LouHomey From my favorite movies..

Asad Almond A clunky actioner with a handful of cool moments.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Chris Knipp The girl has mauve hair, an indication of the hipness of this couple who first meet on a smoke break in a Hong Kong alleyway. He's in advertising; she sells cosmetics. And his shirt is the same color, signaling an affinity this movie seeks to explore. A Hong Kong ordinance prohibited smoking in all indoor areas. Employees began gathering in gathering cliques they called "hot pot packs" to smoke outdoors, talk, and have fun. That's the starting point. There's much camaraderie and banter -- liberally laced with profanity -- among the "hot pot pack" that includes a man with round glasses, a girl with a knit cap, a Pakistani pizza man, a little uniformed hotel bellman -- and the couple- to-be, Jimmy (Shawn Yue) and Cherie (Miriam Yeung Chin Wah). The movie begins with a dramatization of a shaggy dog story about a man locked in car trunk in a parking lot who turns out to be a ghost. There's a lot of joking round, and things stay very light, becoming just a little romantic when Jimmy joins Cherie at a costume birthday party at a Karaoke bar -- except Cherie turns out to have a boyfriend, KK (Jo Kuk).Eventually he finds out about Jimmy (and we see how much fun he and Cherie are having together) and he gets jealous. Love in a Puff shows how romantic text messaging can be -- and how it can give away secrets if spied on. And when Cherie decides to switch to Jimmy's network so her SMS fees aren't too high, Jimmy's cohorts at work say she's too aggressive. Jimmy has just had a breakup with a girlfriend at work, and Cherie is older. These are the givens that do nothing but fuel the mutual attraction.This movie excels in its constant interplay of lightness and seriousness, in the way the milieu and the social world is sketched in, and in the great chemistry between Yeung and Yue. Their dialogue is breezy and sometimes touching. Dialogue in group scenes is feisty and provocative by sometimes strict Hong Kong standards; Love in a Puff caused some controversy, which could add to its hip gloss for locals. Some of the whimsy recalls romantic moments in Wong Kar-wai, but it's all more mundane, but enough to show that Wong's tropes are far from unique and sometimes come from Hong Kong pop culture. If only Pang had taken more breaks from the sit-com charm and stepped back a bit, he might have created a bit more magic. There is a bit of that with a silhouette-and-full-moon sequence of Cherie at the 80-minute mark, when the story reaches its make-or-break get-serious point. At film's end, the couple come to some kind of commitment, with Jimmy's Land Rover stalled on an overpass, appropriately enough by making serious plans to both give up smoking, and focus on each other. The apparent triviality of the subject matter, along with the modern urban couple's difficulty with communication (despite multiple platforms) is offset by wit and keen observation of little details every step of the way. This light, cinematic, amusing movie is appealing and fresh -- and has an assured polish, along with casual touches, like the little small-screen 16mm interviews that serve as occasional commentary. All in all, Love in a Puff is a delightful little piece of fluff, as casual as its lovers try to be. One online critic listed it as one of his top movies of 2010 and characterized it as "forgettable in an unforgettable way," and that's about right. Local commentaries say the film won't work dubbed in Mandarin because its Cantonese profanities are untranslatable and had the audiences in stitches throughout. Subtleties apart, the English titles give a fair sense of this pungency. Some little SMS tricks emerge too: for instance, if you type "i n 55!W !" it looks like nonsense or code, but turn the phone upside down and it reads "I MISS U!" Of such details are Puff's flavor and charm made. After its initially rocky debut in Hong Kong due to its profanity and heavy nicotine use, Love in a Puff has breezed along the festival route, appearing in Seattle, Melbourne, Tokyo, Palm Springs, landing in April 2011 at the San Francisco International Film Festival, where it was screened for this review. The original Chinese title is Chi ming yu chun giu, which means simply Jimmy and Cherie. I was not previously familiar with the work of this prolific 2000's Hong Kong director.

Kenji Chan Love in a Puff is a light-hearted romantic comedy examining typical romantic relationships in Hong Kong nowadays. It starts creatively and ends with a catchy song. However, the film is far from perfect because of several reasons.First, the story with some witty and authentic dialogue is not flawless. That Cherie leaves her boyfriend whom she has been with for 5 years because of a newly met male friend she fancies simply does not convince me. Her character should at least experience some emotional turmoil when she makes the decision. Also, it is unlikely for her to go to a motel with Jimmy with her luggage. Instead, she should look for a place to settle in first. Apart from this, the twist at the end seems unlikely.Second, although Miriam Yeung is able to perform naturally, her character is not three dimensional enough to showcase her acting skills. Judging from her character's tone and choice of words, the audience only sees Miriam, instead of Cherie in the movie. Miriam's character should be called Miriam. Moreover, the scene in which she argues with her husband in the bedroom is devoid of tension, which is a solid proof of her average performance.Third, the use of foul language is slightly over the top. After watching the movie, I cannot help but ask if it is necessary for most characters (a health inspector included) to use foul language so often. It seems to me that the movie is stereotyping smokers as foul-mouthed. By the way, it is interesting to observe that some members of the audience burst into laughter whenever a character uses foul language. In other words, this kind of joke does not work on everybody.Fourth, the interviews are insignificant and insipid. Indeed, most of the things they talk about in the interviews are not thought-provoking. Besides, is it necessary to show the boom mic intentionally in every interview?On the whole, Love in a Puff, at times, has a subtle insight into romantic relationships in Hong Kong nowadays, whereas it is far from perfect.

sitenoise Lots of f-bombs and dick or boob jokes tossed around to try and elevate this fairly standard rom-dramedy from the pack. It's not too offensive or juvenile and it's shame to have to get it through subtitles. I'm sure the original Cantonese is more subtle and euphemism based, and crude is always more palatable when it's subtle or funny. Love in a Puff has a CAT III rating and it's not for nudity or all the cigarette smoking.The premise of Love in a Puff is one all cigarette smokers will be familiar with. The "smoke break" is a time to bond with co-workers or friends, to make plans and share stories, and, in this case, tell dirty jokes and gossip. It's also an opportunity to massage in baby steps a possibly romantic relationship. There's a lot less "Is this a date?" pressure than even just meeting for coffee. There's a pre-determined end time and it comes quickly. If things aren't going well the suffering is short-lived and if there is a spark you'll leave wanting more. Always a good thing.Zoom out from the premise and Love in a Puff makes many observations on modern SMS-based relationships, budding and otherwise. Something I learned, and put to use, from this film is if you type "i n 55!W !" (without the quotes) into a text message your recipient might see it as some nonsense code, but if they turn their phone upside down it will read "i miss u !". How cute. And appropriately enough, that little tidbit is the catalyst for a couple of the larger emotional transitions in the film.I like small films like this, the cinematic equivalent, if you will, of a smoke break. Without aiming too high it's easy to hit its mark. It's well acted, and well scripted for the most part, and doesn't veer from its target too often, which is following the seven day courtship of Cherie (Miriam Yeung) and Jimmy (Shawn Yue). Yeung is especially crisp in her performance. There's a wonderful little "no sh*t!" moment near the end of the film when the two of them are in a small battle about who they are and what kind of relationship they're in and Cherie declares "I'm simple and straightforward". She is.My only quibble with the film is an unavoidable one. To go from "My name's Cherie", through moving out of the premises and bond of one relationship, to "I'm simple and straightforward" in seven days requires a brisk pace. Maybe that's the way it is these days. There is a time or two where it seems like a little exposition might have ended up on the cutting room floor but maybe things are clearer in the original language and subtitles short of an essay couldn't translate it. Most of the screen time is devoted to the main protagonists, garnished with a handful of side characters and set pieces that don't detract from the lit up screen chemistry required of all good Rom-Coms and provided by Yeung and Yue. All in all a fun time was had with Love in a Puff.★★★★

DICK STEEL I don't smoke, but I will tell you that from time to time my admiration of the smokers is that camaraderie formed given the gathering of like-minded (erm, addicted?) folks within Singapore's context of the yellow box, where they are permitted to light up and puff to their hearts' content in public (now with even stricter regulations it must be 5m away from an building entrance). It's an "us against the world", but that doesn't faze them at all. In need of a light? Well, someone at the box will gladly assist you. Need another stick but have smoked your last? Somebody else can offer you one. For free. And not to mention the many talk-cock-sing-song sessions that occur, where the yellow box has evolved into a bona fide grapevine for news, jokes and gossips to be traded. This yellow box bonding is much envied.But of course that isn't reason enough to convert me, but it sure is reason enough for Hong Kong director Pang Ho-cheung to weave a romantic comedy based on this premise, and he does so with much aplomb in the opening scene being a direct result, that it just grabs you and holds your attention all the way until the end, with an astute sense and insightful capture of the essence and psyche of the modern day dating game. Being a young (though established) director, he combines the in-thing of today's technology, with SMS and doctored Facebook profile pictures into a commentary of sorts about the games people play when looking for love.Hong Kong too has similar strict regulations in the areas where one can smoke, and these are all explained in the film. Ho uses them as a social background to weave the story of two characters - the English title is nowhere remotely close to the Chinese one, which is "Jimmy and Cherie", named after the two characters played by Shawn Yue and Miriam Yeung, in a sort of Romeo and Juliet fashion and the likes. They meet at one of the smoking areas where they trade stories with folks from other parts of the neighbourhood, and soon become fast friends, hitting it off almost instantaneously after cosmetics salesgirl Cherie learns of the unfortunate infidelity of ad executive Jimmy's (soon to be ex) girlfriend, which provides enormous punctuations of laughter since she (and others not supposed to be in the loop) are sworn to secrecy.Despite their age gap (in real life as well) which is made explicitly known in the narrative, both Shawn and Miriam (last seen on screen some 3 years ago with Hooked on You, another Hong Kong romantic comedy I dig) share a lovable, natural chemistry which is hallmark of any great romance, despite roadblocks placed in their way like current relationships gone sour, and the questioning of the What If when someone else who does seem more like one's soulmate comes along. Unravelling itself over seven consecutive days, we follow these two wonderfully crafted characters as they hit it off, and quietly root for them to come together, though it's no mean feat, almost reminiscent of anyone's experience in a relationship when the beginning phase seems pretty awesome, until expectations start settling in and the mind games start to creep in.The jokes here are laugh a minute when the director gets his story to deliver punchline after punchline which worked almost all the time, and shows his unique knack at pace and knowing what works. Included are some documentary-reel like clips containing faux pas interviews with the characters which while a tangent from the main narrative, contains plenty of rip-roaring revelations that continue all the way until during the end credits (which contains those which don't exactly fit into the main narrative proper). The main theme from the soundtrack is also beautiful to listen to, and becomes instant earworm.This is another winner from Pang Ho-cheung, and is definitely highly recommended. I think it'll make its way to Singapore despite the focus on the smokes (with some redeeming factors), but surely, this is one film that will lose out tremendously if dubbed in Mandarin, since the colourful, fast-and-furiously delivered-only-in-Cantonese swear phrases will lose their shine (the audience was just going nuts!). Oh and thanks to this film, I will also want to try out the dry-ice toilet bowl effect, nothing like taking a heavenly dump!