Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Prof-Hieronymos-Grost
A few days before his 12th birthday, young Master Stephen is sent to the country to spend some time with his elderly cousin, Mr Abney, who is to be his new guardian, at his country manor. As he nears his destination he sees two young children waving at him in a slow synchronicity, he thinks their movements are odd, but when he takes a second look, they are gone. On arrival, he is shown to his cousin who immediately strikes Stephen as being very eccentric, being a man who writes down every trivial event of the day no matter how menial, Mr Abney seems very excited to learn that Master Stephen will soon be twelve on Halloween night, a fact he immediately leaves to the room to enter in his daily log, much to Stephen's bemusement. Mr Abney we learn is a man of science? his study is full of strange paintings and statuettes and studies it by way of his vast collection of antiquated books, but what exactly his work is, is anyone's guess? although Astrology and the Black Arts are hinted at. Stephen is a bright boy and is soon gleaning plenty of information on his cousin, from cook Mrs Bunch, he questions her about other children staying there, but there are none he learns, but there used to be, Mrs Bunch tells him. There was a young girl some years previously who Mr Abney brought home, he looked after her for a few weeks before she disappeared, Mr Abney's theory being that the girl was a gypsy and had been taken by them, still though he had trawled the nearby lake just to be sure. Then after her, there was an Italian orphan boy, Giovanni, whom Mr Abney found walking nearby, the boy was obsessed with playing the hurdy-gurdy, again Mr Abney took him in but the boy didn't stay long either and disappeared soon after, leaving behind his beloved hurdy-gurdy, a fact Stephen jumps upon as very odd. Stephen's dreams are very soon haunted by dreadful visions of the two children he had seen before, Are they real or ghosts, Stephen is unsure, as he continually catches fleeting glimpses of them here and there around Abneys estate. He also begins to hear voices, he learns he's not the only one either, as Mrs Bunch and handyman Parkes also hear them. On the eve of his birthday, Mr Abney invites young Stephen to a Halloween midnight rendezvous, to experience the gift of a lifetime, Stephen is at first hesitant as he is sure at that late hour he will be too tired, but eager to please his very insistent cousin, he agrees....It always amazes me how Clark is never mentioned is dispatches, when best horror director lists are being compiled, for he truly had a unique vision on how supernatural films should be filmed and should be better known and admired for his rather obvious talents. Again he delves into M.R.James's Ghost Stories of an Antiquary and ensures the screen equivalent is just as terrifying as the written word. He uses the beautifully stunning English countryside to perfection, as the ghostly children stand transfixed amidst wind rustled trees, as stealthily creeping fog encircles them, their gaze fixed on Mr Abney's manor. The look of the children is quite eerie and unsettling, especially their twisted fingers and elongated fingernails and is added to immensely by Giovanni's rather odd hurdy-gurdy music. Abney himself on the surface seems friendly, but behind the eccentric facade and failed experiments, we just know something dark lingers and its not long before our suspicions of his predatory nature are realized. For its time, the 1890's, James's extremely dark work seems to herald future, more modern concerns and yet still seems to contain even more unspeakable ideas. Stephen's dangerous and fateful midnight meeting, is the subject of the films finale and succeeds in providing us with yet more unsettling imagery. And yet another superb entry in the series is realized.
bob the moo
Young Stephen comes out to the countryside to stay with his cousin, the eccentric old Mr Abney. Alone with Abney and his two staff, Stephen hears of the other children who have stayed at this house before him thanks to the kindness of Abney. When he thinks he sees them he responses to their signals for silence by not mentioning it to any of the adults, however when a boy and a girl come for him and night and reveal themselves to have no hearts. However is it just the dream that the adults assure him it all is?Shown again recently on BBC4 as part of their season of ghost story films leading up to Christmas, this was easily one of the better of them. The foundation of the film is the wonderfully non-threatening Abney, a kindly uncle for the world even if he is a bit eccentric. However, the viewer will keep asking, if he is so cheerful and kind, why is Stephen seeing these two ghostly figures in trees and windows? The questions are what held my attention but the strength of the film is in using them to create an uncertain air that is quite creepy. On top of this are thrown two white faced children who predate Ringu and the like by many decades. They move so effectively and simply that it is just roundly unnerving. Wisely director Clark doesn't shroud these two characters in horror but instead makes them innocent, smiling and cheerful – making them seem all the more creepy.They are not great child actors but they work this well. Gipps-Kent is a solid lead and avoids being cute or overly confident but the film is dominated by the eccentric wonderfulness of O'Conor as Abney. His turn keeps things quite upbeat and makes the mystery and the ghosts seem just that bit more creepy. Overall then this is a great little ghost story. Modern viewers may feel a little bit like it has done better elsewhere (it has, in recent Japanese horrors) but it is worth remembering that this film came many decades before and is just as creepy now as it must have been then.
