Smartorhypo Highly Overrated But Still Good

Spoonixel Amateur movie with Big budget

Lancoor A very feeble attempt at affirmatie action

CrawlerChunky In truth, there is barely enough story here to make a film.

runamokprods An amazing lead performance, terrific, strong, stylistic lighting and camera-work, and good supporting performances highlight this true story of a violent, sad, sexy, gay Brazilian pimp and drag queen performer in the 1930s, and his two house mates/earners – one male and one female. Touching, complex, never dull. but somehow doesn't quite add up to as much as it seems like it should. It spends so much time on some elements of 'Madame Sata's story, that it speeds by and glosses over other key moments, especially the ending. None-the less, very worth seeing for all that's good about it, and forgivable for it's flaws.

jotix100 "Madame Sata" is a movie that depicts a bygone era. This colorful film directed by Karim Ainouz concentrates on the life of a charismatic man who lived an interesting life. We are taken to the Rio of the 1930s to witness the night life that flourished in the bohemian Lapa neighborhood, with its many dives and night clubs where all kinds of people mixed together.This is the story of Joao, a poor black man who is a homosexual living in a macho dominated society. The film opens as Joao is being processed because of a crime he committed. We watch his face in a close-up where an off camera voice is reading what he did, and then we are taken back to watch his life in flashbacks.Joao, who is an assistant to a French third rate chanteuse, is seen backstage imitating the singer in his own way, which is much better than what that tired woman does on stage. Joao lives in a household that includes Laurita, a friendly prostitute, and Tabu, a gay man who loves dressing as a woman, even for house work.This was the era where the movies glorify those larger than life women who inspired gays all over the world to imitate them. Joao feels the attraction and after losing Renatinho, he asks the friendly Amador, who owns a bar in the Lapa district to give him a chance to perform in the style of the great divas of the era. The result is an instant success because of the innate talent in Joao. Alas, tragedy strikes when a loud mouth drunk begins to insult Joao, who decides to take matters into his own hand with dire consequences. In real life, Joao was in and out of prisons all his life. Lazaro Ramos does a fantastic job portraying this complex man who was ahead of his time. Mr. Ramos is the best excuse for watching this Brazilian film that shows that seedy side of a society condemned to live in poverty and need. Marcelia Cartaxo plays Laurita, a true friend, who stuck by Joao no matter how bad things got. Flavioi Bauraqui is another asset in the film appearing as Tabu, the other member of Joao's household. Fellipe Marques is perfect as Renatinho, the man who loved Joao."Madame Sata" offers a nostalgic look at the life in Rio during the 30s and it's based on the true story of the man who was made famous for his originality and contribution to a society that tried to keep him away from mixing with them. This is a great directing job by Karim Ainouz, who with the writer, Marcelo Gomes, takes the viewer to a magical ride to the exotic life of that long gone Brazil.

Brunicos It's a surprise to watch this movie, because we [brazillians] are finally having our movies being screened at major theaters, and that pleases me. But, let me talk about the movie. I was dazzled with the energy of this movie, because Lázaro Santos IS Madame Satã in such a powerfull way that is almoust scary. It might not have a very good plot line, but the way the movie was shot is incredible, it seems that the camera is loose, as wild as Mme Satã with a unique photogray[if you watch carefully, you'll see that the director explores the shadows and use an artifice of 'portrait' to limit the screen...and the camera's iris-or diafragama- is so open that only one object is visible at the time] and an extraordinary soundtrack!!! There are some scenes that are so powerfull that I think beats one particulary scene from "Hable con Ella" when Lydia faces the bull for the first time. Don't avoid this movie because of the homosexualism, because then you are going to be stupid enough to miss it! A new brazilian movie that is not limited by the difficulties to produce a movie here. A must see

mark-783 What a total surprise. One sunny Afternoon, my associate and I wander into a dark little cinema in Cannes to see a little pubicised film.From the moment the the turquoise beads on the bead curtain parted, and the rich tones of a Brazilian voice, spoke, we were mesmerised.An incredible mix of doom, dispair and triumph in abject failure and disaster.MUST BE SEEN!!!