Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Yash Wade Close shines in drama with strong language, adult themes.

Dana An old-fashioned movie made with new-fashioned finesse.

Edgar Soberon Torchia It seems the «Jewish experience» —that is, being of Jewish origins, and living "jewishly" according to this or that dogma— varies from country to country very much. I was born in a country (Panama) where almost all Jewish persons are economically powerful, do not mix with the average citizen, and live mostly for themselves behind tightly-closed walls. There are, of course, exceptions; but I had to travel abroad to have a different experience, even to have Jewish friends and lovers, and discover that not all are so closed to the humanity living close to them, as many that I have met in Panama. When I saw "El abrazo partido", one of the most endearing Latin American films that I had seen in years —besides another beautiful Argentine film called "El perro", announcing what was just about to come: a long list of new, remarkable filmmakers as Lucrecia Martel, Israel Adrián Caetano, Lisandro Alonso, and many others—, I was very well impressed and happy to see this different side of what it is to be a Jewish person in Latin America, because I could identify very much with them. Most of the times the cinematic Jewish experience comes from American filmmakers, and they keep on telling the same stories, or give them the same approach (exceptions admitted). For instance, with the weight world cinema has given to the Jewish drama during Second World War —and I am not by any means diminishing it—, I loved to see normal, beautiful people leading their everyday life in this motion picture, directed with both the brain and the heart, with top performances by Daniel Hendler, Adriana Aizemberg, Jorge D'Elía, and Rosita Londner as the grandmother, as well as all the supporting players. I can't explain how people can reduce the value of a motion picture, just because a few of the shots were not done with a tripod! Where have they been all these years? Camera movements were even very popular in the 70s. A movement done with the camera on the operator's shoulder, has a strong, different value to another one done with a steadicam! A very good movie, just as good as those I have enjoyed, done by sensible filmmakers from Israel that have shown me the best parts of their culture.

Samuel-Maldonado This hilarious Argentinean comedy is impressively realistic in its incorporation of a hand-held shaky-cam, conversational dialogue, and individual personalities for every single character. The rich and diverse cast of characters immerses us in this entertaining subculture. It's also really funny – the attitudes and witty banters are universally appreciable, legitimately making me laugh out loud several times. But, on the other hand, The Lost Embrace also tackles serious issues like cultural identity, family relationships, forgiveness, and regret. We can identify with the lead character, despite his flaws and sometimes-arrogant attitude, because he deals with many of the same struggles we do. This gritty, smart-alec, and hilarious yet emotionally challenging movie is very worth watching, and might be my favorite movie to come out of Argentina yet!

carlos-weigle This is one of those warm, funny little movies that make you laugh, cry and everything in between. The relationships between these characters, who are barely holding it together while their world falls apart, is really touching. The diversity of this group of immigrants sharing a "galería" - a kind of commercial space that filled the streets of Buenos Aires before the arrival of the shopping malls - certainly adds interest and make all these great character actors shine. Even though the theme and mood are quite different, it reminds me of another little movie that really touched me, "Walk on Water." When in doubt...go see both!

jotix100 "Abrazo Partido" is one of the better Argentine films that have reached us. Not having a market in the USA, if they are not shown in a film festival, they are not seen at all. The director, Daniel Burman working on the screen play with Marcelo Birmajer, shows he is a talent to be reckoned with.The movie presents us with a small mini mall that one encounters all over Buenos Aires. The story is about all the operators of the tiny shops in the complex, but focuses on the Makaroff family. Elias Creations is operated by Sonia, a woman whose husband has deserted her and the two small sons. Elias, the husband has gone to Israel to fight in one of the wars and never returned. His memory looms large, especially in the case of Ariel, who secretly loves him, but resent the abandonment of the family.The camera work is incredible. The director gives us an excellent idea of the area of the neighborhood that at one time was dominated by the European Jews that emigrated to Argentina. Daniel Hendler, does a wonderful job in portraying Ariel, the young man who wants to do just the opposite of what his family did: return to Poland. The family left the horrors of their country by settling in the friendly atmosphere that Argentina offered at the time. Now, during a difficult time, the grandson of the original family wants nothing of his precarious life. His dream is to try his fortune in Europe, Poland, only being the excuse for getting an European passport that only his grandmother can provide, having been born there.Adriana Aizemberg plays the mother, Sonia. Ms. Aizemberg is wonderful as the mother who is so full of life and suddenly sees the world, as she knew it, coming apart. The grandmother, Rosita Londner, is also appealing.A new talent emerges in Argentina.