Scanialara You won't be disappointed!

Exoticalot People are voting emotionally.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Lee Eisenberg Having just directed the WWII-themed masterpiece "The Cranes Are Flying", Mikhail Kalatozov directed "Neotpravlennoye pismo" ("Letter Never Sent" in English), a look at the will to survive in desperate circumstances. A group of geologists collecting diamonds in Siberia have to fend for themselves when a forest fire cuts them off from their supplies. Their cooperation was probably meant to reflect Soviet values.I interpreted the final few minutes of the movie as a reflection of the man's desperation (he wanted there to be something). But however you interpret it, this has to be one of the most intense movies that I've seen. And I highly recommend it.

punishmentpark Somebody (elsewhere on the net) pointed out that a forest fire makes so much noise that anyone would be woken up by it, and that must be true. Also, a fire, as big as it is here, would have to be a miraculous one if it would exactly spare a few tents and a small path through to the forest, wouldn't it?The characters themselves don't appear too credible to me, either. They are a bunch of tough but jolly Soviet workers, searching for great riches for their wonderful (communist) state. I read a review here on IMDb, explaining their state of mind, but, as sincere as the intentions (of the characters) may be, it didn't catch on with me. The acting is also a bit over the top here and there, as could be expected, though the actors are not completely unsympathetic.Then, finally, there's the amazing and beautiful cinematography of an expedition that starts out hopeful, but changes overnight into a nightmare (although the many shots of a campfire fading in and out was a fair omen). It makes the shortcomings of the film very well worth enduring.A good 7 out of 10 seems a fair compromise.

Andres Salama This relatively unknown 1959 movie from Soviet director Mikhail Kalatozov is a great adventure film. A guide and three geologists go to the virgin forests of Central Siberia in order to find diamonds. The geologists include Sabinin, the older leader, the young, nerdy Andrei and the pretty Tania, who is Andrei's fiancé. Soon, the guide will start having strong feelings toward Tania (the movie seems to imply you should never include a beautiful woman in an otherwise all-male expedition). Diamonds will be eventually found, but before they can return to civilization, the team will be engulfed by a vast forest fire, and they will die one by one. This film may be nothing more than a paean to muscular Soviet man (and woman), but it is very well done. The black and white photography is astonishing; there is a particular scene of the young couple running through the forest at high speed that is extremely beautiful; at times, the scenes are so realistic one wonders how they did this (did they actually put the actors next to a real forest fire?)

SONNYK_USA Welcome to Siberia, circa 1959 (in perfectly restored, glorious Black and White).Although this story revolves around four 'pioneers' dropped into a vast wilderness to search for a rumored vein of diamonds (aka 'the Diamond Pipe'), the real star of the movie is cinematographer Sergei Urusevsky ("Soy Cuba," "The Cranes Are Flying").Urusevsky is master of composition, dolly shots, and hand-held photography (when necessary). The way he frames his close-ups of the actors practically allows the audience to see into their souls.Of course, it helps that he's shooting a top-notch Russian cast, including actress Tatyana Samojlova ("The Cranes Are Flying") whose character 'Tanya' is desperate to survive the troubling events that befall the group. Tanya is also the lone female and commands the attentions of two men in the rock-sampling group (though one is unrequited).In addition, the visual elements are underscored aurally by composer Nikolai Kryukov's ("The Forty-first") evocative score, although he does amp up the music a bit too much in a couple of scenes. Not unusual for the time period, so set your appreciation meter back to the 50's and you won't be as bothered as I was.The title of the film refers to not one but two letters that figure into the plot. One is a long, personal letter that is referred to in voice-over from time to time throughout the film, while the other is a love letter thought to be hidden away until it accidentally comes to light.The plot is very straightforward so I won't spoil any surprises by detailing it here, suffice to say that the main attractions of this film are the artistic cinematography, the strong cast, and the director's choice to foreshadow plot elements by overlaying fiery images over his hardcharging trekkers.If you've never seen any films by director Mikhail Kalatozov ("The Red Tent," "Soy Cuba," "The Cranes Are Flying"), then this one is probably as accessible as any and with a new restoration to boot, practically a MUST-SEE.The ending alone is worth the price of admission, so check it out festival goers.