Kurt Cobain: About a Son

2007 "Kurt Cobain in his own words."
7.2| 1h37m| NR| en
Details

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

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Bonfire Films of America

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Reviews

Greenes Please don't spend money on this.
Ameriatch One of the best films i have seen
Manthast Absolutely amazing
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
saulgoode-16328 This is the Kurt Cobain movie that is told by Kurt - his thoughts, his feelings, his words. There actually is no Courtney love involvement at all. Now, because this one is actually unauthorized, it doesn't have any Nirvana songs, or images of Kurt and all the fancy stuff that Montage of Heck has, but this is Kurt Cobain, stripped down, raw and noncommercial. This is the Kurt Cobain documentary that he would have approved of. Montage of Heck is crap in comparison. Everything that they hyped up Montage of Heck to be, is what this film actually delivers as far as content from the man himself. His words. He talks candidly and is open. The images in this film are the images of the Pacific Northwest. The images that Kurt saw on a daily basis in his life. This is a film that sounds like a friend talking. Just talking. No agenda. Just talking. Being honest and real.
M W As kids pre Nevermind even Bleach my friends & I listened to a lot of demos & tapes from Seattle. The list of bands are numerous mostly The Melvins Green River & Soundgarden. We considered Nirvana the runts of the litter and didn't think they would ever make it beyond demos. At the time the word grunge wasn't something we used to describe this kind of metal rock crap we were listening to It was just druggie and hard sounding which fit our lifestyles more than Winger or Poison or even Metallica or Slayer. So when it all exploded it was very surreal kind of like being in a dark room that was suddenly flooded with light & crowded with people. Seattles little secret was no more. So that fact then was hard to digest for me & now some 16 years later as Van Sant & this doc further explore & dig into Cobains life I just think to myself Jesus he wasn't that interesting at all. Why are we still talking about this man as if he were this enigmatic figure who changed the world? Im not going to attack the man but heres where my head is at he left his daughter to be raised by Courtney Love. This is a large part of what makes this country so sick. Your worshiping a dead junkie not some anti-hero who died for his beliefs. This isn't about art or fashion & im not trying to be an a-hole but every time I see this woman benefit from this mans death or see another book another CD another movie I get very very sick to my stomach. Its disgusting & more importantly trivial. You want someone to look up to just take a look in the mirror.
bruce_files_3 Cinematic Documentary has blossomed the last 10 years as more and more artists find reality interesting enough to make them stay away from "creating a world of their own", a.k.a. fiction. It was matter of time before the musical documentary would take the lead on this new interest in this genre of film-making -just like on TV before.In those last years countless films have been released on anything that has to do with music -any kind of music. The most interesting of them weren't those about my (or your) favorite artists, but rather the ones that had a real cinematic approach on the way each was presenting the story. Moreover, the best of them were/are those that could be something more than just a "fairy-tale of drugs and self-destruction" or a "scientific musical analysis"."About a Son" manages to pass this "test". Interested or not in Kurt Cobain, you cant ignore its cinematography; and that alone will be enough for you to sit and watch the film. But beyond this, the structure of the movie and director's subtle comments on Cobain's words are what make this a great documentary.This is as close and personal you'll ever get to Kurt Cobain on film. Don't miss it.
Splattii I just saw this at the Toronto Film Festival and I wasn't impressed.While I appreciate the audio interviews captured within this film, I question why a movie was made. I would have enjoyed the film as much if listened to on the way home while I was in traffic. It should have been a CD release, not a film.The film revolves around some audio recordings that were compiled from a series of late night interviews. There were very intimate details described by Cobain, including how he did care about what people thought about him (as opposed to what most of his friends suggested), and that he wanted to write some pop songs for their albums, but Sub Pop forced them into keeping the albums underground. Some may already be aware of these facts, but I enjoyed learning of them for the first time. The tone in which Cobain spoke felt genuine, and the pacing of the interviews was perfect. These interviews deserve to be heard by any fan of Cobain's, or Nirvana. They were a great listen.The problem with this film is there isn't a single video clip or photo of Cobain, his family, or Nirvana until the last 30 seconds of the movie. The entire film involves a series of related images that play based on the interviews. An example would be when speaking on his father's job, they show footage of men working at a lumber yard. When Cobain spoke on Seattle, they'd show images of Seattle Record stores, streets and highways. They even had real time images being drawn in the form of artsy cartoons (tree's and grass swaying) during some of the vocals. It was like watching on LONG Fruitopia commercial combined with a film strip about Washington. Unfortunately it also seemed like they had problems clearing for use in this movie.I understand what the director attempted with the images, but it failed in my eyes. It's almost like they brainstormed how they could generate the most revenue from the interviews, as opposed to having a vision upon hearing them. It feels forced, and I don't need to see this again. Literally. If I ever end up with a copy of the DVD I'll either record the audio to CD, or listen to it with the TV off.