Softwing
Most undeservingly overhyped movie of all time??
ChicDragon
It's a mild crowd pleaser for people who are exhausted by blockbusters.
SeeQuant
Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
bkoganbing
The Bowery Boys made their screen debut after being revamped from the East Side Kids in Live Wires. As this was Gorcey family affair the other kids with the exception of Huntz Hall were gradually reduced to being little more than extras. You'll see Bernard Gorcey, but not in his familiar role as Louie Dumbrowski owner of the Sweet Shop where they hang out.Leo Gorcey in his usual pugnacious manner loses the job he has with a construction company. His patient sister Pamela Blake who also works there gets him a job with the District Attorney as a process server. It's a job where Gorcey's kind of aggressiveness comes in handy as do his pals when he needs them.He certainly does need them when he tries to serve Mike Mazurki who's a triggerman for the city racket's Mr. Big. There's a great scene with Mazurki and Gorcey with Gorcey getting sloshed as he tries to serve Mazurki. The help he needs to get out of that fix is somewhat tardy in arriving.The Bowery Boys series gets off to a fine start with Live Wires.
mark.waltz
The first of the long-running "Bowery Boys" series is also probably the weakest in plot, basically the same characters of "The East Side Kids" series with new names and locations. The newly monikered Slip (Leo Gorcey) obviously doesn't want to work, going from flower delivery boy to ink remover pitchman to construction site digger (a job that only lasts two minutes) and finally to process server. He joins pal Sach (Huntz Hall) in that profession, serving everybody from a chorus girl (trying to avoid him while performing) to the gigantic Mike Mazurki. Of course, there's a criminal element here, involved with Slip's sister (Pamela Blake), which provides the only attempt at a linear plot.The slightly more than an hour film is mostly enjoyable because of Slip's "slip of the tongue" malapropisms which are sometimes hysterical, sometimes stupid and sometimes non-sensical. The film provides mostly "moments" rather than the great atmosphere of the aging youth of the lower east side that would prevail for another 11 years in 40 plus movies. While most of the gang appears to be mid-late 20's, "Whitey" Billy Benedict for some reason looks much older. Bernard Gorcey, who always popped up in the oddest places when the series began to travel, doesn't appear as Louie here, looking very different as a bookie. Ironically, Louie's ice cream shop is one of the major settings, but his character is not even mentioned.
ksf-2
Well, this one opens with Slip Mahoney (Leo Gorcey) losing his job as a taxi driver, and coming home to his sister Mary (Pamela Blake) and friends... check out that dolled up, rolled-up 1940s hair-do on Blake! Huntz Hall is "Sach Jones", Slip's sidekick; Acc to IMDb, they would work or appear together 69 times! Keep an eye out for Bernard Gorcey (Leo's real dad) as Jack Kane at the soda fountain. Also keep an eye out for Bill Benedict, the blond-haired tall skinny guy in all those films from the 1940s.. he was called "Whitie" in most of the roles he played. Slip tries various schemes to earn some money, with mixed results along the way... mostly bad. This post- WW II film shows life on the gritty side of town, and the difficulty in getting work, with some humor thrown in along the way. Not bad. A film that's short & sweet, mostly a more mature version of the "Muggs Maloney" characters Gorcey had played in the early 1940s. A bit more slapstick right at the end than I like, but they got some mile-age out of real-life wrestler Mike Mazurki. Also a pleasant number "The Right Kind of Man" sung by Claudia Drake in the nightclub. Phil Karlson directed this 65 minute shortie from Monogram Pictures.
Michael_Elliott
Live Wires (1946) ** 1/2 (out of 4) The first of forty-eight films in The Bowery Boys series follows familiar grounds but in the end the film delivers enough cheap laughs to make it worth seeing. In the film 'Slip' Mahoney (Leo Gorcey) keeps getting fired from one job after another due to his short temper and willingness to throw a punch. This eventually gets under the skin of his sister who pretty much gives up on him but Slip finds work as a skip tracer and hopes that this will get him on the right path. This first film in the series could easily be mistaken for one of the East Side Kid entries as there's really not much difference. This is certainly to be expected but the one big difference here is that the budget appears to be slightly higher and the overall production seems to have stepped up a notch. The 65-minute running time begins to wear a little thin towards the end but fans of the group will probably stay entertained throughout. The opening credits read "Leo Gorcey and The Bowery Boys", which is pretty much correct as there's no doubt the film belongs to Gorcey and it's pretty clear that this was an attempt to take everything over. At least in this first entry the "gang" takes a backseat to Gorcey's one-man show. That might sound like a negative thing but Gorcey can certainly handle carrying the film and he ends up delivering a fun and fast performance. He continues the mangling of big words, which was quite familiar by this point in his career but as childish as it is I can't help but laugh at it. The hot temper stuff would seem to be growing old but he still manages to put some fire behind it and makes it fun. Huntz Hall, Mike Mazurki, Bobby Jordan, William Benedict and William Frambes bring up the support and aren't too bad even if the screenplay doesn't do them any favors. The screenplay itself is pretty familiar stuff and it never tries to be too original but it still works due to the train that is Gorcey. The highlight of the film is the sequence where Gorcey tries to get a break into the "stain removal" business.
