GamerTab That was an excellent one.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

richard_sleboe Countenance! Antoine Monot, in a copycat impersonation of Kevin Smith's Silent Bob, keeps asking for it, but writer/director Christian Zübert never listens. Zübert just can't say no to a joke, no matter how cheap. The best thing about this movie is its soundtrack. Of course, Joey Burns of Calexico and the divine Jonathan Richman, understated old-school bard of "There's something about Mary" fame, would grace any small-town dropout story. In visual allure, Stefan (Lukas Gregorowicz) looks cool enough riding his tan six-series BMW two-door, wearing aviator shades, going nowhere. True, he *accidentally* sleeps with his wild-eyed bohemian kid sister (Marie Zielcke), but then, who wouldn't? Thumbs up also to how he goes black-and-white on a liberal dose of that mysterious substance they call zero-zero, but if you're looking for a slightly more serious rendering of what intoxication can do to you, I suggest you check out "Fear and Loathing in Las Vegas".

Lord_Marshmallow A friend of mine and myself find new Tarantino (he's a Tarantino expert, i only like Kill Bill II) Hommages, in the dialogues, as well as in the non-dialogue scenes. The trashtalk at the beginning reminds of the "Like a virgin" discussion from Reservoir Dogs, the (violent?) part of getting rid of the hunter could be an imitation of the PF scene where Vinces blows his hostage's head off by mistake. The "thought behind" could have been making a Tarantino-lookalike movie, just without (or less) violence and strong language (what I personally dislike about his movies. Cutting ears off, come on!).Of course the humor is not everyone's taste. If you like drug-influenced trashtalk, this is your film. the single episodes seem pieced together without the "red line" between them (except the characters like Frank and Schöngeist. I love those guys - "Halt's maul du Scheißf..." - "Frank. Contenance!"). Actors do imo a pretty good job - W. W. Möhring always playing with his hair, and, one of my favorite scenes, the headshop scene, where L. Gregorowicz stand still looks impressed.I personally love the movie, for I'm quite in this kind of twisted humour (I love The Big Lebowski as well).stay tunedDK Lord Marshmallow

Karl Self I have to admit, guiltily, that I quite liked Lammbock, even though it manages to serve up cinematic gaffes faster than McDonald's soggy hamburgers: plenty of silly dope-induced jokes aimed at a very immature audience, cheap rip-offs from Kevin Smith, Roger Avery and Quentin Tarantino (... etc.) 's oeuvres, totally improbable subplots that lead nowhere fast, pointless and -- even worse -- unentertaining violence, underdeveloped characters; in short, a movie that doesn't quite gel. Still, the director Christian Zübert seems to know how to handle actors and consequently there are some great performances (notably from Lukas Gregorowicz, Marie Zielcke, Julian Weigend, the ever- dependable Moritz Bleibtreu, and the underrated Elmar Wepper) despite the somewhat deficient script. Heck, there are some great, memorable scenes as well, only they are outweighed by others that that are born dead. I would suspect that the film's problems are mainly due to the directors lack of experience, which in turn would have required an experienced producer, who should have known when to step in and call the shots.I will be on the lookout for Christian Zübert's next film, and overall I enjoyed watching his film -- on the telly. Had I seen it in the theatres I probably would have been disappointed.

Christian_alternakid I don't think it is justified to diss Lammbock because of a) "toilet humour" or b) low moral standards. It's a funny movie, which demonstrates the problems of growing up instead of making a pure comedy out of it. There may be some harsh scenes, but in no way are they dominating the film. instead the movie treats its characters with honesty and doesn't sell them for a cheap joke, which you can see in so much "growing-up"-comedies: it has a certain warmth at his heart. It is indeed a german attempt to make an "earnest Tarantino-style" -movie but Lammbock doesn't even try to hide these facts - it is in some way a homage to Tarantino-style dialogues.