StunnaKrypto Self-important, over-dramatic, uninspired.

ReaderKenka Let's be realistic.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

SnoopyStyle Jude Fawley (Christopher Eccleston) comes from a lower class rural village. He aspires to be educated but is a simple stonemason. He marries country girl Arabella (Rachel Griffiths) thinking she's pregnant. Jude is wrong for the country life and Arabella departs for Australia claiming that she thought she was pregnant and did not trick him. Jude goes off to Christminster where he hopes to go to the university. He is taken by cousin Sue Bridehead (Kate Winslet). The university rejects him and Sue refuses him after he reveals that he's married. She marries the religious Phillotson (Liam Cunningham) but it's a loveless marriage. She and Jude go off together in a life of struggle. Arabella sends him Juey who she claims is his. Jude and Sue have two more children together but their common-law relationship causes problems and ends in tragedy.Director Michael Winterbottom brings some life to this difficult story. He could have made this darker and moodier. He could have played up the star-crossed lovers. He could also put the social structure much more out front. He is blessed with two great actors. Eccleston and Winslet are terrific. This is a fine romantic epic.

miss_lady_ice-853-608700 Jude The Obscure is Thomas Hardy's final novel, and his bleakest. It doesn't seem an obvious choice for cinema, hence why it failed at the box office.An air of gloom hangs over the whole proceedings. The story is a little like Tess- a man's chance at love is destroyed by a woman from his past. Jude (Christopher Eccleston) is the man in question- an ambitious country boy whose desire is to become a student at Christminster (Hardy's made-up name for Oxford). He moves to Christminster and falls in love with his clever cousin Sue Brideshead (Kate Winslet). Unfortunately he is already married- to loose country girl Arabella (Rachel Griffiths), who keeps popping up and ruining Jude's chance at happiness. The climax of the film is one of the most tragic and horrific things you will see in a long time.The film is quite well done. It is a bit graphic (this is Michael Winterbottom after all) and anachronistic in places, but there are enough tinges of Hardy to make it a costume drama. He certainly hasn't butchered it as he butchered Tess in his film Trishna.The problem of the film is that Jude is a bit of a ninny, who doesn't seem to have the ruthlessness or the cleverness needed to get into the academic elite and constantly runs back to Arabella. The incestuous aspect is also very off-putting. One feels sorry for Jude and Sue but one can never feel entirely comfortable with their relationship.Another problem, at least adaptation-wise, is that Arabella, who is a horrible sadist in the book from what I've heard, is merely a nuisance here. Perhaps Winterbottom thought that might be too much misery for people but it does mean that the film ends abruptly.Acting-wise, everything is fine. Eccleston convinces as a country boy, although his Northern accent does come out at times. Winslet does well as spirited Sue Brideshead, similar to Rose in Titanic so not much of a stretch for her.EDIT: Having now read the novel- not my favourite Hardy novel but a powerful novel nonetheless- the film gets the sexuality right. Everything that Hardy couldn't show, this film shows, so for those who complain that the film has too much nudity, this is actually quite true to the novel- particularly as none of it is very erotic. Jude's weakness for the flesh is almost animalistic.Leaving aside the hot and steamy, we have that whole spiritual dimension. That part of the novel is quite hard to translate and it doesn't really come through in this film. Jude is meant to be too noble for this world, hindered by his fleshy desires.And the film really does let Arabella off too lightly. In this, she's a typical country wench- a tart with not much of a heart. However in the book, she's not only a tart with no heart, she's a proper butcher, cruel to the point of sadism.

spaamie1 I disliked the characterization of Sue in this film. Sue was supposed to be "higher" than Arabella, spiritual and intellectual. To see her smoking a strange man's cigarette and carousing with the boys in the bar was a bit of a shock. And the bit about "your child killed my children" was not at all like Sue. At no time in the book did she attach blame to anyone but herself. Her ultimate neurosis was her complete self-centeredness. She led poor Jude and Fillotson a merry dance and ended up ultimately rejecting both of them. That's one of the reason I detest this character, in the book as well as the movie. Nothing matters to her but herself. You even get the sense in the book that the death of the children only mattered in its reflection on herself.The movie is also missing the ultimate irony, Arabella's second "seduction" of Jude and his eventual death in her home, in her bed. Christopher Eccleston is wonderful as a consumptive; they should have given him a lovely death scene instead of leaving him standing in the snow.Kate Winslet is a beautiful Sue, but the characterization is a bit too tough and brazen. Christopher Eccleston was simply sublime. And did anyone else notice David Tennant in the bar? Two Doctors in the same room... :)

newradical336 did anyone notice as I did the use of Edinburgh for the town of, I think Christchurch, or some made up place where Jude goes to pursue university? Being home that I miss often i instantly recognised most of the scenes there as being filmed on the Royal Mile in the old town and directly around the square in front of St Giles. Also all the churchyard scenes, including their children's graves was in Greyfriars Churchyard nearby. i found it interseting why theyd give it a false name, furthered by the fact that in the scene in which Jude follows Sue into a public meeting in a hall the man speaking almost seems to be discussing the divide between "the new town" and "the old" which anyone who's visited Edinburgh will be well aware almost splits the town in two, the rich and the poor. the new town being visible in the film in scenes such as following the children's death and Sue's departure Jude follows her to an anonymous house before she returns to the church, I think its just below Queen Street. Where was that supposed to be by the way? Just happened to catch the film while flicking last night and thought it was ace, harrowing, but rewarding nonehteless.