ebossert
This is basically a compilation of killings by murderous spirits with enigmatic motives, which means that the entire film consists of horror sequences. The storytelling structure begins with the last segment (#10) and progresses backwards (to #1 and Prologue), but the stories and characters have little to no development so the setup seems like a gimmick.The score and sound effects are excellent and are the strongest positive of this movie, even using some chanting at times. The use of blurred images for ghosts is also effective. In some cases the entities will appear very subtly in the background, which is an impressive technique. The segments themselves range from mediocre to very good – Chapter 5 being the best with a really cool staircase scene. Atmosphere is dark and thick throughout. Yes, the onryo ghost girl is used at times (as well as the croaking noises from The Grudge), but this much maligned debut film from director Koji Shiraishi is better than its reputation suggests.
kasserine
If you're unacquainted with Japanese horror films, and JU REI: THE UNCANNY is your first outing, you may actually enjoy it and find it worthwhile. If not, then, unfortunately, there is not much to recommend. JU REI: THE UNCANNY so faithfully covers all the bases of the genre that there is nothing that isn't predictable and stale.The film has all the slow moving, crawling, from out of nowhere ghoulish figures that have been presented much better in films like JU ON, and, of course, RINGU. So, any viewer whose seen those film, and especially viewers who are fans of the genre will, most likely be bored with JU REI.My impression is that JU REI is part of the Japanese V-Cinema industry. I don't know this for a fact; it's just my impression. This industry is the same one that gave Takashi Maaike such a following, amongst others. Of course, V-Cinema is a perfectly respectable industry in Japan. Put simply, films made for V-Cinema go direct to video and do not get released to theaters. Whereas, in the United States, direct to video might imply poor quality or a failure, in Japan it is a respected medium However, JU REI has more of the US style direct to video feel then the higher quality Japanese V-Cinema one. And, that, of course, is not a compliment. It feels like the filmmakers were trying to cash in on the popularity of RINGU and JU ON and came up with a rather formulaic, by the numbers horror flick. It also appears to me to be shot on digital video, also a hallmark of the low budget, quick buck American direct to video market. And while the film seems to have been competently shot and acted, it really has no sense of identity.JU REI clocks in at a mere 77 minutes and is organized in 10 chapters. The film opens with chapter 10 and works it's way back to the 1st chapter and then a prelude. In chapter 10 we see some Japanese schoolgirls dancing to a boom box in an alleyway late at night. Suffice it to say that things don't go so well from there. Bad for them and bad for us since it's the first indication that JU REI is on the low rent side of things. By this I mean, their demise is pretty silly and consists of arms reaching up from out of frame and grabbing them. The film then cuts to the next chapter. We learn, as the film works it's way to the prelude sequence, that there is a mysterious hooded figure that curses people by contact. These cursed individuals will then, ultimately, forward the curse to the next victim. So, connecting the chapters are the victims in the earlier chapters killing/cursing the victims in the subsequent later chapters. Sort of a perverse "pay it forward" set up.I don't have a problem with this scenario even given that is so typical of Japanese horror; it's the execution that brings it down. As I mentioned, the film is decently acted and competently shot, it's just not inventive in any way and lacks tension in most of the chapters. The ghoulish victims aren't very menacing and each chapter ends just as the victim is being cursed/killed.I will say, however, there were two shorts moments in JU REI that were quite compelling. One in which, a young schoolboy is waiting at school to be picked up by his mother. In the sequence, the boy thinks his mother is waiting for him at the top of a staircase, and goes towards the figure. Well, it wasn't mom. This small moment worked very well and actually, disturbed me a little. The second moment was a scene in which an elderly woman is confined to a bed in a nursing home. The poor woman is trapped and terrified as one of the mysterious figures slowly comes to get her. The moment was drawn out and worked quite well. Both scenes were similar in the sense that two relatively helpless characters, a child and an elderly woman, were menaced and, ultimately, consumed by this evil. It was rather unnerving. Unfortunately, these two moments only took about four minutes of screen time and were definitely the exception as far as genuine scares go.So, like a lot of American direct to video films, and unlike many of their Japanese counterparts, JU REI fails to deliver and only manages a few creepy moments. Asian horror fans might find some aspects of the film interesting, considering it is such a pastiche of more successful films, but viewers new to the genre would be better served starting off with RINGU or any number of other Japanese films in this genre.
captain_bungle
Ghostly women with pale faces and long, dark hair? Check. Said ladies making vaguely comical cackling noises? Check. Creepy set-pieces leading to a confrontation with creepy long-haired, cackling, jittery ghost-women? Absolutely. Scary? Well...no.Anyone familiar with Japanese horror, and the Ju-on series in particular, will notice some similarities in the above description, and this isn't a brilliant coincidence. Ju-rei takes all of the best bits from Ju-on, and a few other films such as the out-of-focus spectres from Kairo, some of the sound design from the original Texas Chain Saw Massacre etc. and utilises them to almost zero effect. Every scare misses the mark because they have been done so much better so many times before. It's almost as if you are watching a parody of Japanese horror films - the way everything is constructed suggests a meeting with the filmmakers could have gone thus: 'Okay, so the girl hides under the covers but instead of having her come UNDER the sheet, she's waiting ON TOP OF IT!...and we'll use stock sound effect number 24b from the Ju-on catalogue of cackling.' As for the production values; there aren't any. Amateurishly shot on video with a total disregard for framing and lighting, most of Ju-rei looks too dark (in one case, a shot is obviously brightened up in post) and the quality of the transfer (on Pathfinder DVD) is poor, to say the least.I wouldn't recommend this film to anybody interested in Asian horror. It's dull, repetitive, derivative and completely unrewarding on any level. Avoid.
