ThiefHott Too much of everything

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Hitchcoc I was in elementary school. My friends and I were big fans of the L'il Abner comic strip. We didn't always get the political satire, although we were pretty smart little guys. We couldn't wait for this movie to arrive in our town. We sat down in anticipation. And then...and then...THEY STARTED SINGING! It was a a musical. The sets were theatrical and the characters didn't look like the ones we were used to. Well, I had to wait about twenty years to see it for the second time, and this time I got a kick out of it. I don't remember the songs. I know an occasional high school still does this play for its spring musical, but it has faded into obscurity. Now that I have learned to love musical theatre, I can watch with an open mind. It's fun. Not great, but fun.

hfan77 I saw L'il Abner for the first time in over 30 years and to me it's an outstanding movie musical based on the Broadway show and Al Capp's comic strip. There were memorable performances from Peter Palmer in the title role, Leslie Parrish as Daisy Mae, Billie Hayes (who later went on to play Witcheepoo on H.R. Pufnstuf) as Mammy Yokum and Stubby Kaye, whose rendition of the song about Dogpatch's founder "Jubliation T. Cornpone" was a highlight. Also, watch for early sightings of Stella Stevens and Valerie Harper. Other songs that stood out were "Namely You," "Put 'Em Back" and "The Matrimonial Stomp."Unfornately, the political humor in the movie seems dated, especially in the song "The Country's in the Very Best of Hands." There are also a couple of songs that were in the Broadway version that got cut from the movie. General Bullmoose's song "Progress is the Root of All Evil" and the song the doctors sung at the testing site "Oh Happy Day." Otherwise, L'il Abner is a hilarious throwback to the days of the late 50s.

Jim Colyer Al Capp's characters translate to Broadway and then to Hollywood. Capp lost a leg in a trolley accident as a boy. His bitterness wraps itself in satire. The music is forgettable. My interest is Julie Newmar as Stupefyin' Jones. She is a secret weapon created by Available Jones and a metaphor for the atomic bomb. He unleashes her in the Sadie Hawkins Day race to stupefy men so that the women of Dogpatch can catch them. Julie is devastating in seamed nylons. She was the sexiest woman in the history of women---5'11" and 145 pounds. Li'l Abner is steeped in Cold War thinking and regarded as dated although it does turn up on the stage from time to time.

ricknorwood Fifties movies are -- well -- fifties movies. You accept them for what they are. In those terms, Li'l Abner is fun, especially Stubby Kaye as Marryin' Sam. Just why the fifties are a vast movie wasteland is an interesting subject. I grew up in the fifties, and you could be marked as a non-conformist by not wearing a tie. You got laughed at if your haircut didn't show at least an inch of neck above your collar. Naturally, all this had a chilling effect on television and movies, and so we have only a handful of great movies between the glories of The Third Man and To Have and To Have Not in the forties and Lawrence of Arabia and To Kill a Mockingbird in the sixties. Look at the Oscar winners from the fifties to get an idea of just how bad things were. And so we turned to science fiction -- Destination Moon, Forbidden Planet, This Island Earth -- and to movies based on comic strips like Li'l Abner. When you watch Li'l Abner, just remember, in the fifties this passed for pungent political satire and risqué humor. ricknorwood, sfsite