Micah Lloyd
Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Quiet Muffin
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Isbel
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Leofwine_draca
In the five years since Jean-Claude Van Damme kicked criminal backside in the streets of Paris in the intense MAXIMUM RISK, Western newcomer Jet Li (an established martial arts actor in China and beyond for the last twenty years, only now gaining western recognition) is back and doing much the same thing, although with even more style. Unlike Li's recent bomb THE ONE, KISS OF THE DRAGON is an action thriller par excellence, blessed with an extremely good pacing and level of suspense, some intriguing and surprisingly well-developed characters and a plot which mixes tense thriller antics with some very nice martial arts action. The film begins with a major set piece, as Li finds himself framed for a gruesome murder involving a Chinese drug lord and a drug-fuelled prostitute, and must battle a legion of corrupt policemen in the claustrophobic confines of an upper-crust hotel. The action is fast and furious, incorporating an excellent use of props with a steam iron, a laundry chute, and even a snooker ball coming into play during the stylish proceedings! From here on the film slows down a notch, taking care to develop the characters and especially Jet Li's cop. Li - in much the same way as an early-era Steven Seagal - exudes a brooding menace and level of bubbling violence even when he doesn't speak, and when he does get to act he does so with conviction, subtlety and skill. Li is superbly supported by Bridget Fonda, giving her finest performance to date as a tragic prostitute, hooked on heroin by the corrupt Inspector Richard, and forced to sell her body due to her daughter's incarceration by the evil mastermind.It's also good to see old-timer Burt Kwouk turning up in a non-comedic supporting role, even if all he does is spout a few words of wisdom. Also on hand is Tcheky Karyo, playing the most deranged cop since Gary Oldman in LEON (it comes as no surprise that Luc Besson also produced this movie), a criminal you love to hate who gets his just desserts come the finale, which involves the forbidden "Kiss of the Dragon". As a novel touch, the film sees Li carrying a bracelet full of needles, which he can place into people's necks in a second and paralyse them, or much worse as we eventually see during the climax.The film is well-shot throughout and makes great use of the Parisian locations, which are as always aesthetically pleasing despite focusing on the dark underbelly of the capital (this may be a reason that American thrillers set in Paris almost always turn out to be good) and the script is intelligent for a change and has realistic dialogue. First-time director Chris Nahon proves to be surprisingly adept at his job and the level of excitement in the film never lets up, even during some lengthy dialogue scenes between Li and Fonda, as they are handled poignantly and with finesse, thus developing a level of chemistry between the stars which is rarely seen in this genre - and thankfully they don't ruin things by having the two leads jumping into the sack at the first available opportunity.The action sequences are inserted well into the flow of the plot and the only flaw is the editing, which is sometimes so quick that you can't clearly see what's going on (then again, if a multi-million pound blockbuster like THE FELLOWSHIP OF THE RING can make the same mistake, I can forgive this film too). A steady amount of firepower is used in the movie, with huge machine-guns and grenade-launchers ripping up the scenery and shredding extras; it may not always be realistic for this to happen, but it makes for great spectacle. The film doesn't skimp on the violence either, with the fights being invariably bloody and gruesome, including a sick but funny gag involving a pair of legs, neck-breakings and more. Don't even get me started on the hilariously disgusting climax, either, in which Karyo's character undergoes one of the most painful deaths imaginable.As for the martial arts, they are superb and rightly so, considering Li's ability. My favourite is probably the moment when he takes on a class of black-belts which offers impossibly fast stick fighting and tons of excitement. Other highlights include the amusing one-on-one with the muscular black guy (who just happens by to show up and fight Li) and the excellent two-on-one at the end in which Li fights a pair of huge blond twins in an office and teaches them both a nasty lesson. KISS OF THE DRAGON is not just a good film; it's a great one, and one which reaffirms my faith in film getting things right occasionally. Highly recommended.
Python Hyena
Kiss of the Dragon (2001): Dir: Chris Nahon / Cast: Jet Li, Bridget Fonda, Tcheky Karyo, Max Ryan, Ric Young: Action film that uses violence to justify crime. Title regards a poisonous dart that Jet Li uses on attackers to paralyze and kill them. While undercover in Paris he witnesses a murder that he is framed for. His only alibi is a prostitute who is forced to take drugs and forbidden to see her daughter. Li takes pity on her and mops up the floor with dozens of faceless villains leading to a disgusting climax. Director Chris Nahon is basically filming a series of stupid fights that he could have gotten cheaper at a bar on drunk night. Li is there to fight and kick the living hell out of as many bad guys as possible. Perhaps he is going for the world record of most idiots beat up within the shortest time frame. Bridget Fonda is there to sink her career. It is obvious that she is attempting to distinguish herself from her acting family, which is fine, but this is not the film to do it and neither was Lake Placid or Monkey Bone. Tcheky Karyo plays the boring crooked investigator villain whose defeat isn't as satisfying as we are suppose to believe. Other roles are about as broad as any household appliances that get destroyed throughout this mindless junk. It is just justified revenge just for the thrill of exploiting violence. This film should be sliced and diced with a butcher knife. Score: 1 / 10
rzajac
I'm about to do something I've never done. I'm going to "review" this film after having turned if off about 15 minutes in.You don't have to ignore this review; just read it while keeping in mind the caveat that I turned "Kiss of the Dragon" off, 15 minutes in.It's simple really: 15 minutes in, I had no idea where the flick was headed. Now, the usual retort is to point out that a lot of flicks do that: They defer spelling out the underlying key plot points quite a ways into the flick. So why do I refuse to cut KotD the kind of slack that is due to a slow-burn sizzler storyline?Because KotD doesn't sizzle. In fact, one gets the sense that Besson is fully aware of the need to create tension of one kind or another in order to sustain things while the viewer gathers the data which will eventually pay off in a stunner revelation. But the data stream is... well, I was about to say bizarre... but bizarre is good! In fact, it might be a good idea at this point to mention his La Femme Nikita (the film). It sustains for a good, long while until the data is gathered because the leading action is bizarre *enough*. There's an amazing firehose of bizarrerie that keeps you alert and pondering, until the air clears and all the necessary pieces fall into place; well, at least, enough of the pieces to apprise you of the fact that you're watching an actual story.KotD opens with an unsatisfying, disconnected cubistic salad of cloak/daggerish visual and verbal cues, gangster scenarios, a hookers/john sequence that floats in an utter void, and a weird, utterly inexplicable 180 degree turnabout in the relationship between the crime boss and the new recruit--10 minutes into their relationship--which can't even be explained away as a spurious psychopathic lark on the part of the crime boss, let alone as a natural concomitant of the recruit's actions.I suppose that, if I'd hung with it, I'd've been able to metabolize that salad in some fashion. But, 15 minutes in, my question to myself was, "Why bother?"In the stuff I describe above, I don't mention Jet Li's lovely martial arts moves. And I left them out for a reason; because I wanted to preserve them from the disreputable notion that Besson thought they'd suffice to keep the viewer's attention.I think reviewing the first 15 minutes of this flick was worth doing-- there was so much to say!--so I did it. I hope you understand.
Charles Herold (cherold)
This movie makes the interesting decision to tell you nothing about its story for at least the first 20 minutes, which is nothing but a bravura sequence of martial arts action that is highly enjoyable even though you have no idea what's going on. After that opening sequence the movie tells you more-or-less what's going on, but some plot points aren't explained in the slightest, most notably what exactly Bridget Fonda has to do with anything.This is one of those movies where dozens of people die without seeming to trigger any investigations; you can't imagine anything in this movie really going down the way it does. But the action is terrific, the bad guy is entertainingly, ridiculously evil (he does everything except kick a puppy) and over all I liked it.
