GamerTab That was an excellent one.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

BA_Harrison In this, the second in the Lone Wolf and Cub series, ronin Ogami Itto (Tomisaburo Wakayama) and his son Daigoro (Akihiro Tomikawa) continue to wander the land as assassins for hire, all the while keeping an eye out for members of the nasty Ragyu clan, who want them dead.When the wealthy Awa clan approach Itto, offering him 500 gold pieces to kill a man who might be able to ruin them financially, he accepts; in order to complete his mission, he must face many dangers, including a team of vicious female warriors, and the highly skilled Hidari brothers, also known as the Gods of Death.Baby Cart at the River Styx sees director Kenji Misumi delivering a breathtaking sequel to his excellent Sword of Vengeance. Like a Japanese Sergio Leone, he once again uses extreme close-ups, rapid zooms, sparing use of a haunting soundtrack, and superbly choreographed violence to continue his epic tale of a man and boy on a gore-spattered journey through 'hell'.From the opening scene in which Itto quickly dispatches of two Yagyu clansmen, through to the stunning climax which sees Lone Wolf and Cub battling the Hidaris in a desert, this film is a stunning and often beautiful display of carnage. Battles take place in complete silence, with the vanquished always taking a second or two before they fall to the ground, blood gushing from their wounds. Daigoro also gets in on the act, activating spring-loaded blades in his cart to slice off the feet of the enemy. Misumi's handling of these scenes is superb, with some great use of innovative and ground-breaking visual techniques (one great fight scene has images superimposed onto each other to give the action a surreal and dreamlike quality).But it's not all mindless violence. There are occasional moments of tenderness too, with the close bond between father and son displayed in a couple of notable scenes: Ogami gently bathes Daigoro, with one hand on his sword in readiness for trouble; and Daigoro nurses his injured father back to health, trading his jacket for food.My only gripe with Baby Cart at the River Styx is that the film is often very dark, and it was extremely hard to see what was going on, particularly during the many night scenes. Whilst this may be due to my DVD being a bad transfer, it did affect my enjoyment of the film (I had to re-watch the gory dismemberment of one unfortunate shinobi at the hands of the female ninjas with my TV's brightness and contrast whacked right up), which is why I give it slightly less than Sword of Vengeance—7.5/10 (although I have to round my rating up to 8 for IMDb, which technically puts it on a par with the first one).

Ky-D I love the entire 6 part series, but this one is my personal favorite with it's grand collection of action, emotion and gory dismemberment.Time has passed since the Yagyu clan framed Ogami Itto as a traitor and murdered his wife, but the wandering assassin is as determined as ever. The Yagyu clan is active as well in seeking to eliminate the former Shogun executioner; they enlist the aid of one of the clans sects, the Asuki Yagyu women, to kill Itto and his son. At the same time, Ogami has just accepted a job to assassinate dye maker.Arguably the bloodiest of the series, but also the most methodical. Story elements are presented in slow, stiff dialogue exchanges, only to be off-set by quick, bloody bursts of violence. Much of the film is silent as well, there is very little talking for the whole picture. Once swords are drawn, however, the movie becomes a whole other beast entirely; the action is fast, it's gory, and it's ever so fun to watch.Story wise, this one doesn't do much for the overlapping plot of the series. Despite clashing yet again with the Yagyu clan very little is resolved on that front. It ends pretty much were it started, but while the story lacks a grander scale, it makes up for it with interesting characters and a well told (if ultimately unimportant) side story involving the dye maker hit. Inparticular, the three 'Gods of Death' are a nice addition; Ogami's fight with them is the best of the series in my opinion.Nothing much to say on the technical front, it's no better or worse then any other film in the sub-genre. Sound, lighting, direction, acting are all sufficient enough to get the job done.A classic of samurai film and another hardy addition to a great series.9/10

Rob I found Babycart in a sale and it had two other movies with it. The reason I bought it was because it had a special cover that indicating it had something to do with Kill Bill and it did. They were three films that had the biggest influence on Kill Bill so I thought it must be good but I didn't expect it to better. When viewing it I was watching how real films about samurai films were made and what they were like and they were more than I could have ever expected. The use of silence in some of the fight scenes were great but at first I thought it was really strange and didn't have a clue what was going on and I was saying every swear word in the dictionary of swearing then my Fiancée brought me back down to earth and said that she once read that samurai attacks in completely silence so it's enemy isn't aware of his moves which was the reason the film was like this and my thought straight away was `Clever Buggers'. It's because if you haven't grown up watching films like this and you are quite oblivious to what samurai films like this and Shogun Assassin are about you see them as a ray of sun shine into you're life because you are being introduced into this new genre which you never ever knew anything about which is always nice.I was taken into this film from the start and was just amazed by how influential these kind of films have been for so many years and when you watch them you will see why.

SaracenReborn These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films. Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!