Tockinit not horrible nor great

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

gcd70 Should an African-American child be raised by Anglo-American parents? This is the perplexing question raised in Stephen Gyllengaal's tragic "Losing Isaiah", the story of the desperate custody battle between the white adoptive parents and the black biological mother of little four year old Isaiah. Khaila Richards has discovered that the baby she left in a cardboard box is still alive and lays claim to him, stating that he should not be raised by parents of a differing colour. Margaret and Charles Lewin will not concede without a fight though, and they enlist an African-American attorney to represent their cause.Director Gyllenhaal fails (incredibly) to generate compassion for any of the characters involved, not even Isaiah! Naomi Foner's screenplay (from Seth Margolis' novel) has unfortunately underdeveloped its pivotal players, and thus we are unable to associate with them and get under their skin. The characters of Khaila and Charles Lewin are particularly overlooked.Here we have a film that presents a shocking and challenging topic without (somehow) shocking or challenging us. Failing almost entirely to invoke the emotions, I was no more inspired than having read the story in the newspaper. Marc John Jefferies is cute, yet Gyllenhaal barely even plays on this, amazingly.Both Director and screenwriter have skimmed over the top of all the sensitive issues and shirked all the antagonistic problems that "Losing Isaiah" raises. They never stir deeply enough nor give the movie a harsh enough edge. The soft ending is a major disappointment too, when this picture desperately needed a hard-hitting finale to drive home a point, one Mr. Gyllenhaal's film never had to make in the first place.Racial issues throughout are intriguing yet sadly never fully examined. Should black and white mix when it comes to raising children? Can white folks raise an African-American child satisfactorily, so that he has a full understanding of who he is, his heritage, and so that he's sure of his position in society and is able to form and maintain stable relationships? Then again, is an ex-crack addict who threw her new born baby out with the trash fit to be a mother? The ultimate question is of course, what's best for Isaiah? With all this in mind, the whole movie just did not have the impact it required and will leave you untouched.All the acting is of a good standard, though never to the height it could have been. Both David Strathairn and Samuel L. Jackson ("Pulp Fiction") are hard pressed to do anything with their limited roles, Halle Berry shows she's on the rise with a convincing portrayal of Khaila, while Jessica Lange is strong but she's been infinitely better. In fact the most disappointing thing about Ms. Lange's showing was her appearance! She looked dreadful, as if she hadn't slept in days, and her hair was awful. Certainly a far cry from the gorgeous blonde in "Tootsie".It was great to hear another fine Mark Isham score.Tuesday, June 6, 1995 - Hoyts Forest Hill Chase

jwillingter A comment was made that this movie has a bad ending. This is a TRUE story that happened in San Antonio, Texas. Although Hollywood and most movie goers want a neat and tidy ending, this does not portray REAL LIFE. Indeed, this movie portrays a real situation and does it well. Makes you think a lot about our child adoption system. What is best for the CHILD is what should be the focus, however obviously biology is the only significant thing that our courts consider. This shows the child wanting and being more comfortable with the adopted family.This was an excellent film. Halle Barry showed some real acting chops. Previous to this movie she was just in party movies, playing on her looks. She acted up against Jessica quite well.However, the courtroom scenes were quite biased to Halle's situation. Not sure how much of the courtroom scenes were based on the real transcripts.Jessica was excellent as always!

moonspinner55 Seth Margolis' novel becomes middle-of-the-road drama about a white woman and her husband fighting a black woman in court over the custody of the black woman's baby son, whom she left in a dumpster two years prior to cleaning up her life as a homeless crack-addict. Uninventive presentation plays like a dulled-out TV-movie, and the two leading actresses (Jessica Lange and Halle Berry), while well cast, can't do much more than fill these stock roles with their individual charisma and personalities (they can't invest much heart into the proceedings when the screenplay is all processed emotion). The outcome of the case (and the reasons for the outcome) seem dated already, and the concluding events are standard, predictable scenes of coming to terms. ** from ****

drechanteuse Losing Isaiah is a movie that attempts to deal honestly with the issues of interracial adoption. Its portrayals are most always right on the mark. Halle Berry is almost unrecognizable (of course, her natural beauty gives her away) in the first part of the film. She is compelling as the "gone straight" crack addict that threw her son away. Jessica Lang gives a strong performance as the social worker who dotes on Isaiah to the point that she almost forgets her own daughter. The best part of this movie, however, is the ending, when love for the child pushes all other differences to the side. For all the movies that waste our time, this one helps to make up for it.