Little Murders

1971 "Funny in a new and frightening way!"
6.9| 1h48m| PG| en
Details

A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.

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Reviews

Smartorhypo Highly Overrated But Still Good
Supelice Dreadfully Boring
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Gooper There are so many classic lines in this script, they all quickly add up to a masterpiece. If you haven't seen this picture but want to know what it's like, check out an earlier post that has the text of the entire wedding scene, which is, I agree, one of Donald Sutherland's finest moments. Gloriously outrageous! And Lou Jacobi gets to let loose with his own crazed monologue. Everybody shines, from Vincent Gardenia to the smallest bit part, especially the actor, shockingly unlisted in IMDb's obviously incomplete cast list, as Arkin's 'normal' detective assistant. (Can anyone supply his name? He's great!) John Randolph and Doris Roberts, as Elliot Gould's intellectual but clueless parents, are priceless. EVERYBODY shines.Alan Arkin's direction (as well as his manic cameo) is nothing short of inspired. He is in perfect harmony with the actors, translating the stage play into a brilliant cinematic 'alternative' classic. One of his most effective surprise touches comes just after Alfred (Gould) does his monologue into a tape recorder. His speech has been low key and sustained. He stops speaking, and there is a silent pause. Then Alfred gets up, causing a loud scrape sound when his chair is pushed back, thus shattering the whole effect of the monologue.To me, every scene is a favorite. Just one example: Alfred and Patsy (the incredible Marcia Rodd) are having an argument. A heavy breather caller has been hassling Patsy regularly. He calls in the middle of their argument. Alfred answers. The caller breathes heavily. Alfred says: 'She can't talk now!' and hangs up.The very welcome DVD transfer is quite good, especially after so many viewings of a Betamax-taped TV airing (censored) from the early 80s. Its letterbox presentation shows off the glories of Gordon Willis' camera-work. It's plain to see why Coppola and Woody Allen snagged him to lens their own masterpieces.'Little Murders' holds up well because that's what classics are all about. Indeed, it is funnier, more sardonic, just as relevant, and better than ever.
Eric Sutherland's wedding monologue is so delightfully inspired, it should be available SOMEWHERE on the internet via search engine, but since it is not, I have quoted Jules Feiffer's brilliant writing below. Remember this is supposed to be a marriage ceremony: Rev. Dupas (Sutherland): You all know.. why we're here. There's often so much sham about this business of marriage. Everyone accepts it: ritual. That's why I was so heartened when Alfred asked me to perform this ceremony. He has certain beliefs, which I assume you all know; he is an atheist, which is perfectly all right, really it is; I happen not to be, but inasmuch as this ceremony connotes an abandonment of ritual in the search for truth, I agreed to perform it. First, let me state to you, Alfred, and to you, Patricia, that of the 200 marriages that I have performed, all but seven have failed. So the odds are not good. We don't like to admit it, especially at the wedding ceremony, but it's in the back of all our minds, isn't it: how long will it last. We all think that, don't we? We don't like to bring it out in the open, but we all think that. Well I say, why not bring it out in the open. Why does one decide to marry? Social pressure? Boredom? Loneliness? Sexual appeasement? Love? I won't put any of these reasons down, each in its own way is adequate, each is all right. Last year I married a musician who wanted to get married in order to stop masturbating. Please, don't be startled, I'm NOT putting him down. That marriage, did not work. But the man TRIED. He is now separated, still masturbating, but HE IS AT PEACE with himself because he tried society's way. So you see, it was not a mistake, it turned out all right. Now, just last month I married a novelist to a painter. Everyone at the wedding ceremony was under the influence of an hallucinogenic drug. The drug quickened our physical responses, slowed our mental responses, and the whole ceremony took two days to perform. NEVER have the words HAD SUCH MEANING. Now THAT marriage, should last. Still, if it does not, well, that'll be all right, for don't you see, any step that one takes is useful, is positive, has to be positive because it's a part of life, even the negation of the previously taken step is positive, that too is a part of life. And in this light, and only in this light, should marriage be viewed: as a small, single step. If it works, fine! If it fails, fine; look elsewhere for satisfaction. To more marriages, fine, as many as one wants, fine. To homosexuality? Fine! To drug addiction? I will not put it down, each of these is an answer for somebody. For Alfred, today's answer is Patricia. For Patricia, today's answer is Alfred. I will not put them down for that. So what I implore you both, Patricia, and Alfred, to dwell on, while I ask you these questions required by the state of New York to "legally bind you" -- sinister phrase, that -- is that not only are the legal questions I ask you, meaningless, but so too are the inner questions that you ask yourselves, meaningless. Failing one's partner, does not matter. Sexual disappointment, does not matter. Nothing can hurt, if you do not see it as being hurtful. Nothing can destroy, if you do not see it as destructive. It is all part of life, part of what we are. So now: Alfred. Do you take Patricia to be your lawfully wedded wife, to love -- whatever that means -- to honor, to keep her in sickness and health, in prosperity and adversity -- what nonsense! -- forsaking all others, -- what a shocking invasion of privacy! Rephrase that to more sensibly say, if you choose to have affairs, then you won't feel guilty about them. -as long as you both shall live, or as long as you're not tired of one another.. ? Alfred: Yeah. Rev. Dupas: And Patsy, do you take Alfred to be your lawfully wedded husband, to love -- that harmful word again, could not one more wisely say, communicate? -to honor,-- I suppose by that it means you won't cut his balls off, but then, some men like that! -to obey,-- well, my first glance at you, told me you were not the type to obey. So I went to my thesaurus, and I came back with these alternatives: to show devotion, to be loyal, to show fealty, to answer the helm, to be pliant. -General enough, I think, and still leave plenty of room to dominate. -in sickness and health, and all the rest of that GOBBLEDYgook, so long as you both shall live.. ? Patsy: (confused, speechless.. finally stammers:) I do. Rev. Dupas: Alfred and Patsy, I know now that whatever you do.. will be all right.Rev. Dupas: To Patsy's father, Carroll Newquist -- I've never heard that name on a man before, but I'm sure it's all right -- I ask you sir, feel no guilt over the $250 check you gave me to mention the Deity in the ceremony. What you have done is all right. It's part of what you are, it's part of what we all are. And I beg you not to be overly perturbed, when I do not mention the Deity in the ceremony. Betrayal, too, is all right, it too is part of what we all are. Rev. Dupas: And to Patsy's brother, Kenneth Newquist, with whom I had the pleasure of a private chat, I beg you feel no shame, homosexuality is all right, really it is.. it is perfectly all right.. Kenneth Newquist: (screaming) Sonovabitch!! Aarrggghh!! (assaults the minister.) (Marriage ceremony descends into a brawl.)
mdm-11 Elliot Gould is stunningly attractive, which is one of only a few reasons why I watched this insane film all the way through. Each of the characters introduced are in their own right neurotic or uniquely nuts. The only fairly sane person is the young woman who falls in love and marries Gould in order to "change him". The brief appearance of Donald Sutherland as a very progressive minister, who prides himself on the high failure rate of the ceremonies he performs is amusing, as he frankly insults everyone gathered by pointing at their peculiarities, causing an eventual riot.It takes the film more than half of the running time to get a close up of the "little murders". The most shocking moment is when a blood-drenched Gould takes a subway ride, his visibly near-death appearance raising not a single eye-brow among the many commuters. A middle aged woman matter-of-factly announced that she was shot at, the bullet stopped by her her shopping bags. "Open up, I have leaking groceries". Bizarre! An irate police detective investigating the random murder spree is one of the "bigger nuts" in the cast. WOW! If you enjoy "shock value", then this film is for you. To me, the entire cast was made up of zombies who wander about their existence and can't be bothered by anything. The final scene is the culmination of bizarre occurrences. See for yourself, but for me, this was definitely a one-time-view.
honor-1 I just watched this film because my dad recommended it as a movie heremember as being funny…mabey. I was skeptical at the beginning, I thought to myself a dated film with an absurd summery on the back. The only reason I sat and watched it was the list of actors, Sutherland and Gould. I was immediately enthralled. I have been a fan of Terry Gilliam films for a long time and to see a film that can achieve his insanity and social messages with out the elaborate sets and costumes Gilliam uses is astounding. The acting is superb, there is no other word that can encapsulate these performances. Every character is riveting until the end. The monologues given are thought provoking to say the least. My original thought that this film was dated could not be farther from the truth, I was in fact surprised by the connections that can be drawn to our modern times. I am surprised that this film did not receive more praise. It is also disappointing that the other Alan Arkin films were given less than glowing reviews. The only question I have is: is it to late to have a cult following for this movie? Anyone else in?