Killer Pad

2008 "Three pals move into a haunted house in the Hollywood Hills."
4| 1h24m| R| en
Details

Three naïve guys, in their 20s, drive from Illinois to LA. A sleazy real-estate agent gives them a great deal on a house in the Hollywood Hills. The night they arrive, a solitary Mexican, who speaks only Spanish, tries to warn them that the place is possessed by Satan. They don't understand him, move in, and plan a party after they meet Lucy, their gorgeous neighbor from down the hill. An old friend of theirs, studying to be a priest, joins them. In the basement is a portal to Hell, so at the party, guests meet their end in various ways. Lucy and her friends may not be who the lads think. Is there any hope for these innocents? Maybe their neutered dog can help.

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Reviews

GamerTab That was an excellent one.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
kvatter Are there producers out there looking for films to create tax write-offs? I believe the answer is yes, because I've found a clear example of one. There is no other explanation for how this got funded. It's more of a high school film project but without the creativity. The direction is of the school of "point-and-shoot". The film is supposed to be a combination of humor and horror. The humor(if you want to call it that) is juvenile and the horror portion certainly isn't scary. This movie might appeal to some young teens but will they be the ones staying up past midnight when this will probably be running to fill some cheap space on an unwatched cable channel?
shoesncandles Let me start out by saying that nothing will ever, ever, and I do mean EVER top 'Lesbian Vampire Killers' for hysterical horror satire. But 'Killer Pad' just beat out 'Shaun of the Dead' for second place.The humor in American horror satire is usually limited to slapstick, sight gags and pop-culture banter. Consequently it quickly becomes dated, and the humor loses its edge, leaving its audience to wander off in search of the next fix. 'Killer Pad' actually bothers with a script. The situational comedy is deftly arranged, so that the running jokes STAY funny, popping up in unexpected ways, and often the excuse to bring the gag up again is a gag in itself. The jokes don't need to be propped up by a backstory only one generation will really get; they're funny on their own. And likely to remain so! The actors deserve equal credit for the comic success of the film. It's difficult to keep a character consistently, genuinely, believably oblivious for more than an hour, and to make the audience genuinely laugh at their idiocy instead of just rolling their eyes and getting bored. They achieve it, though. It's my favorite thing about this movie.Those who come to 'Killer Pad' looking for shallow, cheap humor and obvious jokes will be disappointed, but for anyone seeking a fresh, fun spin on the "evil house" theme: you've found it. So sit back and enjoy!
bababear ...this would bring home the gold. It's almost painful to watch. Robert Englund's direction is good, and the actors seem to know what they're doing, but the script is awesomely bad.Three young men with room temperature IQ's rent a house in the Hollywood Hills. They throw a huge party, and discover that the house contains the gate to the pit of Hell.OK. So it's like THE SENTINEL, except with no name actors. The problem is, the young men are dim bulbs and so are the people attending the party. There's no sensible character (I'm thinking Ripley in the original ALIEN) who's trying to bring order out of the chaos. As a result, corpses pile up but nobody cares. The body count rises and the main characters roam the halls uttering dialog that has little connection to actual human speech.After the demons are sent back to Hell (this is punishment?) the house falls apart- well, actually a hastily constructed model of the house falls apart. Morning comes.The characters dig themselves out of the rubble of the house and dust themselves off. We find that the characters who were killed are still alive, because the demons' return to the pit undid the damage they did. Hey, I didn't write the screenplay: don't blame me.The real estate agent comes along and asks what happened to the house, then offers to buy the three young men breakfast. Of course she's got a forked tail, so there's the promise of a sequel. Many years ago Mr. Englund directed an atmospheric horror film called 976-EVIL and did a really fine job. He showed a lot of promise as a director. Now, years later, he's just another hack.
bugaboo-7 Well, where to start. This was the cinematic equivalent of the NTSB investigating a head on train crash - tragic ugliness everywhere you look.Campy acting, insipid dialog, sophomoric humor (of the painfully unfunny variety) and with as many scantily clad B-movie kittens inhabiting the scenery, you'd think you'd at least get some obligatory nudity, but no.If this film were used as an interrogation tool (which would probably be the best use for it) it would be ruled in violation of the Geneva Convention. So I'm giving it one star because there is no option available for zero.So I guess to sum it up, if you have a choice between watching this or re-arranging your sock drawer, take the opportunity to get some home organizing done. I wish I had.

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