Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

MartinHafer Let's just cut to the chase here..."Let's Live a Little" is a terrible film with little to recommend it. The writing is particularly bad and it's about the worst film either Hedy Lamarr or Bob Cummings appeared in during their careers.When the film begins, Duke Crawford (Cummings) is an extremely harried advertising man. He works all the time and is so busy, he's begun sounding like he's coming unhinged. And, when his latest client is a psychiatrist, she (Lamarr) is also worried he's losing his mind. He thinks they are dating...she thinks he's her latest patient..and the hilarity ensues...or should have.The humor is very forced and very unfunny. Both actors (particularly Cummings) try very hard to make bad material work...but the film just comes off as stupid and 4th rate...at best.

korevette I recall listening to Cummings on the radio late evening show in the '60's as he was standing in for Jack Paar. His guest's were Vincent Price, Patricia Morrison ( Kiss Me Kate Broadway fame ) and Hedy Lamarr. The conversation went something like this as their movie came up..."We both rather forget this " and so will I. They laughed it off. HEDY said at the time that she was in the mood for a comedy and though Cummings could play dramatic roles, he also was good in comedies. Unfortunately this role was laboriously done. She also was fond of appearing with a fellow European, Anna Sten, who at one time was being considered as the next Garbo by Samuel GOLDWYN, head of United Artist studios.

JohnHowardReid It's very disappointing to find super-lovely Hedy Lamarr so atrociously miscast in this tired and tiresome farce produced by her garrulously witless co-star, Robert Cummings (in association with Eugene Frenke) and released through J. Arthur Rank's Eagle-Lion Pictures. Director Richard Wallace found himself in an unenviable position. Not only was he forced to march to Cummings' beat, but the actor would not take direction. His gaudily over-acted performance makes the trite script seem even more witless and heavy-handed. Even splendid efforts by Hedy Lamarr and Anna Sten cannot compensate for witless writing and turgid direction. Admittedly, the movie is well produced and boasts a fine line-up of some of our favorite character actors including Byron Foulger, Paul Maxey, Frank Sully, Robert Shayne, Mary Treen, John Dehner, Billy Bevan, Hal K. Dawson, Oliver Blake...

Snow Leopard This B-feature has several strengths that give it potential, as the three main characters are all well cast and acted, and the subject matter is just as topical now as it was then. It also makes numerous efforts to be creative in the use of double exposures and other such techniques. Though it does not capitalize on all of its opportunities, it's a solid movie that's worth seeing.The story focuses on the ways that romantic attentions, both wanted and unwanted, can get tangled up with workplace and professional responsibilities. It sets up a lot of possibilities, though much of the time the script settles for light humor rather than trying to get more out of a given scene. It does work well enough as a light romantic comedy, and indeed many other movies over the years have had the same options and have made the same choices.Hedy Lamarr gives the best performance, as a psychiatrist/author whose professional and personal feelings become intertwined. Her character is interesting, and it's a little unfortunate that her dialogue was not written more carefully. But she does quite well with what she has to work with. Anna Sten works well as an amorous cosmetics tycoon. Robert Cummings is believable and likable as an advertising executive, although he sometimes portrays his character as a bit too much of a bungler. Robert Shayne is adequate, though often rather dull, as the fourth of the major characters.Overall, "Let's Live a Little" is a decent movie to watch as light entertainment when you don't want to think too much. Its low-budget look and its general avoidance of the more interesting possibilities keep it from being much more, but a movie like this can be worth watching if your expectations aren't too high.