Kim

1950 "Famed Spectacular Adventure Story Filmed Against Authentic Backgrounds in Mystic India The Greatest Spy Thriller of Them All!"
6.5| 1h53m| NR| en
Details

During the British Raj, the orphan of a British soldier poses as a Hindu and is torn between his loyalty to a Buddhist mystic and aiding the English secret service.

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Reviews

Brightlyme i know i wasted 90 mins of my life.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Beulah Bram A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Benedito Dias Rodrigues I'd watched this picture in 1985 on television once...until march 2017 when the DVD come out and l couldn't believe...for many years l've been looking for this movie and more this release have a dubbed version...the movie is an vehicle to Dean Stockwell in this time Errol Flynn was already running down the hill but it's an enjoyable movie adapted from Rudyard Kliping's novel about the boy who living as native Indian but actually was son of English officer that helped a man called Red Beard and finding a Lama who is looking for a river...interesting as entertainment and adventure!!!
girvsjoint I totally disagree with a lot of the reviewers here, I think Errol Flynn is terrific in this film, and proves what a great actor he really was. He brings the character of Mahbub Ali alive, and although it's essentially a supporting role, he's the main reason to watch this film, young Dean Stockwell if fine as Kim, probably his greatest child role in fact. The colour and spectacle of the India of the time are also visually very appealing, I don't know how close or not it resembles Kipling's book, as I haven't read it, but as a colourful stand alone, boys own adventure film, with some great atmosphere, I think it's great, Flynn has some great dialogue, and delivers it with his usual aplomb, in fact I think his final line at the end of the film, is one of the great closing lines of cinema, and perfectly suited to the character, and, the great Errol Flynn.
Spikeopath Out of MGM, Kim is directed by Victor Saville and adapted from the Rudyard Kipling novel by Helen Deutsch, Leon Gordon (producer as well) and Richard Schayer. It stars Errol Flynn, Dean Stockwell, Paul Lukas & Robert Douglas. It's shot in Technicolor by William V. Skall and André Previn provides the musical score. Locations for the shoot were Rajasthan and Uttar Pradesh, India, and some work was done at Alabama Hills near Lone Pine in California.It's all very colourful, with performances from the cast to match, and the photography is at times gorgeous, but excitement is sporadic and threaded together by long periods of tedium. The story is a good one, tho the political correctness brigade would like to see the film given a Viking burial. Set during the British Raj, it tells how a young orphan boy named Kim (Stockwell) had adventures whilst becoming a spy for the Empire. The people he meets, good and bad, and his involvement with a Russian plot to seize India. Stockwell does very well in the lead role, and Flynn offers up some flamboyance. But it's ultimately too long at nearly two hours because the narrative is far too episodic. 4/10
george karpouzas I saw the movie just after I had read the book and I realized that while some dialogue was copied verbatim, the end had been changed and the character played by Erol Flynn was given a greater role than in the book while the importance of some female characters that existed in the book was actually obliterated. Of course the movie cast the English as good and the Russians as bad as the book did and had all the trappings of the mythology of British imperialism as it would have been obvious in a book based on a Kipling novel.But the experience of watching it on screen was fine, since the movie had simplified some of the more esoteric meanderings of the book focusing on action or on the making a man- Kim- that is in character building, as the moral was that an essentially kind-hearted but mischievous oriental had to acquire the manners of an English gentleman-the role St Xavier's was preparing him for, and which he found difficult to follow-but at which he returned in the end through the guidance of the horse trader, a model of faith to the British. The role of he Lama was downplayed in the sense that the actions of his that the movie retained were only the ones that related with Kim's development as an individual and not the ones that had to do with his own spiritual quest. In the book, the Lama is just after Kim the second most important character while in the movie he is overshadowed by the horse trader played by Erol Flynn.Also importance is attached in the training Kim received in order to enter British Intelligence, an ambition that judging from the movie seemed to be what natives considered a crowning achievement. But still it is an enjoyable movie provided you agree with it's premises i.e. that the east is the playground of Westerners whose ways the natives would do well to emulate as Kim did or otherwise they would appear at best as well meaning but essentially exotic eccentrics as the Lama, or otherwise as dangerous criminals as all the opponent of British rule appeared in the film. The movie is really fun if you are a young westerner or someone who in latter life still retained this outlook but I suppose the same prerequisites apply to all Kipling's work- original or subject to adaptation.