Lucybespro
It is a performances centric movie
Mathilde the Guild
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
JohnLeeT
As with any role she assays, Kathryn Erbe creates a character of such depth and meaning that she deservedly receives most of the attention of audiences. Here, she takes an underwritten part and through her compassion, spirituality, and sensuality makes the film her own. Anyone who has watched her on Law and Order: Criminal Intent, OZ, Homicide: Life On the Street on television, or seen the films Dream With the Fishes, 3 Backyards, or especially and most notably Blume In Love, realizes Ms. Erbe is an actor's actor. She is certainly one of the most gifted women working as an actor in any medium. Over the course of Criminal Intent, she was able to keep the character of Eames fresh and real while holding her own with grace as her co-star did everything possible to overshadow her. There was, however, no ignoring Ms. Erbe's presence. The film now being discussed is a weak remake and not very good, simply put. Yet Kathryn Erbe makes her part shine and with a subtle power makes her character outstanding. She deserves an opportunity in better quality films to demonstrate how gifted and talented she is. She has done this time after time on stage and whether in film or on television, audiences are always in for something very special when her name appears in the credits.
inspectors71
Kiss of Death boasts an impressive cast, authentic locales, and a gritty, accessible storyline, but it still comes across as an asthmatic remake of the film noir classic. Nobody "stars" in KOD; rather, David Caruso, Helen Hunt, Nicholas Cage, Samuel L. Jackson, Ving Rhames, and Kathryn Erbe all put in good, workmanlike performances that just don't catch fire.I enjoyed Kiss of Death ten years ago when I rented it. What made it enjoyable again was seeing people I had forgotten about--a young Hunt, commanding on screen, an obscure Jackson, Cage almost unrecognizable, and Caruso, long before he decided to trade in acting for the ridiculous posturing he does on the boneheaded CSI: Miami.Yet, the movie never really jells. We know the story well so we expect something better to make KOD stand out. "Workmanlike" just isn't enough.I'd still recommend it, though. The freshness of the talent might be enough for you. And Cage, ripped and psychotic is so different from his breezy action roles of the last half decade. You may find a gem here!
Jessica Rabbit
I loved this movie. It was exciting. It had Nicholas Cage in it. The mob was in it. Car chopping, Thugs killing each other. That red haired guy from CSI Miami - Nicholas Cage owned a strip club and liked to beat people up- I loved it.Thanks. Samuel Jackson was in it. What else..... Hell, I wish I could of been in it. I could of at least played a stripper. Nicholas Cage was buffed out. He was a bad ass. I loved it. He is so hot. I liked when they beat that guy up in the garage because the guy was supposed to give the girl a ride home but did'nt . She woke up and tried to steal the guy's car but got killed trying to escape. So, They went to the guy's garage and took him out.That's what I'm talking about.... Yeah.
The_Void
You want to know the best joke I've heard lately? The Kiss of Death remake. Despite having great source material to work from (that being Henry Hathaway's 1947 original), Barbet Schroeder's film might as well have been a comedy, as the level of incompetence on display really is mind blowing. The film features a whole range of well known stars, and almost every single one of them is heinously miscast. Nicholas Cage delivers the silliest role of his career as the babyish gangster 'Little Junior'. Cage's character is this film's answer to Richard Widmark's Tommy Udo, but unlike Widmark; Cage just can't do the extreme psychotic, and succeeds only in making a fool of himself. Samuel L. Jackson isn't given room to breathe, while Helen Hunt, Michael Rapaport and Ving Rhames are entirely wasted. Perhaps the biggest casting mistake was giving David Caruso the lead role. It's hard not to laugh while he's trying to look hard, and the ginger actor looks completely ridiculous throughout. The only actor in the entire film that has been well cast is Anthony Heald (Silence of the Lambs' Dr Chilton), who has a very small role as a lawyer. Kiss of the Death is one of the clearest examples of casting with the poster in mind that I've ever seen.The plot follows an unlucky guy who gets arrested after taking 'one last job' as a favour to his friend. While on the inside, he is asked to rat out his accomplices, and but won't. However, he changes his mind when it comes to the end of his sentence (oh yes). What made the original great was that the story was tight, and by concentrating on just a handful of characters; the audience was able to care for their plight. This movie doesn't benefit from that, as the film needs a whole load of characters so that a load of big names can star, and it harms the film as the whole thing is far too convoluted. Not much thought has gone into any scene in this film either, and certain plot threads seem to come out of nowhere; the lead character's relationship with the babysitter being a good example of an idea that the film simply throws at you. You really need to stretch your imagination with this movie, as several things don't make sense; and the fact that all in all, this film is bad ensures that stretching the imagination isn't easy. The ending is similar to that of the original, but here we don't get the impression that it's come about as a result of the characters; and Samuel L. Jackson's last moment on screen throws mud in the eye of the dark tone that a story like this should have. All I can say is that Kiss of Death is actually an apt name for this film, as Barbet Schroeder and co have embraced a good idea and killed it.
