Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

poe426 Although she's working alongside some fairly big name stars, here, it's Kathy Long who steals the show in KNIGHTS. Albert Pyun's direction is, as usual, one part low-budget exploitation and one part Art House (it's an interesting combination, and a blend Pyun has fairly patented) and he has the good sense to showcase what made Kathy Long famous- her outstanding full contact martial arts experience. The highlight of the movie, without a shadow of a doubt, is the sequence where she singlehandedly wades through a veritable army of evildoers. Had I been unfamiliar with her professional fighting career, I might've mistook this extended sequence for some lesser filmmaker's perverse wish-fulfillment. It's not: having seen her fight, I can attest to the fact that Kathy Long COULD wade through a veritable army of evildoers. (And, like ravishing Rhonda Rousey, she's a looker...) (Either one of them could kick MY a** any time...)

lost-in-limbo Set in a post-apocalyptic environment, cyborgs led by warlord Job rein over the human population. They basically keep them as livestock, as they need fresh human blood to live off. Nea and her brother managed to survive one of their attacks when she was a kid, and years have past when she came face-to-face with the cyborgs again, but this time she's saved by the cyborg Gabriel, who was created to destroy all cyborgs. Job and his men are on their way to capture a largely populated city, while Nea (with revenge on mind) pleads Gabriel to train her in the way of killing cyborgs and she'll get him to Gabriel.Cheap low-rent cyborg / post-apocalyptic foray by writer / director Albert Pyun (who made "Cyborg" prior to it and the blistering "Nemsis" the same year) is reasonably a misguided hunk of junk with some interesting novelties. Very little structure makes its way into the threadbare story, as the turgid script is weak, corny and overstated. The leaden banter tries to be witty, but it pretty much stinks and comes across being comical in the unintentional moments. Most of the occurring actions are pretty senseless and routine. The material could've used another polish up, as it was an inspired idea swallowed up by lazy inclusions, lack of a narrative and an almost jokey tone. The open-ended, cliffhanger conclusion is just too abrupt, especially since a sequel has yet to be made. Makes it feel like that that run out of money, and said "Time to pack up. Let's finish it off another day (or maybe in another decade). There's no rush." However it did find it rather diverting, thanks largely to its quick pace, some well-executed combat and George Mooradian's gliding cinematography that beautifully captured the visually arresting backdrop. Performances are fair. Kris Kristofferson's dry and steely persona works perfectly as Gabriel and a self-assured, psychically capable Kathy Long pulls off the stunts expertly and with aggression. However her acting is too wooden. A mugging Lance Henriksen gives a mouth-watering performance of pure ham, as the villainous cyborg leader Job who constantly having a saliva meltdown. Scott Paulin also drums up plenty of gleefulness as one of the cyborgs and Gary Daniels pouts about as one too. Pyun strikes up few exciting martial art set pieces, involving some flashy vigour and gratuitous slow-motion. Seeping into the background is a scorching, but mechanical sounding music score. The special effects and make-up FX stand up fine enough. Watchable, but not quite a success and it's minimal limitations can be a cause of that.

siderite For its genre, I guess this film was OK. Post apocalyptic Earth, lots of deserts, dirty people in rags, fighting, even blood sucking cyborgs. The only beef with it is that it seemed to be made in the 80's. I even imagined myself commenting on IMDb about how Kris Kistofferson and Lance Henriksen made movies before Alien and Terminator. It turned out that this movie was made afterwards.I must define the notion of OK. I knew it was trash, therefore I expected things like bad picture editing to make the fights look cooler, obvious stunt men instead of the real actors and ridiculous fighting. I also expected to see cardboard characters in a movie without plot. The only surprise was that the fighting was half decent, as the female star (also a good looking one) is an actual kick boxer.If you see this movie on TV, it might be worth a watch. It's not too bad, so you can't rent it to make fun of it too much. So it's a bad idea to rent or purchase it, basically :)

daijoki Saw this movie on a satellite Movie channel while drinking beer in Bali, didn't know what it was called but when me and my mate realised it had BOTH Lance Henriksen AND Kris Kristofferson I was a)Shocked and b)Too busy being shocked to realise quite how bad this movie was until long after it had finished! So shocked in fact that I made a note so that I could find out what on earth this thing was called so I could avoid it in the future! How could both Lance and Kris get involved in such a -err- crap movie... words fail me... although not as much as the scriptwriter from what we witnessed... Avoid at all costs - unless copious amounts of beer are had beforehand - and I mean COPIOUS!