Colibel Terrible acting, screenplay and direction.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

blanche-2 Lana Turner, Laraine Day, and Susan Peters star in "Keep Your Powder Dry," a 1945 film.The three women come into the WACS for different reasons: Day is carrying on the family tradition, Turner needs to live a decent life in order to get her inheritance, and Peters' husband is in the service, and she wants to help the effort. Turner and Day hate one another immediately, and a good part of the film is their struggle.I suppose this film was intended to be about girl power, but it has the typical sexist bend of the times. To be fair, I'm sure it was intended to glorify the work these women did during the war (it came out in 1945 when the war was almost over), but also it serves as a propaganda movie. Turner gives her bum friends a speech about their wasteful lives as people are fighting for them.Totally predictable. I am a fan of all three women, but this wasn't great material for any of them.

Neil Doyle The unlikely prospect of anyone who looks like Lana Turner giving up her comfy civilian life to wear an army uniform is the hardest thing to swallow about this service film about three women from different walks of life who learn to become army buddies. Turner, of course, is given the glamour treatment and must have made hundreds of girls think they would look terrific in khaki.Nevertheless, it's an enjoyable enough item sparked by some very competent performances by the mostly female cast. It's the feminine prototype of countless serviceman films produced during the war years of World War II, given non-serious treatment with a story centering on three new WAC recruits. Laraine Day plays an army brat, a girl who constantly flaunts her superiority over the other recruits and for most of the film engages in a tug of war with Turner. While Turner was given the full glamour treatment, Laraine Day succeeded in playing her unsympathetic role to the hilt, for the first time showing a harder edge to her screen personality. The film is enjoyable fluff, with good work by Susan Peters and Agnes Moorehead.My article on Laraine Day appears in the Spring 2001 issue of FILMS OF THE GOLDEN AGE--and one on Lana Turner is due for publication at a later date.

splurben Loaded with lovely classic Lana WWII scenarios.I wonder how many young women went off to join the W.A.C. thinking Sydney Guilaroff would be doing their hair and Irene (I) their uniform wardrobe.We look at films like this as objects through which we can watch a moment in Hollywood time. Lana is simply delightful.I watch a film like this just for a glimpse of wartime America through the eyes of jaded and spoiled Hollywood elites who are piping this 'dream' to a still highly naïve wartime America.Watch for Mercury Theatre's -- also the character of Endora on Bewitched (1964)] -- Agnes Moorehead. I reckon that some would say that this glimpse of Moorehead is as fun as that of Lana Turner.

cricket-14 It is meant to be a comedy, but is only mildly amusing.It gives a glimpse of Natalie Schafer who later played Mrs Howell on Gilligan's Island - for those who interested.