Led Zeppelin - The Song Remains the Same

1976 "In Concert And Beyond"
7.6| 2h17m| PG| en
Details

The best of Led Zeppelin's legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. The Song Remains the Same is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member's individual fantasies and hallucinations. Includes blistering live renditions of "Black Dog," "Dazed and Confused," "Stairway to Heaven," "Whole Lotta Love," "The Song Remains the Same," and "Rain Song" among others.

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Swan Song

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Reviews

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
theindies This is a one of the great rock music films of all time, with such a cool history of how it was made that there could easily be enough material out there for a book and a documentary on how the making of it came together.When it came out, movie theater sound systems were pushed to the max to deliver a front row seat for Led Zep fans who could not wait to see it.Whilst most people these days see it on a small screen, it would be a great idea to re-release the a remastered film theatrically.
hillsack Without meaning to offend the more sensible amongst you, what is it about the American psyche which makes shrines out of this rubbish? It's impossible to get nostalgic about this just because it happened a long time ago: hype will always be hype.The town goes wild as the bloated ego of the dirigible floats into town. As the group goes through the predictable motions yet again, we're treated to another robotic roller coaster ride to the tune of "look how well we can play our instruments"; yes, it's virtuoso time once more, like a tale told by an idiot, a screeching, cacophonous din full of sound and fury, going nowhere and signifying nothing – except any old mystical interpretation you choose to slap on it, of course. This is overlong, fortified, dreary muck forked out of the old Yardbirds' stable, accompanied by the same old borrowed mindset reflected in feeble, misogynist lyrics about women being unobtainable goddesses or vassals of Satan, low harlots to be bedded before they abandon their lover to turn the next trick. Led Zeppelin: the sniggering rugby club of narcissistic cock rock.Meanwhile, backstage, charmless manager-bully Peter Grant fuels the stupid mythology and rehearses his fatal heart attack by huffing and puffing himself up, roundly abusing the polite local staff and nearly bursting into tears at discovering a black guy selling old photos of the band for a few bob at an unlicensed stall. "Nobody makes a crooked buck from my boys, etc, etc." Poor quiet John Paul Jones! No wonder he occasionally got sick to death of it all! Such a waste of an excellent musician, too.Perhaps my introductory question can be partly answered by the extraordinary visual appeal Zeppelin holds for the Big Hero Worshipper, the spoilt suburban brat and the clueless Walter Mitty who tenses his pectorals in the bathroom mirror and wishes his groin were girded by a gaggle of gorgeous, grovelling groupies, all of them gagging for it! Yeah, yeah, baby, push, push. So, while the weighty wish-fulfilment of the fantasy sequences is laughably childish, it's no surprise that Robert Plant's preening posturing hits the embarrassment jackpot, together with his sing-talking in the middle of "Whole Lotta Love", in which he ingratiates himself with the audience by adopting the famous false American accent, much derided, and deservedly so, by the British punk rockers of the day.But there is a moral, or at least a message to the film; it is an unpalatable foretaste of the message sent by the even more monstrous example of Michael Jackson in the following decade: even if you're pushing thirty, provided that you have a seemingly inexhaustible income and you are mollycoddled and protected by ruthless muscle, you can spend time in a plastic bubble fantasy world of undiluted puerility, whilst penning the next constipated opus which you bequeath fit for an awestruck and ever-grateful public.
MARIO GAUCI Despite having been a fan of Led Zeppelin (owning all of their studio albums on CD) for the past 13 years and having had this film on VHS for years, it is only now on the occasion of Robert Plant's concert in Malta that I decided to give it a spin. Its somewhat maligned reputation and substantial length is mainly what kept me away for so long but, now that I've seen it, while certainly not the best rock concert movie, it is not worthless either. The band's stage performance itself (filmed at the Madison Square Garden) was generally held as being subpar and rumor has it that, for a time, they tried to block this film's release but, again, I'd say their live act is, at the very least, above-average.The movie takes its name from the opening track on the band's then-current 1973 album, "Houses Of The Holy" which I myself found disappointing at first and decidedly anti-climactic after their majestic untitled fourth album…but I eventually warmed up to the album on subsequent listens. The film contains 10 songs from their first 5 albums – including the band's signature tunes "Whole Lotta Love" and "Stairway To Heaven" and an overblown nearly half-hour rendition of "Dazed And Confused"! – which is occasionally accompanied by fantasy footage of the band members in mythical attire; I'm not too sure what the idea behind this was but the effect is more distracting than inspiring and, in any case, the best fantasy sequence is at the film's very start with their late drummer John Bonham and their bear-like manager Peter Grant dressed up as mobsters and taking out a rival clan in their hide-out in an outrageously bloody fashion! P.S. I can't post this review without making a few comments on the Robert Plant concert I attended later on: the 59-year old Plant, understandably no longer the bare-chested Adonis of THE SONG REMAINS THE SAME, took to the stage at around 22:40 and proceeded for the next 90 minutes to belt out several tracks from his latest acclaimed solo album, "Mighty Rearranger", a surprising cover of Love's "7 And 7 Is" and, naturally, a handful of Led Zeppelin classics which, tinged with his now-trademark World Music rhythms were all but unrecognizable at first! Curiously enough, he did not elect to sing the band's anthem, "Stairway To Heaven", or any songs off of my favorite Led Zeppelin record, the 1975 double-album "Physical Graffiti". Having been preceded by a mini-performance by John Bonham's sister Deborah (who was quite impressive herself, in a Janis Joplin-way), I was half-expecting Plant to duet with her on one of my favorite Led Zeppelin tunes, "The Battle Of Evermore" but, alas, this did not come to pass, either. Amusingly, an hour into the performance, Plant stunned the audience with an abrupt "Goodbye Malta" after which he and his backing band quit the stage…only to return a couple of moments later for an encore consisting of among others "Whole Lotta Love" which really brought the house down. Finally, an unexpected personal thrill I had during the concert was getting to meet, indirectly, John Bonham's mother – who was there to support her daughter and, despite being in her late seventies (I guess), could be seen to mildly headbang and sway to the music all through her set!!
rjc7394 This was done over 3 nights at Madison Square Garden and Jimmy Page said it wasn't the best concerts they had played but it was what it was. The film is a collage of concert material and dream sequences from the 4 band members (and Manager Peter Grant). The sequences are hoky and the special effects are laughable. Page's dream sequence is the most mysterious, of course. If you read into it something mysterious or mystical happened to him in the womb. If you go to Wikipedia it will tell you more. Plant is a bit androgynous in my eyes. Page is the most undermining in this film, unfortunately. He had incredible talent but hit a lot of wrong notes, was out-of-time, tried to play fast with no sense behind it, etc. Nonetheless, he and the band rocked. The songs and the DVD really drag on. And it's poorly edited. One second John Bonham is playing the drums with his hands, the next second he has sticks in his hands. Still, I have to watch this every few years or so to get my fill of Zeppelin. The concert is filmed pretty well, lots of closeups. The first time you watch this you will definitely enjoy yourself. I think the album is a gem especially "No Quarter", "Dazed and Confused", "Song Remains the Same/Rain Song". Really genius stuff from Page and Bonham.