Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Alistair Olson After playing with our expectations, this turns out to be a very different sort of film.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

t_maly I like light romance comedies, but what I found most unlikable about this particular movie was Mandy Moore's character's very one-sided personality. She's been in too many movies where her characters have been irritating, one-sided, primadonna types. It's unfortunate given that she is so attractive. It's incredibly irritating to see a protagonist force her vision of what her parent's marriage should be. It was pounded again and again, just irritating, and there was no depth to it such as her showing a painful side as to why she needs to 'fix' things (ie some sense of childhood neglect), nor did it show her maturing into someone who wants their parents to be happy in their own way, without somebody, society, etc telling them what they 'should' be happy with. Who's to say anybody can tell another what makes them happy? Can't a couple go their separate ways for a few days or months, to discover their individual selves? I was more pleased with Jane Seymour's character to experience a life, grow, do new things, travel, etc apart from being some wife-servant. At least with Mandy Moore's character, she could have had some evolution in her efforts (not just that last second fake pill overdose shenanigan to manipulate her parents), to be more altruistic instead of dominating/manipulating.The conflict with the husband regarding the manipulation was well played. Mandy's character manipulates a fake life-and-death situation to deceive his mother into not wanting to be on her own for 6 months out of her life for once. Mandy's husband called her out on this blatant manipulation and I felt that was the most honest part of the movie, how shallow, selfish the manipulation was, to judge for other people what 'should' make them happy, that it involves some stereotype instead of personal discovery/independence. The resolution of the conflict came out of nowhere. The dialogue started with Mandy's character trying to apologize, but was interrupted, as if an apology or personal change/growth was completely unnecessary. The things the husband wanted from the wife (to accept, in him) was actually nothing to do with why he was angry in the first place. She gets interrupted from her apology, he asks to be accepted, they kiss, end credits. She never got the chance to apologize and so that almost says that it was unnecessary, superficial. Messages like that are dangerous. Even with the movie being a comedy.I found Mandy's character overall annoying/irritating and given that she felt no remorse for manipulating her parents, that she had no soul. I don't think it was Ms. Moore's fault, as that has more to do with the script and directing, hinting at emotion, providing pause, reflection, etc that the director simply did not provide. These romantic comedies that have such absurd conflict only to end in even more absurd resolution are ultimately dangerous stories of fantasy that even a lighthearted audience should not see. It only can give terrible impressions in a relationship, bad example, and make relationships more painful and illusive. At least a comedy could teach the viewers something. There was no lesson of compromise, of heart-felt communication, of acceptance, of change, of growth, etc - the conflict was sudden and the resolution was even more sudden.Normally I don't mind watching rom-coms multiple times, but i don't think this is enjoyable to watch again. The characters were too irritating to enjoy. It reminds me of the irritation I felt with another Mandy Moore movie, License to Wed, where the conflict felt so incredibly contrived/out-of-nowhere and the helplessness of the characters (to augment the ridiculous conflict) just made it really annoying. I actually liked her better in Swinging With The Finkels, even though in that movie I found the shallow, apathetic and loyalty-less husband quite irritating.

onelson4 Being a hopeless romantic and having a huge crush on Ms. Moore, I loved this movie as I do everything she's in. To see Mandy's career arc placing her in the ranks of the top actors is a tribute to her talent. Her sweetness, femininity, vulnerability, goodness--even bawdiness at times--assures her longevity as an actor. The wide spectrum of roles she's had--from A Walk to Remember, to Southland, to Dedication, to Tanlged shows the depth of her natural acting skills. May we enjoy Mandy for a long time to come and may she put out another album soon!Love Wedding Marriage leaves its mark as a a creative way to show the boy meets girl, boy loses girl, boy gets girl back formula, and it succeeds because of all the assembled talent and because of Mr. Mulroney's fine direction.Oh--the movie? It was fun, fun, fun through the romance, conflict and romance. Loved it, loved it.

Saad Khan LOVE, WEDDING, MARRIAGE – TRASH IT ( D ) Love, Wedding, Marriage is a disastrous addition in to the rom com movies. From beginning till the end there is no sensibility to the characters or the movie itself. Mandy Moore's approach to finding out that her parents are getting divorce was awful, from the second scene a person can easily imagine in which direction this movie going too. The director try to put some cheesy comedic scenes, dialogues and moments to make this movie enjoyable but sadly it just fire back at him. With some movie even if script is not strong, performances makes movie strong but it fell flat in that department as well. Mandy Moore delivered same boring acting chops, she showcased in previous rom com movies like "License to Wed" & "Because, I said so". Trust me if you play her scenes from all these movies, you won't be able to figure out which scenes is from which movies, she is the same annoying winning romcom wannabee queen. Mandy Moore should stick to animated version of herself like Tangled. "Love, Wedding, Marriage" is just another disastrous attempt after "License to Wed" and "Because, I said so" to become a Rom-Com queen. Kellan Lutz is good when he is shirtless because his acting is atrocious, no-wonder he has almost non-speaking part in "Twilight Saga". Jessica Szore is Gorgeous, I can never figure out why she always looked so awful in Gossip Girl? Overall, Love, Wedding, Marriage is a dreadful 90mints of romcom, you defiantly want to avoid.

MovieLoverEasyCritic So many well known actors....I LOVE romantic comedies. Mandy Moore's character is so DUMB....and her acting is awful! The best thing about this movie "Kellan Lutz" when he's not wearing a shirt! But all the parts were not believable and LAME!I don't know who to blame for this waste of time....The script...the director...it just did not flow...or "click"....very sad....Brolin and Seymour had silly unbelievable parts! This movie offers....Nothing ....NEW.... easy to predict!You can't like or enjoy any of the characters!I Love Romantic comedies and I'm a Very Easy Critic! I would not even recommend Renting this movie!