Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Staci Frederick Blistering performances.

dbdumonteil A generic title ,which could fit countless other movies whose heroine is a Parisian;a screenplay the standards of which are simply what the French call:"Théatre De Boulevard ":run of the mill stories of wives,husbands ,lovers ,cuckolds ,with a dash of "Roman Holiday" in reverse for good measure.Brigitte Bardot acted naturally ,with a drawling voice and a roguish look ,and this "Petit Je Ne Sais Quoi " which made her THE greatest French sex symbol of all time;she did know she was hot and very attractive but she did never take it too seriously;she already showed her love for animals in the scene when she pampered the dog;Charles Boyer was aging at the time and was too old for a prince charming.As for her hubby in the film,Henri Vidal,this is one of the saddest stories in the history of the French cinema:addicted to heroin since he was 17,although he tried detox ,he had only two years left to live ;he was to meet again BB in "Voulez-Vous Danser Avec Moi"with the same director (Boisrond), his final role (1959).

Nazi_Fighter_David Vadim changed Brigitte's image and way of life from that of the young society beauty he had married to that of a rebellious and challenging teenager of the 1950s… "Une Parisienne" succeeded in launching her ravishing figure as the teenage goddess, the casual sexuality, the provocative gaiety in confrontation with men… Charles Boyer — as Prince Charles — was the perfect, ideal choice of those magically romantic moments… His deep and vibrant voice spoke a promise of new adventures in love… His deep, wondering eyes bespoke a worldly knowledge untarnished by cynicism… He had the boudoir grace of Valentino without the hysteria or the sometime effeminacy of the great lover… Under Michel Boisrond's direction, Boyer was an old-style romantic without the grand manner

pmullinsj I have to agree with all the previous commenter's--this is simply the best of all frothy comedies, with Bardot as sexy as Marilyn Monroe ever was, and definitely with a prettier face (maybe there's less mystique, but look how Marilyn paid for that.) I don't think I've ever seen such a succulent-looking female on screen, so perfect that even a gay man like me got excited by it--and not just for purely aesthetic reasons (if the idiot evangelicals really want to do their 'convert-a-queer' number, they are really going to need to up their standards, as no church mice need apply here...)Her breasts, the rest of her figure, her adorable voice, the hilarious way she shakes as she walks across a room...only to arrive in front of a man, breasts literally pointed as if in exquisite confrontation...I think Boyer is one of the greatest leading men in all of film history. No one played opposite more great female stars than did he: Garbo, Dietrich, K. Hepburn, Colbert, and here Bardot, among many others. And he was also in 'Fanny' with Leslie Caron, and had small parts in 'How to Steal a Million' with A. Hepburn, as well as being in the Deneuve movie 'The April Fools' (although not opposite her.) The only thing I could disagree with in remarks is that even the loud, obnoxious music over the opening credits is appropriate--I mean, Bardot is not meant to be subtle on top of everything else, and her essential loudness (I don't mean her voice) is part of her irresistible and, one might even say, exemplary charm.Vidal is thoroughly handsome, even if pouty Brigitte says toward the beginning 'I don't know why I am in love with you, you're not even handsome.' Dear, dear Bardot! Truly one of the wonders of the 20th century, not to mention the joy that she is still with us, when so many of the truly characterful are passing away so fast, in all her eccentric glory.

ssprecher Bridgette Bardot, looking as sexy as ever, plays a spoiled but innocent daughter of a French Ambassador. She cons one of her father's top aides (womanizer MICHEL) into marrying her and it turns out to be the best thing for both of them. Michel is soon flirting with his old girlfriends and in order to teach him a lesson, Bridgette flirts heavily with a married PRINCE CHARLES. Michel is surprised by his jealousy. A cat-and-mouse game ensues between Brigdette and Michel ("I'll have an affair"..."No you won't"...) And finally Michel realizes she just might and vows to give up all the other ladies in his life. Bridgette and Michel settle comfortably into their happily-ever-after while Prince Charles jets home to England.It's an admittedly light piece but it's incredibly charming. While some may fault it as a product of it's time, I found that completely enjoyable. Worthy of a rental.