Lawless

2012 "When the law became corrupt, outlaws became heroes."
7.2| 1h55m| R| en
Details

In 1931, the Bondurant brothers of Franklin County, Virginia, run a multipurpose backwoods establishment that hides their true business — bootlegging. Middle brother Forrest is the brain of the operation; older Howard is the brawn, and younger Jack, the lookout. Though the local police have taken bribes and left the brothers alone, a violent war erupts when a sadistic lawman from Chicago arrives and tries to shut down the Bondurants operation.

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Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Ploydsge just watch it!
Infamousta brilliant actors, brilliant editing
Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
joecoby45 Lawless is directed by John Hillcoat and written by Nick Cave. The two had previously collaborated on western masterpiece The Proposition, which is one of my all time favorite movies. So I was a bit disappointed with Lawless. as it was a deeply flawed movie. First lets start with what Lawless gets right. For one it looks great. The shop composition is fantastic. It also largely works as a period piece with realistic and accurate aesthetics all around ranging from the costumes to the environments. Its overall well directed and edited too. And last but not least it contains a stand out performance from character actor Guy Pearce who gives by far the most memorable performance in the film as the main bad guy.The biggest flaw however is the script. Which has many plot holes/contrivances and wooden, uninteresting characters. Not even great actors like Tom Hardy or Jessica Chastaine manage to shine with their roles. There simply is not enough to these characters to make you care.Also Shia Labeouf feels miscast to me. He does an alright job for the most part but he does not have the charisma or screen presence to be the lead of the film (especially not when he has to go toe to toe with actors like Guy Pearce, Tom Hardy, and Gary Oldman) he also doesn't know how to do a southern accent properly or consistently (to be fair Hardy also has trouble with this)There are individual great scenes in this film. But it does not add to being a solid film all around thanks to a incomplete feeling story with too many contrivances, and wooden one dimensional characters. Also why did this movie hire Gary Oldman (one of the finest actors of all time) for a role that amounted to nothing more than a cameo?!?!
Michael Ledo During prohibition in Franklin Co. Virginia, three restaurant entrepreneur brothers operate an illegal moonshine business. Unfortunately everyone wants a piece of the pie, one that they are not eager to share. The brothers consist of Forrest (Tom Hardy), the brains and philosopher of the group. Howard (Jason Clarke) is a berserker, and Jack (Shia LaBeouf) is the shy driver. Jack is sweet on a Mennonite preacher's daughter (Mia Wasikowska) who likes his "bad boy" image.Guy Pearce plays Charlie Rakes, a one sided unlikable crooked deputy who makes us root for the moonshiners. Jessica Chastain provides a little style to the film as a city girl (former feather dancer) who wants to get away from Chicago and winds up working the restaurant for Forrest.As things pan out, young Jack must suddenly grow himself a set and take over the family enterprise against the odds. Good acting. High intensity.Parental Guide: F-bomb, sex, nudity (Malinda Baker), implied rape.
NateWatchesCoolMovies John Hillcoat's Lawless is the very definition of badass. Bathed in blood and moonshine, gilded by Nick Cave's rustic, textured musical score and brought alive by vivid and varied performances from an eclectic, grizzled cast, it's one of the most enjoyable gangster pictures to come along in recent years. It follows the rough and tumble Bondurant brothers, fabled bootleggers who defy prohibition and run their product all over the aptly named 'wettest county in the world', until the greedy and very corrupt arm of the law snakes its way into the territory. The eldest and toughest is Forrest, a grumbly, shambling Tom Hardy who's something of a gentle giant, until the straight razor comes out and he's not. Jason Clarke is Howard the booze hound, who has sour mash coursing through his veins and a temper to prove it, and Shia Leboeuf, somewhat miscast, does his best as the youngest of the three. The three of them run an idyllic little manufacturing and distribution ring spiralling out of their county into the nearby area, until trouble comes looking for them, in the form of a monster played by Guy Pearce. Now when I say monster, I mean it.. when the villain in your film is scarier than Gary 'Scary' Oldman's roguish supporting work, you know you have one hell of an antagonist. Pearce, sporting a sour look and parted hair that Moses could lead his people through, is Charlie Rakes, some kind of government dispatched deputy whose sole purpose is to make out heroic trio's lives exceedingly difficult. Cheerfully sadistic and ruthlessly corrupt, Rakes is a bona fide moustache twirling psychopath and Pearce milks the role for all it's worth, as per usual in his case. Oldman does appear briefly but memorably as lively gangster Floyd Banner, a shark of a businessman with a fondness for tommy gun tantrums resulting in vehicular mayhem. The film walks a line between two distinct tones, which can be seen in the characteristics of the pair of older brothers: Hardy is laid back, laconic and ambles along at his own pace, which any film set in the south just has to have a bit of, whilst Clarke is volatile, fired up and hot blooded, also needed in crime fare. So you have a relaxed, violent, wistful piece with a mean streak that sneaks up on you more than a few times. Any Ozark tale wouldn't be complete without a romantic flair, as Hardy is swept off his feet by mysterious, plucky Jessica Chastain and Lebeouf has an eye for a beautiful Amish girl played by Mia Wasikowska. The film looks visually magnificent, shot in broad, sturdy rural strokes by Benoit Delhomme, and strict, impressive attention to detail is paid throughout. While maybe not as gritty or mythic as it wants to be, or at least as far as Hillcoat's previous work has been (The Proposition remains the stomach churning gold standard), it's a full blown, R rated crime picture, something more than welcome in an age when the genre has had its blood somewhat watered down. Highly recommended.
roblipton-99448 This was my first Tom Hardy experience, he's truly a revelation, he took a normal role and transformed it. He is the new Daniel Day Lewis, his intensity and strangeness infuses every scene he's in, he changes the cadence and meaning of most things in the movie. Weirdly, I felt like I had always seen him, like a song you really like but have never heard before and to be clear, this is not some fanboy thing - his walk, how he entered a scene, how he responds to other characters, he seems larger than life and he was acting with some pretty capable people. The music in the movie was great too, the movie itself was pretty black and white routine but worth the price of admission. Hardy's subsequent work on the Revenant, (which I hated) was also amazing as was his work on Mad Max. In the latter, he worked so well with Cherlize Theron who also is a fearless actor and ironically or maybe because of Hardy's intensity, she refused to have anything to do with him off the set. He's the real thing, when you see such talent, even if you know nothing about acting you realize you are in the presence of genius.