about Dune are the people who involved in it, the likes of Orson Welles and Salvador Dali and many other greats were involved with this Film, great visionaries who would go on and make great contributions to Film inspired by their work on Jodorowsky's Dune. Try and imagine Orsen Welles playing a cruel narcissistic Film living in a Fortress which looks like him which is protected by spears arranged on the path which leads to it, set in the desert planet whose skies also run red and the winds carry sand.Alejandro Jodorowsky narrates the story of his passion project, he starts very Enthusiastically to tell the world what happened to his beloved Dune and gradually falls to despair when he has to tell who his Dune was never made, to a point of despair that he begs people to take his material and make his Dune. The Film's concepts and story is brought to the audience in the form of drawings and animation, the very drawings and animations from which "Alien" was created, almost all the visuals in Alien was inspired from the work done on Dune. Few of the drawings are brought to life in form of animation which look strikingly beautiful. Not being able to see this movie will be the greatest regret I will ever have.
ptcarr Jodorowsky's Dune allows viewers to peer into the mind of an artist fully committed to seeing his vision become reality. This film is not just for sci-fi fans, it's for anyone who is fascinated and inspired by the creation of art. It's hard not to be amazed by Jodorowsky's passion and excitement as he walks the audience through every stage of attempting to create his masterpiece.It's easy to view Jodorowsky as an over-idealistic man with a screw loose, thanks both to his mannerisms and his zealous approach to art. But that's what makes the story so interesting. He almost turns down Pink Floyd because the band didn't stop eating their hamburgers while discussing the musical score of Dune. He introduces himself to Dan O'Bannon by immediately presenting him with some of his "special marijuana". He offered Salvador Dali $100,000 per minute to act in the film (granted, it was stated that Dali was set to be in the film 5 minutes at most). You feel Jodorowsky's pain when he discusses receiving the news that all major studios were uninterested in the picture, and that the film's production had to stop right when things seemed to be heating up. You want to laugh with him when he expresses his euphoria at realizing the David Lynch adaptation of Dune was a disaster. You respect and revere him when he talks about the abundance films he had an impression on and the artists he helped inspire. And you admire him when he suggests that Dune has lived on through those films, that his hard work, effort, and vision have not, in fact, gone to waste.The film is not for any one segment of the population. It's for those who love human expression, commitment, and diligence, and for those who are truly in awe of individuals who are driven by the love of their artistic craft.
gavin6942 The story of cult film director Alejandro Jodorowsky's ambitious but ultimately doomed film adaptation of Frank Herbert's seminal science fiction novel.This is the missing link of science fiction history. Between 1960 and 1980, the world of science fiction evolved from cheesy robots and mad scientists to something far more visionary. Other given credit are "Alien", "2001", "Star Wars" and others... but perhaps it was this film that never got made.H.R. Giger? Dan O'Bannon? Orson Welles? This is an incredible story, and really bridges a gap. Those watching "Dark Star" today (2015) might think it is a rather silly film, but put back into tits context and influence, it may be a much bigger piece of history than many think. How big would "Dune" have been?