ada the leading man is my tpye

Fairaher The film makes a home in your brain and the only cure is to see it again.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Michael Ledo Lady Cocoa (Lola Falana) is taken from prison and "hidden" at a casino hotel so she can testify in a racketeering case. At the hotel her boyfriend and bad guys who want her dead show up.Lola Falana also sings the sound track. Football star and HOFer Mean Joe Greene has a minor role as Big Joe. Note that the slot machines take Ike dollars and the initial conversation at the prison concerned "block busting." . My copy was poorly restored with sound being a major issue.The story lacked action and decent drama. It is mostly Lola acting like a spoiled brat spouting off odd facts and listing sources.Guide F-word, sex, nudity (Lola Falana) I saw this on a 12 pack of films featuring Urban Action films.

Woodyanders Feisty Coca (a delightfully vibrant performance by Lola Falana) gets released from jail for twenty-four hours so she can testify in court against her mobster boyfriend. Weary veteran detective Lt. Ramsey (ably played by Alex Dreier) and his straight-laced partner Doug (a solid and likable performance by Gene Washington) are assigned to protect Coca from a couple of hit men.Director Matt Cimber keeps the entertaining story moving along at a brisk pace, maintains an amiable lighthearted tone throughout, and stages the one big action set piece with aplomb. Moreover, the sound acting from the capable cast helps a lot: Millie Perkins does well as mousy newlywed Marie, Mean Joe Greene looks suitably menacing as hulking thug Big Eddie, and James A. Watson Jr. contributes a neat turn as smooth operator Eddie. Popping up in amusing cameos are George "Buck" Flower as a drunk gambler, Richard Kennedy as an unctuous waiter, and John Goff as a swishy Sicilian man. Mikel Angel's witty script boasts lots of sharp rat-a-tat-tat dialogue. The funky-throbbing score by Luchi De Jesus hits the get-down groovy spot. Best of all, Falana's dynamic presence and kooky persona keep things buzzing throughout -- and she even belts out the catchy theme song "Pop Goes the Weasel." A hugely enjoyable movie.

revtrask I grew up during the '70's and love the movies made during that decade, and Lady Cocoa is at the top of the list. I'm not sure if I enjoyed them as much then as I do now, because in the present I'm looking back wistfully in time, through a hazy mirror that somewhat distorts the images. Lady Cocoa also has constant background noise and the sound of wind even when the action is inside in the casino where she spends her night of freedom. The film has too much indoor lighting and not enough outdoor lighting. For me, that's perfect. Can you really expect to look at the past and expect to see it perfectly clear? Would you want to? If only police shows today could be so tame. Lady Cocoa speaks her mind and sometimes she speaks it in a way that would make a tough guy from the '70's blush. But, deep down, she's a good girl whose naive. She's gone to jail to protect her boyfriend, but now, in exchange for turning state's evidence against the man she loves, she get's a day of freedom. What? 24 hours in a Lake Tahoe casino (Where The King's Castle was located) is compensation for 1 and ½ years in prison for committing essentially no crime? Ask yourself why she would do this as you watch this film.There is no wonder that Lola Fallana later made a fortune in Las Vegas; she is constant energy and she acts with passion. She is undoubtedly the star of the show, but the performance by Alex Dreier, as Lieutenant Ramsey Miller is a very good one. Dreier's distinctive voice was, certainly, one of his greater assets as a performer. Fallana's co-star, Gene Washington, is, in the beginning, a bit wooden with his performance but loosens up as the movie progresses. "Mean" Joe Greene is, indeed, mean in "Lady Cocoa" as he stalks her, but he and his sidekick had no trouble memorizing their lines: there were none.Lady Cocoa is a film worth watching. It moves, though slowly, towards a surprise ending, yet the rate of progression towards the conclusion is both entertaining and captivating. And, most important for this viewer, it takes you back to how we once were...and how a lot of films really looked in those days!

Seymour Asses Of all the crappy blaxploitation films I've seen in my day, this is definitely one of them. Talk about poor film making, Lady Cocoa looks like it was shot by a bunch of high school kids. Here's a short list of things that make this movie suck:1. The screen changes colors repeatedly, probably from leaving the film cans sitting out in the sun or something. It reminds me of something shot in the early 1900's. One second everything will be completely purple, the next it will be green, followed by orange, then black and white. Even when the color is correct (which isn't often) the characters look totally illuminated, making the entire room glow. This is the first film I've ever seen that was physically painful to watch.2. The sound is awful. There is a high pitched squeal the entire movie. I tried the disc on two DVD players and two TV's and it was still there. The boom mic gets smacked around a lot to, usually making more noise than it actually records. Thankfully, it saves you from having to hear the awful dialogue, or in the case of Mean Joe, lack there of. 3. The story lags and lags and lags. There is absolutely no action in this movie until the 73rd minute, much like Matt Cimber's previous work, The Black Six. Up until then, I was under the impression this was some type of romantic comedy.4. Every thing in Lady Cocoa is completely illogical. Especially the ending. I supposed I should be grateful this one at least had an ending (director's previous movie just turned off after awhile).SUMMARY: Sucks.