Lion Down

1951
7| 0h7m| en
Details

Goofy is about to set up a hammock in the backyard of his penthouse apartment but is minus one tree. He immediately decides to get another one but he shows poor judgement in regards that the one he picks is unkowingly the home of a mountain lion. The lion returns to Goofy's penthouse to reclaim his tree, notices the hammock, and decides this is a much better source of relaxation than laying on a tree branch. Thus, he tries to remove Goofy from the hammock so he can relax himself and eventually a battle ensues.

Director

Producted By

Walt Disney Productions

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Reviews

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Raymond Sierra The film may be flawed, but its message is not.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
OllieSuave-007 Goofy, trying to sleep on a hammock suspended from two trees on top of his apartment roof, runs into a mountain lion, which was sleeping in one of the trees that Goofy brought from the forest. Goofy gets his nap disturbed hilariously by the lion, who wants the hammock for himself. What follows are some funny moments and chases, hit and misses - from Goofy getting soaring through the air with his hammock to him tangling with the lion.I especially liked the sound effect for the doorbell - funny sound to me for some reason, and fun seeing either Goofy or the lion barge through the door in attempts to get access to the hammock. Overall, a pretty good Goofy cartoon.Grade B
TheLittleSongbird Disney and Goofy are always at least fun to watch(I don't think I've seen one that I've disliked). Whether Lion Down is one of the all-time greats I am not sure, but if I were asked if I considered it a great classic short I'd say yes without hesitation. The animation is fluid and colourful, with lots of detail and life in every scene and frame. Both characters are beautifully drawn and the action never comes across as awkwardly movement-wise. The music is orchestrated in a way that is a treat to the ears, it also not only adds to the action but has a bit of humour of its own. The story is simple, but a lot less routine than some of the other Disney shorts of the time, in fact the low and high, town and country concept shows a little complexity, it is crisply paced and it is always easy to follow. The gags are both hilarious and inventive, the humour had a 30s-40s Looney Tunes feel to it which I loved while not feeling too different. Goofy and Louie work very well together, Goofy is always fun and likable(though the scenario does perhaps does feel a little more suited to the personality of Donald's) with the humour playing to his strengths, while Louie contrasts to great effect. In conclusion, classic Golden-Age Disney. 10/10 Bethany Cox
alice liddell This short has everything you would expect from a Golden Age-period Disney cartoon - beautiful colours, evocative draughtsmanship, awesome fluidity of action, incredibly inventive variations on a minimalist plot, good comic violence. There are also some complex themes, such as the violence necessary just to survive in suburbia, a very Bunuellian notion. The film's great merit, though, is in prefiguring by seven years Hitchcock's 'invention' of Scottie's dolly/reverse shot from the world's greatest film, VERTIGO (you know the one, where he's looking down, and goes all wobbly). You never read THAT in the history books.