Infamousta brilliant actors, brilliant editing

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Asad Almond A clunky actioner with a handful of cool moments.

nadiatownshend The documentary is flawless in its retelling and the editing of the archival footage really places you in the midst of the moments captured - you almost feel like you are there. Parts were incredibly hard to watch - specifically the footage of Reginald Denny, the truck driver being pulled from his truck... But it is important to show the brutality and raw anger and frustrations that those few days entailed in order to educate people about the reasons behind the eruption of the riots in LA in '92. From what I learnt from the documentary - the reasons behind the riots were far more intricate and complex than what was displayed on the news. It inspired me to read more about it and find out more about the people who were involved. All in all probably one of the most fascinating, if not scarily real documentaries I have seen, which lays it all out factually using all original footage and doesn't hold back. It's so sad that such a great city as LA, with all its diversity, exploded in that symphony of chaos and the archival footage shows that it really was a wake up call to the city to draw together. Furthermore the way the city came together in the wake of the violence in order to rebuild was really wonderful and when we think of the riots we don't necessarily think of those good deeds that happened in the aftermath, but the documentary importantly reminds us that in the end there is hope for society yet.

jodyfranz After watching this it was hard to believe that this ACTUALLY happened. This was in the United States! With today's current political and racial climate it seems like all the old problems are as big as ever. Sooner or later something has to give.National Geographic never seems to dissapoint in their movies. I enjoyed watching this, it was quickly paced and very informative. As someone who grew up and watched this happening on TV it didn't bother me how it was all shot and seemed to be view on a VCR.Would totally recommend this movie for anyone who loves National Geographic or wants to learn more about the LA riots.

mikipryor-1 I thought the film was overly ambitious. They started w @ 2000 hrs of raw footage and edited in 9 months. There's no explanation or understanding of govt or police strategy (or lack thereof). It would work better as a series. The old vhs footage is hard to watch on the big screen. Compared w Ken Burns series on Vietnam, it's a poor second- although not a fair comparison (Burns worked for years and added contemporary interviews and @ 10+ hours). We are informed at one point that there were over 900 fires during the riots but are never shown where and when (a map with all the fires would have been good here). There is no information about grassroots or cooperative efforts by the community leaders. We don't see any community leaders interacting with police or government officials, although there must have been some meetings & conferences. We do see Maxine Waters calm a crowd but nothing about how the crowd was gathered - same with a group of peaceful Korean protesters. There had to be organizations that coordinated these demonstrations but there is no information regarding that. Overall, a muddled, well-intentioned effort to discuss an ugly incident.

dennishuffington-95898 There's a saying: There's no time like the present. Except there is a time like the present, and National Geographic is premiering LA 92, a documentary that dug up every nook and cranny of 1992 in the City of Los Angeles, a time just like the present. LA 92's edge comes from the use of only archival footage tell its story. There are no interviews or experts, just raw footage of each and every catalyst, narrated by everyday people and news media alike. Even though I knew the outcome, I still sat in suspense because every second is authentic.About 35 minutes in, my stomach began to burn and I felt the same disappointment and resentment as the real people in the documentary. America hasn't recovered from Ferguson, Baltimore, and police brutality continues to deepen America's political and racial divide, just like the divide in LA 92, the divide that has always been in America. LA 92's tagline, The Past Is Prologue, couldn't be more fitting. Just as the LA riots preceded Ferguson, riots in Watts preceded LA's 92 riots.From the opening of LA 92, it is crystal clear, that racism and police brutality have long been intertwined. We see a police department that not only criminalizes a group of people but also fails to protect that same group of people. The LAPD has long been tarnished by accusations of racism, and there is enough footage in LA 92 to uphold those accusations. In their own words, LAPD officers admitted they performed actions that were "violent" and that "police work can be brutal." The smoking gun was the admission that, "In Los Angeles, the chokehold is associated with death for blacks."One officer's testimony in the Rodney King Trial sounds like the blueprint for George Zimmerman's testimony during his trial for the death of Trayvon Martin in 2012. Both Zimmerman and the officer defended themselves by saying they were so scared of being killed by their victims that they acted violently and brutally in self defense. This mindset that African- Americans are inherently violent is the dangerous societal side effect of the systematic criminalization of African-Americans that has led to the murders of Michael Brown, Freddie Gray, Philando Castile, Trayvon Martin, Alton Sterling, and countless other African-Americans.At one point of LA 92, someone shouts out "Black lives matter!" long before the hashtag. That is the importance of LA 92. This documentary is a case study that examines a system and not just a city or a year. LA 92 could easily be BALTIMORE 2015 or FERGUSON 2014. The buildup, explosion, and aftermath were all the same, yet we still have the same problems. The hysteria we see in LA is the same hysteria I witnessed firsthand living in St. Louis during 2014. I remember the boarded up storefronts and closed off highways. I also remember the burning buildings in Ferguson and military tanks parked in random locations, ready to pushback against any resistance.Did we learn anything from any of those events? The answer is yes, but there is still much more to learn and that is what makes LA 92 a must-see. LA 92 premieres at Tribeca Film Festival on April 21, followed by a screening tour including St. Louis on April 29, before premiering on National Geographic on April 30