ada
the leading man is my tpye
Diagonaldi
Very well executed
Actuakers
One of my all time favorites.
LouHomey
From my favorite movies..
vijking
....no resolution.A generous, generous 4/10, because it's Christmas, Orthodox Christmas, but anyway.The film is about a woman who tells her husband she's having an affair with another man. Their relationship deteriorates, it swings from hot to cold, he keeps his distance, gives her space, but they still live together, share a child and common friends. At the end he moves out, but comes by to see his kid. She tells him that she's no longer with the other man. That's the whole film. There is no resolution to the film. The film is not about Anne's relationship with the other man (we never actually see him), but Anne's marriage with Pierre. Once she reveals the affair, the relationship sours. And it just stays sour until the end. She ends her affair, but Pierre remains in no man's land just as he was in the start, unloved by his wife and unsure what to do.I'm not sure what the point of this film is, other than being some financial or tax scheme.The acting is top notch, but where's the story? This film is like watching a 90- minute first act, with no second or third.
aiu
As the title reveals, the story is about the separation of a couple. No reason for the behavior of the two spouses is given whatsoever, and this behavior remains completely unconvincing though the whole movie. The story is told as seen from a third party, who tries to be fully objective, but, in the end, it only manages to describe two irresolute characters, without any particular strong emotion or feeling.The two main actors look as if they really do not care about the other or about themselves. At each point of the movie, you feel that both the reconciliation and the divorce are equally plausible, and, after some time, you start to care as much as the two main characters (i.e., at all) about what will happen.
Framescourer
An astonishingly accomplished film - Auteuil and Huppert have done nothing better. Auteuil's performance as Pierre is a measured descent into madness. As an ageing soixante-huitard with a love-rival, he tries to hold onto the idealism of his relationship with Huppert's Anne, succeeding only in compounding the confusion and hurt inevitable through his own unchartered humanism. Huppert is the perfect foil for this, a discreetly neurotic idealist herself, trying to conquer her own confusion beneath the surface and simply increasing Pierre's frustration. An acting masterclass.Vincent provides unblinking coverage of the story as it, literally, unravels. His contributions are subtle: Vertigoesque colour symbolism that informs the psychology of the story (he uses blue, grey and dowdy colours for the men and brighter colours, predominantly red for the women) and sparing music, only topping and tailing the piece with the theme of a suite of variations - a quiet but entirely apposite gesture. Its realism, violence, vitality and unselfconscious intelligence are supremely marshaled in what must be the finest French film I've seen. 9/10
raymond-15
Two of France's great actors give flawless performances as a couple whose marriage is sadly in need of repair. The problem started it seems when they allowed little irritations to accumulate instead of discussing them openly and finding immediate solutions. In a word, this film is about lack of communication between partners. It is so true to life that it's almost painful at times as the couple perpetually nit-pick and argue using hurtful suggestions and criticising every look and gesture. The dialogue is excellent - brief, terse, unforgiving with mounting impatience. As eavesdroppers on their marital problems we become emotionally involved and begin to wonder which of the partners will be the first to crack under the strain. Separation seems inevitable. Early resentments now become uncontrollable outbursts with physical violence. Which partner will leave first? Important to the story is the character of the 18 months old baby, intensely loved by both parents. The sweet innocence of the baby ( Nice little actor!)gives some relief to the bitterness of the sparring parents. Anne asks Pierre:"What made me fall in love with you?" She tells him. The answer will surprise you. The ending of the film may surprise you, too.