KnotMissPriceless
Why so much hype?
Dorathen
Better Late Then Never
Tobias Burrows
It's easily one of the freshest, sharpest and most enjoyable films of this year.
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
paulclaassen
This reminded me so much of Australian road movie 'Spider and Rose' from 1994, which happens to be one of my favorite films. I must say, I enjoyed this film just as much. The acting was superb, especially Michael Caton as Rex. The film was beautifully shot with great cinematography. I loved every moment of this film - a real feel-good sad movie!!
djg32514
I have never met an Australian I didn't like. I have a soft spot in my heart for the country and its people. Seems more and more the Australian film industry has been creating true gems when it comes to movies. Wonderful actors too. This film is another example. A simple man in a small town drives a taxi. He knows everyone in town and they know him. He learns the surgery he had to remove his cancer was unsuccessful and is rapidly spreading. Prognosis. Two to three months. He learns that euthanasia has been made legal in the Northern territory with a doctor in Darwin being an advocate. Darwin is 3,000 kilometers by car so our intrepid Aussie decides to drive his cab to Darwin. Thus begins his journey through the Australian outback. The scenery alone makes the film worth watching. Couldn't help my heart feeling for the gentleman. Wish my country made movies with half as much heart and honesty. As an old guy myself with health issues I sympathized. Well worth watching.
CineMuseFilms
A widely recognised characteristic of Australian film is our capacity to find humour in almost any subject. When people from other places try to describe our national character, they use words like larrikin, irreverent, or iconoclastic, meaning we like to laugh at ourselves and the sacred cows in our patch. So how do you laugh at dying, let alone make an Aussie comedy out of a road film that has euthanasia as its destination?Aussie icons Michael Caton and Jackie Weaver provide the larrikin mix of gravitas and humour needed to make a deadly serious issue bearable as we share the journey and the end-of-life issues facing the terminally ill cab driver Rex. He has never been outside Broken Hill and must drive 3,000 kms to Darwin to be the first person who is legally assisted to die by Weaver who plays a feminine version of Dr Death (as euthanasia advocate Philip Nitschke was called). Like in all road films, he crosses iconic landscapes and encounters bad things. He also meets some beautiful characters like the Pommie backpacker Julie who becomes his nurse, a mischievous Aboriginal Peter Pan-type called Tilly, and Polly, the Aboriginal neighbour and secret lover he left behind but calls regularly. The back story of our nation's inept relationship with the traditional owners of our land frames much of Rex's journey, just as it continues to frame our evolving national identity.While it is an entertaining Aussie yarn, that's not its only purpose. Superb acting by Caton in particular brings you up close and very personal to the emotional and practical challenges of picking a time and place to die with dignity. The film can get heavy-handed in the way it loads political and moral messages into the story; for example, when Tilly yells at Rex "You think its brave to let someone else do your dying for you?" we are confronted with different ways of looking at assisted dying. Rex makes it to Darwin only to find medical and legal confusion, so things do not turn out as expected. For some, it's a distracting edit to have Rex back home in minutes when it took half the film to get there, but perhaps this reflects the truncation of time when the time has come. Be warned: this is a film that can mess with your head about the complex issue of assisted dying, but it's an Aussie gem well worth the effort.
Sam Duncan
There was no need for this movie to be two hours long, and I was squirming by the end, couldn't wait for it to be over. 1.5 hours would have been long enough.The film had some nice scenery and that's about it. Other than that it was just a collection of stereotypes.Clichéd white ocker Aussie characters using true blue fair dinkum Aussie lingo.Aboriginal characters speaking pidgin English, kind-hearted blackfellas with drinking problems.Outback pubs, lots of Carlton product placement, the whole movie was shot like a beer ad.Contrived relationship between old white man and aboriginal woman. Was that supposed to be anti-racist? The characters were two-dimensional and unconvincing.This movie was a two-hour cringefest and four stars is the absolute maximum I could give it, and it only gets those because it was relatively well-shot and well-produced, and had some amusing moments.