Sexylocher Masterful Movie

HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Kinley This movie feels like it was made purely to piss off people who want good shows

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

umamahesvare I saw Stefan Arsenijevic short movies,and I really liked them all,he seemed like a extraordinary talented director,and I couldn't wait to see his new movie -Love and other crimes-. Bur right from beginning,I was feeling embarrassed cause I'm sitting and watching that on a big screen. These are the reasons:-Screenplay is really lame,situations that are happening are not understandable(especially that thing with song-b e s a m e m u c h o--disaster).And biggest mistake is -screenplay looks like it should point to some real problems in Belgrade,and it's completely untrue.I mean,it looks like it refers to reality and it's not.Loan sharks and crimes like that in 2008?! It's like when Americans make movie about war in Bosnia... Characters are insufficiently elaborated ,their relationships are pathetic and shallow,and not logical.Like he was shooting without a script,and solved problems by adding characters and dialogs just like that. I cannot say anything about actors,they are all good,Stefan also made a lot of good camera cadres of New Belgrade and also cadres are generally beautiful,but whole movie is not good,I really ask myself-WHAT happened to Serbian movie,we had really good screenplays in our past,why are intelligent people like Stefan exploiting these subjects in so shallow and stupid way?I would not go to see his next movie

jera021 I don't know where to start from. Story and screenplay for example: it is as if writers read a book in psychology, especially the part which contains examples of why are people getting depressed, and then put it all together in one pathetic script. There are some questions I wanted to ask: Why does a 14-year old girl go to the top of the building twice a day to commit suicide? Is the solution for suicide attempt singing "Besa me mucho" and eating two dozens of oranges a day? Who has ever got a girl by talking of how he was masturbating watching her when they were younger? I don't know much about life of petty criminals in Serbia, but do they really kill each others pets when they don't get their 30-40 Euros of extortion money per month from local pancake shop? Why does everybody in this film sing "Besa me mucho" for so many times? Pretty likable song became very boring one. Why does everybody have to be so unhappy? They've all failed in every aspect of their lifes: family, business, love, parenthood... Some characters are just thrown in to tell their pathetic stories and prolong film for almost an hour. No sign of happiness in this one. My expectations were big but bad script and some poor performances by some good Serbian actors (the script was obviously not the inspiring one) disappointed me. In the end you don't really care about who lives or who dies (although you know it after 5 minutes). Only good thing about this waste of time are filming locations. If you want to watch good Serbian film from the last decade, watch "The Trap".

dkmountainpark Perhaps I am missing something from this movie. I sat in front of 6 Serbians who laughed and hooted throughout the movie. Another couple of reviews (on this site) indicate "What on earth is happening in Serbian film and how can we seem MORE?". I say, "What on earth is happening in Serbian films and where is the closest exit so I can leave".I kept noticing a bunch of disconnects throughout the movie which irritated me. Milutin was fond of Besa me Mucho, supposedly because it reminded him of a previous love. This is understandable...However, his daughter sings this song often also. Not sure why the daughter sings this song. Perhaps she sings this song to forge a connection to her mobster dad? And why is she chronically depressed and always on the verge of jumping off a building? Is this due to her living in this dismal environment. This theme is never explored or developed.Stansilav also sings Besa Me Mucho. Why? Is it that this song evokes memories of a happier time? But this happier time was 14 years ago which certainly was no happy time in Serbia as this was during the war. There is a comment late in the movie (from Milutin's old love) that Stanislav looks like Milutin. This seems to intimate that Stanislav is Multin's son. If so, then Stanislav's mother is also Milutin's ex-lover. It is all so very convoluted.Also, don't know why Milutin left this supposed love of his life (that we see later in the movie) to marry someone else (the mother of his daughter). Was the someone else pregnant? We never know why he left this grand love to take up with this other woman. Perhaps this was meant to point out we often don't know the best parts of our lives until they are in the rear view mirror.Stanislav and Anica are a little more interesting, but again, Stanislav has been in love with this woman for 14 years supposedly for not much more than watching her nice breasts and seeing her romp in the concrete jungle courtyard in year's past. Oh yes, he also saw her naked body years ago after she had made love to some guy (who then got up and left). She hit the exiting lover over the head with a ladle and Stanislav thought this was engaging. Yes, don't we all hold fond/erotic thoughts of the opposite sex..especially if we are lucky enough to view them nude hitting a lover over the head with a kitchen utensil? These activities from Anica are certainly enough to peak a teenage boy's fancy, but not enough to sustain a love for 14 years.The end is predictable. Milutin has to go (he is dying) and Stanislav gets killed. Yawn, yawn, snooze, snooze. I would cross this off my list of "must-see movies".

katchita You may have seen my raves over Klopka from last year's Berlinale, but this year's offering was Love and Other Crimes (Ljubav i Drugi Zlocini in the original Serbian). I got excited the moment the film started rolling and I saw it starred Klopka's haunting Anica Dobra. At the end I stood up and asked, "What on earth is happening in Serbian film and how can we see MORE?" As an American, I can't help viewing the societal collapses endemic to Eastern Europe as the stimulus behind this post-modern film noir. But the director surprised me by answering my query in this vein with a note of optimism. Sure, of course, the end of open warfare is a definite positive, but to then see your society descend into the grips of common criminals in the inexorable name of capitalism, can hardly be optimistic!? I left the theater with the feeling that this particular young director had somehow surpassed himself, overreached his inherent ability. How wonderful when this is in service to art, and with the endlessly expressive face of Dobra, it is not hard to imagine this happening. Then, in further researching the film, I see a common thread -- Srdjan Koljevic, the co-writer -- and ask myself if perhaps he is the one to watch?