Konterr Brilliant and touching

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

edwagreen Cute little picture with little Shirley acting and singing up a storm as usual.Comedians Bert Lahr and Joan Davis are given so little to do. Claude Gillingwater, the banker in the memorable "Tale of 2 Cities," (1935) takes on a funny persona here as the rich Uncle Sam who is easily confused with the government. He even looks like Sam from the government.The story falls apart with the benefit for "Uncle Sam!" Franklin Pangborn steals the show as the head of the building whose always escorting Shirley out.The story may have had more meaning had they stuck with the original theme of rich versus poor. We saw plenty of that at the beginning but things to fade as the 2 groups seem to meld.

ccthemovieman-1 Here's a so-so Shirley Temple entry with a catchy song that plays throughout the film. The movie features a bunch of nice characters. The "bad guys" in here - a snotty woman, her butler and a crabby "Uncle Sam" - aren't overly mean and don't have huge roles in here so the atmosphere, for the most part, is very genial.In addition to the main song ("This Is A Happy Little Ditty," a very catchy song), there is a good production number near the end of the film. Both of those numbers feature Shirley and Bill Robinson. Those two were always fun to watch dance and sing together.There are two negatives in here: some of the spoken lines are a little stupid and poorly delivered, mostly by the male rich kid "Milton Ramsby" (Bennie Bartlett) who looked like he was reading his lines and the female adult lead, "Lola Ramsby," played by Amanda Duff, was weak. I can see why Duff never had much of a screen career.I would like to have heard a few more songs, too, but it's still a charming film: not her best, but not the worst, either.

Neil Doyle There is such a lackluster quality about JUST AROUND THE CORNER--everything from script to performances to the songs--is below average. And Shirley is not quite as cute as the story wants her to be--clearly, she is starting to develop into a chubby preteen youngster with just a modicum of talent left over from her earlier films as a tot.Only a couple of the songs are pleasant enough to be worth mentioning--"A Happy Little Ditty" and "A Walk in the Rain" have the kind of charm expected in a Temple musical. But staging of the numbers and overall set decoration leaves a lot to be desired. Bert Lahr and Joan Davis are on hand as a chauffeur and a maid but both are defeated by some flat one-liners. Charles Farrell is clearly past his career as a romantic leading man and is just so-so as Charlie's depressed father on the skids.For Temple fans only--weaknesses in both script and song numbers--and not much else can be said for it. It's all very routine and quite forgettable.

lugonian JUST AROUND THE CORNER (20th Century-Fox, 1938), directed by Irving Cummings, stars Shirley Temple in what might be her only venture into "screwball comedy," and reportedly her first box-office flop. Temple plays Penny Hale, a child who returns home from boarding school to her prominent architect father (Charles Farrell), unemployed and now living in a basement of the same skyscraper in which they used to live in style up in the penthouse. Amanda Duff, a new Fox starlet at the time, is featured as Farrell's love interest.Songs by Walter Bullock and Harold Spina include: "Just Around the Corner" (sung during opening credits); "This is a Happy Little Ditty" (sung by Shirley Temple, with Joan Davis, Bert Lahr/danced by Bill Robinson and Temple); "Brass Buttons and Apple-Lass" (sung and danced by Bill Robinson and doormen); and the lively tune, "I Like to Walk in the Rain" (sung by Temple/danced by Temple and Robinson).Aside from familiar character actors in the supporting cast, featuring the likes of Franklin Pangborn and Cora Witherspoon (who later appeared opposite WC Fields in 1940s THE BANK DICK), along with Joan Davis and Bert Lahr as maid and chauffeur, some of the comedy strains for laughs. Shirley was about 10 years old when this movie was made, and recites lines and lands herself in comedic situations that would have performed better if she were a few years younger. Instead of being cute, she appears more silly than charming, sorry to say. The dance numbers in which she participates with Bill Robinson, as the building doorman, are still good but not given enough screen time to make amends for trite storyline. As with Temple's previous LITTLE MISS Broadway (1938), JUST AROUND THE CORNER plays at "B" movie length of 70 minutes, both giving some indication of it being longer, and having gone through some tight film editing process. Joan Davis whose name is billed second after Temple, disappears before the movie is half way over. What became of her? Maybe she and Lahr, who are very amusing together, had more to do, even in a supposed production number in a charity benefit near the film's end that possibly got the ax. Maybe deleted scenes such as the this might turn up as part of a documentary on 20th Century-Fox movies or Shirley Temple's career in the similar fashion to American Movie Classic's well constructed HIDDEN Hollywood (From the vaults of 20th Century-Fox) specials that premiered in the mid 1990s. Charles Farrell, billed third, as Temple's (supposedly) widowed father, had seen better days in his career at the old Fox Film Studios when he achieved popularity as the romantic leading man opposite Janet Gaynor in 12 feature films from 1927 to 1934. He was by then a name of the past whose movie career came to an end by 1941. And Shirley gets to share screen time opposite a boy actor, Bennie Bartlett, playing a rich "momma's boy" named Milton with curls and glasses, but with the encouragement by little Penny, Milton earns respect from his "Uncle Sam" (Claude Gillingwater Sr.) by losing those "girly" curls (Penny had given him a much needed haircut), and getting a black eye in a fight with a bully. Aside from that, Temple continues to play her usual "little miss fix it." JUST AROUND THE CORNER, available on video cassette in both black and white and colorized versions since the late 1980s, appeared as part of Shirley Temple festivals on the Disney Channel in the early 1990s, followed by American Movie Classics cable channel from 1996 to 2001, and the Fox Movie Channel, where it is currently shown. (**)