IslandGuru Who payed the critics

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

lucsecret-1 How can they know that it was a suicide and not an accident?

CineMuseFilms Most coming-of-age films lean on the romantic comedy or melodrama for shape and structure, usually with a linear storyline that leads to a metaphorical awakening or some other resolution. As you might expect from a Norwegian director, Louder than Bombs (2015) avoids this well-trodden approach by telling a multi-layered fractured tale that looks more like a thriller than a teen-drama. Adolescents who clam-up tightly to exclude the world while they catch up with its emotional challenges are common stories. The one in this film is like a bomb about to explode and his story forms the narrative spine along which several sub-plots radiate in all directions.Conrad is an introspective young war-gamer who has closed off to the world since his famous war photographer mother Isabelle was killed three years ago. He keeps to himself at school and defiantly ignores his well-meaning ex-TV star father. A photo exhibition is planned to commemorate Isabelle's work and a former colleague plans an article that will reveal the secret truth of Isabelle's suicide. Conrad has been shielded from this truth, as well as from the affairs of his father and brother. Over-protection has increasingly isolated him until he tries to connect with a girl in class. It's a complex non-liner plot line with several flashbacks that shift across narrative lines to create the visual effect of a perfect storm of fractured people. Isabelle's war images and her memory keep appearing but the battle we are seeing is raging in the minds of those she left behind who struggle to move on with their lives.The film has an unsettling asymmetrical style about it. You find it in the withholding of truths, in the gender inversion of a war zone mother and a TV soapies father, and in hair-trigger Conrad lashing out in all directions. While the acting is often melodramatic, the filming is edgy with sharp editing cuts and sudden discordant images that feel out of context (like tumbling aerial schoolgirls). It has an uneven but reflective pace that disorients the viewer and leaves them uncertain how the story can hold together. But through the foggy mess of their lives appears hope for better times. More art-house than spoon-fed, the film feels refreshingly free of clichés and leaves you thinking about the impact of distant memories on daily lives.

SquigglyCrunch Louder than Bombs follows a family three years after their mother/wife dies as an article is going to be written about her for an exhibit. The family (a father and two sons) are united and have their fair share of troubles and problems together. The plot is good. I wouldn't say it sounds horribly interesting, and it's kind of difficult to describe. In actuality, it's really just a few guys who are trying to make things work but they're all just living life mostly. I like movies about simply living life, however, and this one is no exception. The story is interesting, and presented in an interesting way. The characters are the clear driving force, and they are great. All the actors are very good, and their characters are more engaging than you'd think. At first glance some of them may appear one- dimensional, like they're defined by a couple traits, but they all feel like there's something more too them. Some are a little weird, especially the character of Conrad, but his character is also one of the deepest, and the most explored or focused on. Everyone else has stuff going on, but not all of it is always focused on. The characters are all pretty realistic in this way and many others. You'll just have to see it to really understand. Overall Louder than Bombs is really great. The story is simple but provides for some interesting characters and drama, and the characters certainly are great. In the end I'd recommend this movie.

David Ferguson Greetings again from the darkness. Sometimes we just can't "get over it". Three years after a war photographer dies in a suspicious car accident, her husband and two sons find themselves in various states of emotional distress. Everyone deals with guilt in their own way, but these three seem to be doing anything and everything to avoid actually dealing with the emotional fallout.Writer/director Joachim Trier (Oslo, August 31) delivers his first English-speaking film with an assist from co-writer Eskil Vogt and a terrific cast. As we would expect from Mr. Trier, it's a visually stylish film with some stunning images … and the timeline is anything but simple as we bounce from past to present, and from the perspective of different characters (sometimes with the same scene).The creativity involved with the story telling and technical aspects have no impact whatsoever on the pacing. To say that the film is meticulously paced would be a kind way of saying many viewers may actually get restless/bored with how slowly things move at times. Trier uses this pacing to help us experience some of the frustration and discomfort that each of the characters feel.Isabelle Huppert plays the mother/wife in some wonderful flashback and dream-like sequences, while Gabriel Byrne plays her surviving husband. Jesse Eisenberg as Jonah, and Devin Druid as Conrad are the sons, and as brothers they struggle to connect with each other … just as the father struggles to connect with each of them. In fact, it's a film filled with characters who lie to each other, lie to themselves, and lie to others. It's no mystery why they are each miserable in their own way. The suppressed emotions are at times overwhelming, and it's especially difficult to see the youngest son struggle with social aspects of high school … it's a spellbinding performance from Devin Druid ("Olive Kitteridge").Jesse Eisenberg manages to tone down his usual hyper-obnoxious mannerisms, yet still create the most unlikable character in the film … and that's saying a lot. Mr. Byrne delivers a solid performance as the Dad who is quite flawed, and other supporting work is provided by David Strathairn and Amy Ryan. The shadow cast by this woman is enormous and deep … and for nearly two hours we watch the family she left behind come to grips with her death and each other. It's a film done well, but only you can decide if it sounds like a good way to spend two hours.