Jeanskynebu the audience applauded

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

shawnylover The actors gave decent performances and as someone who's lived in a small town, I thought they were believable in their roles. Unfortunately there just wasn't anything to the story or the movie. Prepare to be bored.

Chxface This movie has 3 central plot lines 1- a sole survivor of a mining accident 2- a family, mostly the tween son, who lost the father in this accident 3- a family whose tween son went MIA (the kid in #2 accidentally killed this kid then hid the body)#1 was banging #3 mom as she spiraled out of control not knowing where her son went. #2 son befriended #1 and neither knew what the other was doing. #2 son eventually admitted to #3 what happened at the end.This was a totally dark and depressing movie. Not one to cozy up to with a cup of cocoa and your loved one. It was an OK movie, though. The acting was really good.

estebangonzalez10 "Your testimony as you can imagine is of the utmost importance to us."Little Accidents is Sara Colangelo's debut feature film and despite some of the issues I had with the pacing and some unexpected turns the story takes it still had some solid performances that kept me engaged with the movie. With a little more polishing Colangelo may become an important filmmaker because she does manage to deliver some well crafted scenes and interesting characters. It is a character study of a small American coal mining town that has recently experienced a fatal accident that claimed the lives of several miners. Amos Jenkins (Boyd Holbrook) is the only survivor and on the one hand he is feeling forced to testify against the executives by the families' who have lost their loved ones, and on the other, miners from the same company want him to keep quiet so they can continue to work without experiencing any setbacks. He would rather stay quiet than say anything. The blame is mostly geared towards Bill Doyle (Hosh Lucas) who is an executive of the mining company. Meanwhile he and his wife, Diane (Elizabeth Banks), are dealing with the disappearance of their son JT (Travis Tope). The only person who knows what happened to JT is a young boy named Owen (Jacob Lofland) who would rather keep the secret to himself than confess what actually happened. Owen's father was also a victim of a coal mining accident and we see the contrast between his family and the Doyle's. Once we are introduced to all these characters we begin to see how some of them overlap with each other in a small town where secrets are hard to be kept. Colangelo sets up the story pretty convincingly but once the characters begin to interact with each other there are moments that feel forced and melodramatic. There is just too much going on in the town for a film like this.What I enjoyed the most about Little Accidents despite all the melodrama and forced interactions it introduces were the performances from the cast. Elizabeth Banks has a much more subtle performance than what we are used to seeing her in and Josh Lucas is also believable as the mining executive who is trying to keep busy at work to keep his mind off of the loss of his son. However the two stand outs in this film are Boyd Holbrook and Jacob Lofland who are internally wrestling with secrets of their own. Lofland was outstanding in MUD although most of the attention was geared towards Tye Sheridan's performance. He is the one who has gotten much better roles, but that doesn't mean Lofland should be ignored and in this film he proves he has the acting chops to carry a film. The greatest failure of Little Accidents is that it tries to cover too much melodrama in a short period of time. Instead of focusing on one of the accidents, it introduces us to another one and shows how some of the characters overlap with each other. I didn't find the relationship between Banks and Holbrook believable and it all felt rushed. The underlying message of the film seems to be that "truth will set you free," but in the end it was all too obvious and the audience is left unrewarded for the time they had invested in the film. I found some of the camera movement a bit distracting at times, but that is my only complaint in the technical department. In the end, Little Accidents simply doesn't deliver despite an interesting premise. http://estebueno10.blogspot.com/

jdesando "What do you think it's like to die?" Owen (Jacob Lofland) It's a given that tragic death in a small town stays forever, impinging on virtually every life now and hereafter. First-time writer-director Sara Colangelo's Little Accidents, set in a coal town, echoes The Sweet Hereafter's frozen aftermath of children's deaths aboard a bus plunging into a pond. Both involve decisions to reveal or not the culpable parties; both intercut among those players who are most affected by the tragedy.Young Owen (Jacob Lofland) witnesses the death of JT (Travis Tope) and hides the truth. JT is the son of manager Bill Doyle (Josh Lucas) and Owen is a deceased coal miner's son. The accident that killed his dad and nine others is under investigation as the union fights to suppress testimony from conflicted survivor Amos (Boyd Holbrook, who reminds me of Keith Carradine) that would incriminate the coal company and shut down the mine.You can see the inter-connections, as is true in any small town, and the inherent conflicts, exacerbated by the closeness and the sometimes illicit connections, such as JT's mom, Diana Doyle (Elizabeth Banks), and Amos. Colangelo keeps the plot slowly moving ahead while some characters and events border on the formulaic. When Owen helps Diana with her garden, the plot takes an unfortunate contrivance tack. Yet the drama is still effectively bound to us as figurative for communal responsibility and domino-effect relationships and tragedies.Cinematographer Rachel Morrison effectively creates the working-class milieu, much as in Out of the furnace, in part because she uses a great deal of natural light reinforced by old-fashioned 35mm film. It's not a gloomy world, just one dominated by grey skies and dim futures. No sunshine can mitigate the sense of loss pervading the town. These Accidents are hardly little.