Kadathanadan Ambadi realease date, trailers, images and where to stream

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5.8| 2h7m| en

Details

Kadathanadan Ambadi is a 1990 Malayalam-language Indian sword and sorcery film directed by Priyadarshan and produced by Sajan Vargeese, starring Mohanlal, Swapna, Raadhu and Prem Nazir. The film was in production from 1985 and was stalled due to financial crisis faced by the producer Sajan Vargeese. The film is a sequel to 1964 film Thacholi Othenan. Few shots from Tacholi Othenan is shown in this movie also.The film was released after the death of Prem Nazir.

Cast

Prem Nazir , Mohanlal , Swapna , Sreenivasan , Jagathy Sreekumar , Sukumari , Priya

Director

Producted By

Saj Productions

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Trailers & Clips

Also starring Prem Nazir

Alibabayum Arara Kallanmarum

Kadathanadan Ambadi

Dhwani

Oru Sandesam Koodi

Manya Mahajanangale

Vellam

Vanitha Police

Chakravalam Chuvannappol

Oru Madapravinte Katha

Kodunkattu

Also starring Mohanlal

Empuraan

Kannappa

Barroz: Guardian of Treasures

Manorathangal

Malaikottai Vaaliban

Alone

Jailer

Neru

Aaraattu

Bro Daddy

Also starring Swapna

Kadathanadan Ambadi

Aage Ki Soch

Mera Muqaddar

Dacait

Dak Bangla

Hukumat

Kachhi Jawani

Teri Meherbaniyan

Swanthamevide Bandhamevide

24 Mani Neram

Reviews

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.