Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

mark.waltz The focus is on George Brent for once, not leading lady Kay Francis, in this drama about a troubled amateur pilot who accidentally kills his sister and parents when flying in the fog with a low tank of gas. So what do you do when you kill off your family, lose your pilot license and really have no other goal in life than to party your life away? Look for a rich socialite to support you! That would appear to be the case in Brent's sudden flirtation and marriage to the well dressed Francis who falls in love with his non-conformist ways from the start, even allowing him to laugh at her charming speech impediment as she recites "30 days has September", pronouncing April as "Apwil". You have to give Ms. Francis credit for allowing the script writer to include this "wefewance" to her inability to really pronounce any word with the letter "r", and the scene is more than just a cute passing reference to the well publicized deficient in her speech. They marry and are soon living in the country, against the advice of Francis's well-meaning but interfering aunt (Helen Lowell).Better known for her glamorous wardrobe more than for her slight lisp, Francis actually goes from gowns to house dresses, shockingly shown cleaning cupboards as Brent prepares to go grocery shopping. Of course, he comes back with only half of what is on the list, which is supposed to be an indication to her that he is not very responsible. To think that she gently dumped his friend Warren William (her co-star from "Dr. Monica") for Brent is unbelievable, and when she reveals that she had hoped to change him by marrying him, you know she's asking for heartache. A man like Brent's character can't be easily manipulated, and even if her intentions seem good (starting by aiding him in getting over his suppressed guilt), he's sort of like Holly Golightly from "Breakfast at Tiffany's" to where he does wacky things just to act like he's living, even though he's only living an obvious imitation of life. One scene after a break-up has Francis laughing heartily simply just for the point of laughing to hide her pain, and it seems rather false. In fact, this being a woman's picture told from a man's angle makes this seem rather forced from the beginning, even though Brent and Francis are a good team. It's odd to see Warren William on the sidelines in this, although he does provide the wisdom in their circle of friends, making him the guiding light in the solving of the issues that Francis's character wanted to become.

MartinHafer Wow...talk about a ROTTEN pilot. The film begins with George Brent flying his sister, mother and father some place. However, the plane runs out of fuel. Now this is really a bad scene, as instead of just gliding down as any SANE pilot would do in a case like this, the plane inexplicably goes into a spin(!) and crashes into the ground. No sane pilot can be this bad but the film expects the audience to accept that it was just a mistake! What a sloppy setup.Following the crash, Brent goes through a period of a few years where he is aimless reckless. He travels the world--nearly getting killed or landing in jail repeatedly. Eventually he ends up back in the US and you see him buzzing a squadron of military planes--something that the film said was not against the law--though it clearly was and would have resulted at least in his pilots license being suspended or revoked! IT seemed odd that the deaths of his family caused him to become a jerk and not a morbid and brooding character. What a sloppy follow-up to the crash.After the US Air Corps incident, an old friend (Warren William) takes Brent under his wing--and introduces him to his society friends. Why introduce this nut-job to these folks is a bit beyond me! When Brent meets the woman William plans on marrying (Kay Francis), Francis almost immediately falls in love with Brent and they marry. While the idea of a smart and well-educated lady marrying a definite 'fixer upper' is silly, it does happen in real life. But, William magnanimously stepping aside good naturedly when this occurred is sloppy and tough to believe. It's a shame to see such a usually confident and good actor like William playing such a mushy wuss.Fortunately, while none of the film particularly made sense or was believable so far, at least the marriage went as you might expect in the real world. Brent continues to be incredibly irresponsible--having an aversion to work. At first, Francis is very long-suffering--but over time, Brent's attitude and actions take a toll on the marriage. She is incredibly co-dependent and always blames herself from not being able to change her loopy husband. And, even after they split up, the film seems to take the Tammy Wynette approach to life..."Stand By Your Man"....regardless!!! In other words, if you love an irresponsible man ENOUGH, things will magically work! What idiots!! What drivel!! Overall, this film is a great case of very good actors in a poorly written film. The characters rarely behave in a realistic or believable manner and it got boring watching them behave so stupidly. Brent, Francis and William were frankly ill-suited to such a crappy film that looks more like an insignificant B-movie than a film starring some of the top actors of the day. While I would watch anything these actors would appear in because I like them so much, most viewers won't be so charitable. And, since life is so short, why waste it with a film that had no right to be this bad.By the way, the worst line in the movie has to be "Poor devil...flying in the fog" as Brent looks out the window as a plane passes overhead. Talk about subtle!!!

Kalaman "Living on Velvet" is a passionate, though slightly incoherent Borzage melodrama starring Kay Francis and George Brent. I'm a fan of director Borzage and the always wavishing Kay Fwancis (she had trouble pronouncing the Rs), so I was very eager to see this one. I happened to watch "Living on Velvet" the other night together with another Borzage love story with Francis & Brent called "Stranded", also made in 1935 for Warner Brothers. Of the two films, "Living on Velvet" is the best and most uncompromising illustration of Borzage's lifelong preoccupation with spirituality and humanity. Francis is wonderful in the role of Amy Prentiss, the passionate, devoted wife of Terry Parker (Brent), a rather reckless pilot who miraculously survived a plane crash with his family. The most romantic & unforgettable moment is of course the scene in which Terry meets Amy, seriously looking each other for the first time, their charging eyes never even blinking. The scene is one of Borzage's greatest achievements. It illustrates his genuine commitment to his material; the couple is looking at love itself, something concrete and tangible. Our involvement and identification are heightened through the emotional intensity of the couple's passion. The capable supporting players include Warren William as Gibraltar, Terry's best friend, and Helen Lowell as Aunt Martha.

Arthur Hausner There's not much of a plot. George Brent piloted a plane which crashed killing his parents and sister, while he walked away with hardly a scratch. So he believes he's living on borrowed time - "living on velvet" as he puts it. But he meets Kay Francis, the fiancee of his best friend, Warren William, and they fall in love. William wants her to be happy and not only approves of their marriage, but helps them out by setting them up in a Long Island estate he rents at $4.50 a month. Still the marriage has its problems because of Brent's irresponsible attitudes about working.Although the movie is somewhat enjoyable at the melodramatic level, there is one sequence that had me in stitches. To appreciate it, you must know in advance that Kay Francis always had trouble with the letter "r", which often sounded like "w". I notice it in all her movies. Here, George Brent gently ribs her about it. The night they meet, he tells her he likes the sound of her voice, and asks her to say something nice and long. She begins "30 days has September, Apwil June..." "Apwil? Apwil?" he interrupts. "Repeat after me please 'Around the rugged rocks the ragged rascals ran'." Miss Francis repeats it, purposely exaggerating the "w" sound and starts her poem again this time saying "Aprrril", but letting the "w" sound creep in for some of the other months. It is a very funny sequence. As star of the movie, she easily could have suppressed that dialogue, but all the more power to her for letting it stay. It raised my opinion of her considerably.